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Episode 199 - The Wrong Arm Of The Law (1963)

Reel Britannia

Release Date: 06/19/2026

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More Episodes

When the crooks and the coppers join forces, London’s criminal underworld is in very confused hands.

For Episode 199, Reel Britannia slips into the sharply dressed, cheerfully crooked world of The Wrong Arm of the Law, a 1963 British crime comedy in which the nation’s criminals discover that even dishonesty was better organised in the old days.

Peter Sellers stars as Pearly Gates, a suave London gang boss who divides his time between running a fashion house and supervising a criminal organisation with the efficiency of a suburban business. His employees may be thieves, but they enjoy paid holidays, luncheon vouchers and a surprisingly enlightened approach to staff welfare. Crime, it seems, was never so civilised.

Trouble arrives when a gang of Australian crooks begins impersonating police officers and helping themselves to the proceeds of other people’s robberies. This is regarded as extremely poor form. With both Scotland Yard and the London underworld irritated, Pearly finds himself entering into an unusual alliance with Inspector “Nosey” Parker, played with glorious bluster by Lionel Jeffries.

Directed by Cliff Owen and written by a team that includes Ray Galton and Alan Simpson, the film surrounds Sellers with a marvellous collection of familiar British faces. Bernard Cribbins brings nervous energy to Pearly’s reluctant associate O’Toole, while John Le Mesurier appears with the beautifully weary air of a man who has already filled in far too many forms.

The Wrong Arm of the Law is a breezy caper filled with bungling crooks, pompous policemen, double-crosses and a reassuring amount of London location work. It belongs to that wonderful strain of British comedy in which authority is treated with suspicion, crime is conducted by committee, and nobody appears capable of organising anything without first stopping for tea.

Join us for Episode 199 of Reel Britannia, as we revisit a British battle between law and disorder — with just a hint of professionalism.

 

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