Radio Netherlands - A Golden Anniversary - Part 1 of 8
The Media Network Vintage Vault 2024-2025
Release Date: 12/02/2012
The Media Network Vintage Vault 2024-2025
COVID disrupted just about everything for me. And by New Years Day 2023, I started wondering if there is any value in continuing the Media Network archive I built about international sound broadcasting in the 20th century. What has always kept me going is unearthing the stories of the past and bumping into amazing people like Dr , who I knew in the 80's as Head of BBC International Audience Research. A year ago, I had the chance to have a zoom call with him. Only now have I found a moment to start montaging it. But you be the judge. Is this aural history still relevant in 2023?
info_outline MN.05.01.2023 Maarten van Delft ID Collection 1988 Caribbean StationsThe Media Network Vintage Vault 2024-2025
Hello, welcome back to Part 2 of the Maarten van delft tapes. This time with unique studio recordings from the Caribbean made around 1988. Here is the link to LIST. Just to recap it is January 2023 and I’m playing around in the Media Network archive vault which sits on my hard drive. In the 1970’s and 80’s several of us interested in international broadcasting collected the sign-on and sign-offs of radio stations from around the world. Whilst it was easy to make an off-air tape of a far-off station, there was no guarantee you could hear it just by tuning in the right frequency. In...
info_outline MN.03.01.2023 Maarten van Delft ID Collection 1973 Brazil, Argentina, UruguayThe Media Network Vintage Vault 2024-2025
Here is s in this episode: Hello, it is January 2023 and I’m playing around in the Media Network archive vault which sits on my hard drive and beckons me to explore forgotten files when I have a moment to spare. In November 2019, a faithful Dutch MN listener Max van Arnhem contacted me with a request. He had about 19 reel to reel tapes from fellow radio enthusiast Maarten van Delft which he could not digitize because he didn’t have a recorder anymore. As it happens, I just restored a Studer Revox B77 to full working order and so I have the right equipment to digitize many formats. A few...
info_outline Media Network Off Air Collection April 2 82The Media Network Vintage Vault 2024-2025
I am gradually sorting out my off-air radio cassette collection. I realise that if I don't do it now, I will never get around to it. But I also realise that a lot of off-air recordings are disappearing, especially once the radio programme is made, and very few people keep the original interview or recordings. For some reason, I did. And 40 years later I am so glad I didn't throw things away. Today, I'm sharing an off-air recording of the Falklands Island Broadcasting Station during the Argentine invasion of April 2nd 1982. There are a few places where Patrick Watts, the station manager stops...
info_outline MN.14.08.1980 Afghanistan and the SovietsThe Media Network Vintage Vault 2024-2025
This is the second edition of DX Juke Box that I hosted, having joined Radio Netherlands a couple of weeks earlier. The programme in those days was a mixture of music and tuning tips contributed by others. My goal, together with Wim van Amstel, was to do more investigative reporting. There was no production budget, but there were plenty of enthusiastic reporters. Before leaving BBC Monitoring I had also recorded several items with people like Richard Measham. In this edition we discussed how the Russian's had taken over Afghan media. Richard revealed that it all started with a tip off from...
info_outline RadioMoscowWarmongersThe Media Network Vintage Vault 2024-2025
Look what I found. When I was working for the ORF Shortwave Panorama, BBC Monitoring Service and later Radio Netherlands, I learned the importance of taping everything I was listening to. Radio has no memory. And back in the 70’s and 80’s there was no Wikipedia, no Youtube, no means to check a story on the wires. If you wanted access to Reuters or the wire services you had to monitor radio stations for news. I was collecting media news, so I used to tape colleague broadcasters. Many of the cassettes have gone, but then I discovered a box of mystery cassettes including an edition of...
info_outline DXJB.25.09.1980The Media Network Vintage Vault 2024-2025
Another early edition of DX Juke Box, with input from my good friend Victor Goonetilleke. I sent him a tape recorder and plenty of cassette. I would phone him and he would record his answers on cassette and send them in. Phone lines were useless in those days. In this edition, Victor was still sending contributions on reel-to-reel tape, recorded at the studios of TWR. Photo when Victor visited RNW about 15 years later.
info_outline DXJB.18.09.1980 Early daysThe Media Network Vintage Vault 2024-2025
A little over a month after taking over the programme, I was starting to phase out the music in DX Juke Box and bring in more equipment tests to replace the construction lessons. I got a lot of help from Wim Van Amstel. Basically just fooling around. And learning that editing was supposed to be done electronically in studios. So I found an old machine on the 1st floor and pirated it.
info_outline MN.23.01.1986 Radio FryslanThe Media Network Vintage Vault 2024-2025
For some reason this trip up North to Friesland to visit Radio Fryslan was digitized but never uploaded to this Media Network collection. So time to put that right. The picture is the modern studio centre. Very much smaller back then.
info_outline Media Network reflects on BBC World Radio ClubThe Media Network Vintage Vault 2024-2025
Going through some cassettes on the last day of February and I discovered several cassettes of BBC's programme for shortwave listeners. World Radio Club and Waveguide. The earliest recording turned out to be from July 1977 which I recorded while at a DX camp in Austria. Nice to hear the voices of Peter Barsby and Henry Hatch.
info_outlineThis is Part One of an Eight-part series on the history of Radio Netherlands, the Dutch International Service. Presented by the late Pete Myers, he was in top form when this was recorded.
This is probably the most comprehensive audio compilation of what was achieved in the first 50 years of the Dutch external radio broadcaster. The series was recorded in November 1996 and broadcast in February 1997. It contains the voices and sound fragments from Guillermo Marconi, PCJ-tune "Happy Station" and Eddy Startz, Radio Oranje , Radio Herrijzend Nederland, Lou de Jong, Henk van den Broek, (the station's first Director General), hr. Van Dulken, (the first Head of the English department), Joop Acda (Director General in 1980's), Bert Steinkamp (Programme Director), Lodewijk Bouwens (Director from 1994) and myself, Jonathan Marks (Director of Programmes 1992-2003).
I was talking back then about the need for Radio Netherlands to modernise and embrace new technology including the Internet. I was also concerned that the reason for international broadcasting was about to change - and that we were not moving fast enough to address the "why". In the end, they didn't - so these recordings lasted longer than the station!
About the host
Pete Myers made his name in international broadcasting on the BBC African Service in the 1960's, and at Radio Netherlands as the host and producer of the Afroscene, Mainstream Asia, Asiascan, as well as countless documentaries. There is a tribute programme to him on this site.
Pete wrote the series together with translator and researcher Luc Lucas. They used material from the Radio Netherlands sound archives, as well as recordings that I found in the Media Network broadcast collection.
From the Independent Obituary, written by Mike Popham.
Pete Myers, broadcaster: born Bangalore, India 17 April 1939; died Utrecht, The Netherlands 15 December 1998
Pete Myer's decision to leave the BBC while at the height of his popularity robbed listeners to the African Service and what is now the World Service of one of the most innovative and magnetic broadcasters to grace the international airwaves.
In the mid-1960s, as the first presenter of the African Service's controversially revamped breakfast programme, Good Morning Africa, Myers was an immediate hit with the huge new audience which had just been opened up by the mass-marketing of cheap transistor radios and, particularly in West Africa, by the start of the BBC's Atlantic relay station on Ascension Island. Within months, he was being accorded pop-star treatment whenever he arrived on tours to meet his fans in person.
Pete Myers was born in 1939 in Bangalore of Anglo-Indian parents but as he grew older enjoyed shrouding his origins in mystery. Consequently, and much to his delight, few people knew whether he was a Latin American, or an exotic blend of English, German, Jewish, Lebanese and Chinese. His father had in fact worked on the Indian railways.
Myers's feel for Africa resulted from his arrival in Ghana in 1957, around the time of independence. His broadcasting career began unexpectedly in Accra when he was 17. He had got to know the presenter of a jazz programme who allowed him to listen in the studio while the show was being broadcast. Then came the day when the presenter remembered, just as he was about to go on air, that he had left his script at home. Dashing out of the building to retrieve it, he was knocked down and killed. The panic-stricken producer had no choice but to ask the teenage Myers to take over.
Myers did so with such natural assurance that after five years he became Ghana's top music DJ and radio personality, and a favourite of the country's president, Dr Kwame Nkrumah.
Away from the microphone, Myers pursued a parallel career as one of the founders of what subsequently became Ghana's National Theatre. During the Congo crisis, he and his companions risked their lives entertaining UN troops in Katanga. As Myers like to recount, the high spots of his thespian activity were taking the part of Elvis Presley in a musical called Pick Me a Paw-paw and playing Hamlet in Moscow at Nkrumah's behest.
Leaving Accra for London in the mid-1960s, he was snapped up to become the presenter of the BBC's Good Morning Africa. In stark contrast to what had gone before, his resonant baritone and slick mid-Atlantic informality soon made him a household name throughout the African continent.
A year or so later, while increasing his workload at Bush House, he became one of the founding presenters of Radio 1's Late Night Extra. But with a restricted playlist, and without the freedom to indulge his sometimes anarchic sense of humour, he failed to make the same impression on his domestic listeners. However, at the beginning of the 1970s, as a result of his spectacular success with African audiences, Myers was entrusted with transforming Good Morning Africa into a flagship breakfast show for the world.
He presented The Morning Show, with its mixture of pop, politics and personalities, four days a week, and at the weekends hosted PM, his own show-biz interview programme. His treatment of celebrities like Peggy Lee, Shirley Bassey and Ingrid Bergman - his favourite - heralded that of Michael Parkinson on BBC TV. Myers was thrown by Dame Edna Everage, for once impersonated across the microphone by a dapper Barry Humphries in suit, monocle and trilby.
Having broken the mould of broadcasting at Bush House, Myers felt he needed a change of scene and went to Lebanon to become the manager and resident impresario of a nightclub, the Crazy Horse Saloon. Unfortunately, he arrived just before the outbreak of the civil war.
Bombed out of Beirut, he returned to London to find that The Morning Show had been relaunched as Network Africa and a new presenter, Hilton Fyle from Sierra Leone, had taken his place. Through ex-colleagues, he found a job opening Radio Nederland, in Hilversum. From 1976 onwards, he produced and presented hundreds of programmes in the Asian Service (Mainstream Asia, Asiascan), African Service (Afroscene) as well as the general English department. He eventually took over the helm of one of its most popular programmes, Happy Station.
Pete Myers last visited London in 1987 for the 30th-anniversary recreation of the original Radio 1 group photograph on the steps of All Souls', Langham Place.