Seventh Row Podcast
In this episode, we discuss Luca Guadagnino’s new film Challengers (2024), which stars Zendaya, Mike Faist, and Seventh Row favourite Josh O’Connor as competitive tennis players and romantic rivals. Film critic and Katherine Hepburn obsessive Andrew Kendall joins host Alex Heeney for the episode. We are both Josh O’Connor super-fans and liked the film. But we had a lot of issues with it. We discuss why we can’t stop thinking about it and where it disappoints. which stars Josh O’Connor in his breakout role. Get both books with our For detailed show notes, There is also...
info_outline Nowhere Special with James Norton and Uberto PasoliniSeventh Row Podcast
Director Uberto Pasolini and James Norton discuss avoiding sentimentality and collaborating on their film Nowhere Special (2020). Seventh Row Host Alex Heeney interviews them and offers her take on why this heartwarming and heartbreaking tearjerker is worth your time. James Norton plays John, a 35-year-old window cleaner and single dad who is dying of an unspecified disease. To prepare for the future, he searches for adoptive parents to care for his three-year-old son Michael after he dies. The film is about the relationship between father and son and its mundanities, how we care for and...
info_outline Promising Young Woman + The Assistant: Rape culture on film in 2020 (Redux)Seventh Row Podcast
Emerald Fennell's new film, Saltburn, comes out today, so we're re-releasing our 2021 episode about two very different depictions of rape culture from 2020: Fennell's revenge thriller Promising Young Woman and Kitty Green's The Assistant, a portrait of a young woman working in a misogynistic office environment. This is a landmark episode of the podcast, which kickstarted a series of . This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, and special guest Lindsay Pugh. Want to support the podcast? today, and access our entire archive of 150+ episodes. It...
info_outline Creative Nonfiction #5: Penny Lane on Confessions of a Good Samaritan and making a self-portraitSeventh Row Podcast
In the fifth and final episode of our , Alex Heeney talks to Penny Lane about her experimentations with documentary form in Confessions of a Good Samaritan. The film is a trip inside Penny’s brain as she goes through the stressful process of anonymously donating her kidney and investigates why kidney donations are necessary. Lane weaves almost all of the techniques from her previous films (and a few more!) into Confessions of a Good Samaritan, offering a thoughtful, educational, and funny look at the complicated feelings that come with doing good in the world at some personal expense. ...
info_outline Creative Nonfiction #4: Sam Green on 32 Sounds and live documentarySeventh Row Podcast
In the fourth episode of our , Alex Heeney talks to Sam Green about 32 Sounds and his work exploring the possibilities of his work that he describes as "live documentaries". These are part locked footage, part live performance, usually including a live band on stage performing the film's music. On this episode, we give some background on Sam Green's work in live documentary, talk about how A Thousand Thoughts (2018), co-directed with Joe Bini, felt like a turning point for his work in the form, and discuss what makes 32 Sounds such a wonderful and innovative film. Finally, Alex talks...
info_outline Creative Nonfiction #3: Philippe Falardeau on Lac-Mégantic: This Is Not An Accident and rethinking the true crime docSeventh Row Podcast
In the third episode of our , Philippe Falardeau discusses Lac-Mégantic: This is Not An Accident is a four-part documentary series about the catastrophic 2013 trainwreck in Lac-Mégantic, its inevitability, the aftermath, and the government failure to change safety requirements to avoid another "accident" in future. Lac-Mégantic had its world premiere at the HotDocs Film Festival where all four episodes were screened back-to-back. The Lac-Mégantic rail disaster was the fourth-deadliest rail accident in Canadian history (47 people died) and the deadliest involving a non-passenger train. The...
info_outline Creative Nonfiction #2: Sophie Fiennes on Four Quartets and documenting live theatreSeventh Row Podcast
In the second episode of our , Sophie Fiennes discusses The Four Quartets and how she approaches documenting live performance on screen. In The Four Quartets, she captures the stage play of the same name, directed by and starring her brother, actor Ralph Fiennes. For the production, Ralph Fiennes adapted the T.S. Eliot poem for the stage — which was never originally intended to be performed that way — and then toured this production around the UK in 2021. Sophie Fiennes’s film of The Four Quartets is neither live capture nor a full adaptation of the play. Instead, Fiennes remarkably...
info_outline Creative Nonfiction #1: An introductionSeventh Row Podcast
In the first episode of our , Alex Heeney previews what to expect in this five-episode season and discusses what is creative nonfiction film. You will also find an AI-generated transcript in the show notes. with the Céline Sciamma quote "Cinema is the only art form ever where you share somebody else's lonelines" More on creative nonfiction Download a . Get your copy of Get your copy of Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from...
info_outline 134: Justine Triet's Women on the Verge: In Bed With Victoria and SibylSeventh Row Podcast
In honour of Justine Triet's historic Palme d'Or win, we are republishing our in-depth discussion of her two most recent films for free. This episode was originally released on September 8, 2020 as episode 56. This week on the podcast we look at two of Justine Triet's feature films, In Bed With Victoria (2016) and Sibyl (2019). Both films are non-judgemental character studies of career women in their thirties who are falling apart in various ways. We discuss how Triet's blending of multiple genres emphasizes the multiple facets of a character's life, and more. In Bed With...
info_outline 133: Berlinale 2023: Here, Delegation, The Teachers' Lounge, Le Paradis, and moreSeventh Row Podcast
On this episode, Editor-in-Chief Alex Heeney talks about several highlights of the 2023 Berlinale from the festival's sidebars. 0:00 Intro to the Berlinale & the episode 4:12 Here (Belgium, dir. Bas Devos) 12:20 The Teacher’s Lounge (Germany, dir. İlker Çatak) 16:59 The Quiet Migration / Stille Liv (Denmark, dir. Malene Choi) 23:17 Intro to the Generation sidebar 25:30 Delegation (Israel/Poland/Germany, dir. Asaf Savan) 30:15 Le Paradis / The Lost Boys (Belgium/France, dir. Zeno Gratan) 37:20 Wrap up First, Alex discusses the best film of the festival she saw, Here (dir. Bas...
info_outlineIn this episode, we discuss why the film Women Talking didn't work on every level. This includes the didactic screenplay, the bland and placeless production design, the typecasting, and the poor direction of group scenes. We are joined by special guest Dr. Angelo Muredda, who has a PhD in CanLit.
To read the show notes and get the AI-generated transcript of the episode, click here.
At Seventh Row, we've been long-time fans of Sarah Polley. We have even published episodes on her films Take This Waltz and Stories We Tell. Women Talking is her first bad, if well-intentioned, film. But it's been getting enormous Oscar buzz since its Telluride premiere.
Angelo and Alex read the book by Miriam Toews, on which the film is based. We discuss the problems in the source text that get translated into the film — and how the film works (or doesn't) as a page-to-screen adaptation.
This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, as well as special guest Dr. Angelo Muredda.
About the film Women Talking
Based on a true story that happened in Bolivia, Women Talking is a fictional reimagining with an alternate ending. Almost every woman and girl in a small Mennonite community has been raped in their sleep by men or boys in the community. Traumatized and beaten down, a group of women volunteers from three families convene for a couple of days to discuss what the women should do. They must decide whether to stay and fight or to leave. The film then follows them through their discussions. The film Women Talking was adapted from the Miriam Toewes novel of the same name by Sarah Polley.
Timings
- 00:00 Introduction
- 04:40 Why are talking about Women Talking?
- 07:20 An overview of our problems with Women Talking
- 25:05 Adapting Miriam Toews’s novel
- 34:00 The lack of specificity in Women Talking’s depiction of a Mennonite community
- 36:50 The casting and performances in Women Talking
- 52:10 The film’s treatment of its trans and disabled characters
- 1:06:05 Sarah Polley’s direction and the film’s cinematography
- 1:19:55 How Women Talking fits into CanLit
- 1:24:00 Why is this film resonating?
Show Notes
- Read the 2019 New York Times article that Alex cites on the episode: in the piece, mennonites are interviewed about their thoughts on Miriam Toews’s novel, Women Talking.
- Read Alex's interview with the writer-director of Felix & Meira, a film about a Hasidic Jewish woman who decides to leave her community. On the episode, Alex compares Women Talking to films about Hasidic Jews.
- Read Alex's interview with the writer-director of Menashe, a film about Hasidic Jews made with actors who are part of the Hasidic Jewish community. On the episode, Alex compares the depiction of mennonites in Women Talking to the depiction of Hasidic Jewish characters in Menace
- Read Angelo’s recent review of Armageddon Time for Film Freak Central.
Related episodes
- Ep. 43: Take This Waltz and Paper Year: Canadian marriage stories (Members Only) - We go deep on Sarah Polley's second feature, Take This Waltz, a film about a marriage breaking up, and compare it to another female-directed Canadian film about a troubled marriage, Paper Year.
- Ep. 40: Stories We Tell, Louder Than Bombs, & Mouthpiece: Dead mothers (Members Only): We discuss Sarah Polley's third feature, the creative nonfiction film Stories We Tell alongside two of our favourite films that are also about dead mothers. All three films were on Seventh Row's 50 favourite films of the decade list.
- Ep. 73: Promising Young Woman and The Assistant: Explorations of rape culture (Members only): We discuss two films that explore rape culture, one that does it thoughtfully (The Assistant) and one that does it poorly (Promising Young Woman). In the current episode, we regularly compare Women Talking to Promising Young Woman and refer back to this discussion in Ep. 73
- Bonus 27: Empathy on film with Dr. Brett Pardy (FREE to everyone) - Dr. Pardy did his PhD research on how films can create empathy, and we discuss on Ep. 132 how Women Talking fails to create empathy.
Where to find us
Special Guest Angelo Muredda holds a PhD in disability studies on Canadian Literature and is a lecturer in the English department at Humber College. Angelo has also contributed to our ebook Portraits of resistance: The cinema of Céline Sciamma with an essay on the female gaze, and to our ebook Roads to nowhere: Kelly Reichardt's broken American dreams with an essay on Wendy and Lucy. You can find Angelo on Twitter and Instagram @amuredda.
Host Alex Heeney is the Editor-in-Chief of Seventh Row. Find her on Twitter @bwestcineaste.
Host Orla Smith is the Executive Editor of Seventh Row. Find her on Twitter @orlamango and on Instagram @orla_p_smith.
Become a Member
All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, become a member at http://seventh-row.com/join