Spellbound (Alfred Hitchcock Deep Dive #31)
Film School
Amnesia: the trick of the mind for remaining sane... You see "Dream Sequence by Salvador Dali" in the credits and you get excited! Hitch is doing some things with this one. We're going super psychological with it. Like SUPER psychological. Gregory Peck doesn't remember who he is, but he's convinced he's a murderer. Ingrid Bergman is convinced that he isn't...and that he's sane. How does it all shake out? We watch, find out, and discuss!
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Does It Get Any Easier? (Cutting Room Floor #207)
Film School
It's so, sooooo hard when you're starting out. We all look forward to the day where it gets easier. The thought of the work just pumping out of us, amazing and free, kinda keeps us going in those early, dark, hard days. But...DOES it get any easier? We ask each other and discuss. Also, Josh recommends The Terror Season 1, and Ira recommends Eurotrip, and The Three Amigos, the latter of which is on Prime.
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Lifeboat (Alfred Hitchcock Deep Dive #30)
Film School
Dying together's even more personal than living together... Hitchcock plays with setting this time around, confining his ENTIRE FILM to a single lifeboat. And it doesn't pull any punches. Dead babies, murder, suicide, paranoia, love, hate, desperation, and brutal violence...it all takes place on that tiny boat. This film really goes for it. We watch and discuss!
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Advice For An Aspiring Writer (Cutting Room Floor #206)
Film School
So you want to be a writer. You're interested in a life of storytelling. Long term. What do you need to know? Or, as someone who's already dedicated themselves to a lifetime of spinning tales, what would you say to someone who was interested in doing the same? As a pair that fall into the latter, Josh and Ira discuss! Also, Josh recommends The Angry Video Game Nerd (originally The Angry Nintendo Nerd) on YouTube, and Ira recommends Baby Reindeer on Netflix.
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Shadow of a Doubt (Alfred Hitchcock Deep Dive #29)
Film School
The cities are full of women... Alfred transports us to small-town America this time, a land of unlocked doors, everyone knows everyone, and the world is full of innocence. But then Uncle Charlie comes home, and all that idealism starts to unravel. Uncle Charlie is hiding something. He might not be who young "Charlie" (Charlotte) thought he was. Hitchcock is on record as saying this is his personal favorite of his films. We watch and discuss!
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A Good Kick In The Ass (Cutting Room Floor #205)
Film School
An ass-kicking never feels good! It hurts every time. And yet, especially in the creative sense, we all need to be told when we're doing something wrong; we all need to be humbled. So...how can getting your ass kicked be a good thing? If the pain is the same either way, how can you tell constructive criticism from just a plain whoopin'? We discuss! Also, Josh recommends Rifftrax on Pluto TV, and Ira recommends Fallout on Prime.
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Saboteur (Alfred Hitchcock Deep Dive #28)
Film School
Must I remind you that *you* are the fugitive from justice and not I? It's The 39 Steps: Part 2! Hitchcock returns to what is clearly a favorite premise: an innocent man on the run from a criminal conspiracy with the fate of the country at stake. This time, we're in American, and there's a real-world war going on. So...how does it shake out? Does Alfred raise the bar from his first go-round? What has he learned since the last time he did this story? We watch and discuss!
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Remembering Greatness, Forgetting the Rest (Cutting Room Floor #204)
Film School
400 episodes! Wild. This week, we're tackling the question of bad vs good vs great from the angle of seeking out new books, TV, and Film. It can be a hard road! Most stuff out there isn't great...so, how does one keep going, keep up the enthusiasm? We discuss what's worked for us. Also, Josh recommends Robodoc, which is currently on Tubi, and Ira recommends The Terror on AMC+ (and Blu-Ray/DVD).
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Suspicion (Alfred Hitchcock Deep Dive #27)
Film School
There was something strange about Johnny Asgarth... We're back to the realm of suspense, paranoia, and murder. Or...is it? That's the question Joan Fontaine must answer when she marries the charming but mysterious Cary Grant: IS he trying to kill her? A return to form, perhaps, after Hitchcock's last jaunt through screwball comedy, and it's the first hook up between Hitch and Grant, doubly interesting because Grant--up to this point--was mostly known for comedy. So, how do they do? We watch and discuss.
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Commanding Intelligence (Cutting Room Floor #203)
Film School
Can you fall in love, deeply in love love, with somebody you know isn't as smart as you are? We're not talking about pets, or kids, inanimate objects, or even sexual attraction. We're talking about grown-up, head over heels, enduring, inspiring LOVE. Can you? Interesting, huh? You can't, can you? Stories are the same way. All the best stories open our minds, expand our worlds, and command our intelligence. So...how do you do that? Also, Josh again recommends South Park currently available on Prime, and Ira recommends the aughts' Battlestar Galactica.
info_outlineDo you think the dead come back and watch the living?
Mr. Hitchcock is in Hollywood! Alfred makes his first film in the States, and holy crap does he have some fun with his budget. Everything tinsel town had to offer in 1940 is on display: star power, massive sets, camera tricks, sweeping score, and even FIRE. It's a moody, gothic horror story to boot. Does it all come together? We discuss!