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Vagabonding: Return to the Fembot Homeworld

Alienating the Audience

Release Date: 08/28/2020

Andy Weir on Andy Weir on "Project Hail Mary"

Alienating the Audience

Andy Weir, author of "The Martian," joins the program to talk about science fiction, technology, and his new book "Project Hail Mary" 

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Jedi Warriors and Islamic Mysticism show art Jedi Warriors and Islamic Mysticism

Alienating the Audience

Dr. H. A. Hellyer gained international attention (and flak) when he compared Jedi monks to Sufi Islamic warriors in an article for CNN. He joins the show to discuss parallels between the Force and Islamic mysticism, why Star Wars is a cross-cultural touchstone, and the interaction between science fiction and Islam.

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Kurt Vonnegut Hated War show art Kurt Vonnegut Hated War

Alienating the Audience

The science fiction of Kurt Vonnegut was permeated by ethics and politics, not the least of which included socialism, opposition to war, secularism, and being nice to people in general. Royce Sharp joins to discuss.

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Galaxy Quest is the Greatest Sci-fi Comedy, Ever show art Galaxy Quest is the Greatest Sci-fi Comedy, Ever

Alienating the Audience

“Galaxy Quest” is the greatest parody of Star Trek imaginable… without technically being Star Trek. Nick Sperdute and Erin Macdonald join the show to discuss what makes the show so memorable--and hilarious.

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The Time-Backwards Robot Monster show art The Time-Backwards Robot Monster

Alienating the Audience

"Hyperion" by Dan Simmons projects Chaucer's Canterbury Tales onto a distant scifi future. Katherine Mangu-Ward joins to discuss the multiple characters who make their away on a deadly pilgrimage to meet the Shrike—a robot monster who moves backwards in time, and what it all means for humanity, mortality, and literature

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Darth Vader is a 19th Century Supervillain show art Darth Vader is a 19th Century Supervillain

Alienating the Audience

Michael Weiss, editor-at-large at The Daily Beast, joins the show to discuss Darth Vader: why he’s such a compelling malefactor, the deep inner conflict and tumult which motivates him, and the mythological figures the dark lord of the Sith represents.

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Watchmen Part 2: The Greenwood Massacre show art Watchmen Part 2: The Greenwood Massacre

Alienating the Audience

"Watchmen" kicks off with the Tulsa Race Massacre, which defines the central theme of the rest of the series: race. Hannibal Johnson is the author of “Black Wall Street 100–An American City Grapples With Its Historical Racial Trauma,” as well as the host of "Black Wall Street Remembered." 

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Watchmen's Fake Psychic Squid Attack show art Watchmen's Fake Psychic Squid Attack

Alienating the Audience

Brian Brushwood joins the show to discuss "Watchmen," the televised sequel to the film and book, "The Watchmen." Topics include: underlying tensions in the show, is Dr. Manhattan a stupid character, and was Ozymandias right? 

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Are We Living in “Demolition Man”? show art Are We Living in “Demolition Man”?

Alienating the Audience

"Demolition Man" is a cult classic, wherein Sylvester Stallone gets thawed out in the near future to stop Wesley Snipes from destroying Los Angeles. Society is bifurcated into infantilized virginal technocrats up top, and rat-eating, free-thinking punks beneath.

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If An Insane Asylum Was an Entire Planet show art If An Insane Asylum Was an Entire Planet

Alienating the Audience

In "Clans of the Alphane Moon" by Philip K. Dick, a planet is colonized as an insane asylum, then abandoned, so that its inmates develop their own society and cultures.

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Nick and Heaton must journey to the Replicant Homeworld in hopes of tracking down their Netflix password.

Cast: Nick Sperdute, Andrew Heaton, and Kourtni Beebe as Fuschia Robotski