Talking Out Your Glass podcast
Said Blown Away Season 4 winner, Morgan Peterson, “I’m not just the creepy weirdo lurking in the background anymore. I’m right up front.” As champion of Netflix’s 2024 glassblowing competition series, the Seattle-based artist received a whopping cash prize of $100,000, a paid residency in Venice, Italy, with glass legend Adriano Berengo, and a residency at the world-renowned Corning Museum of Glass. Growing up in Boston, MA, Peterson’s watched horror films and Unsolved Mysteries with her Godmother, introducing her to the unnerving and creepy style so associated with her...
info_outline Clifford Rainey: A Life's Travelogue in Cast GlassTalking Out Your Glass podcast
Principally a sculptor who employs cast glass and drawing as primary methodologies, Clifford Rainey creates work that is interdisciplinary, incorporating a wide spectrum of materials and processes. A passionate traveler, his work is full of references to the things he has seen and experienced. Celtic mythologies, classical Greek architecture, the blue of the Turkish Aegean, globalization and the iconic American Coca-Cola bottle, the red of the African earth, and the human figure combine with cultural diversity to provide sculptural imagery charged with emotion. A British artist...
info_outline The State of Stained GlassTalking Out Your Glass podcast
Enjoy this stained glass panel discussion with top industry professionals and educators Judith Schaechter, Stephen Hartley, Megan McElfresh, and Amy Valuck. Topics addressed include: what is needed in stained glass education; how the massive number of Instagrammers making suncatchers and trinkets affect stained glass; how to promote stained glass in a gallery setting; and how to stay relevant as stained glass artists. The panelists: By single-handedly revolutionizing the craft of stained glass through her unique aesthetic and inventive approach to materials, Judith...
info_outline Kazuki Takizawa Uses Glass Art to Address Mental Health IssuesTalking Out Your Glass podcast
Kazuki Takizawa’s 2015 installation entitled Breaking the Silence represents the artist’s interpretation of a person’s breaking point and the juxtaposition of balancing inner struggles with oppressive external forces. The installation incorporated performance aspects and sound, where slanted vessels filled with water until submitting to the liquid’s weight, falling over onto a table. Takizawa’s work provided a new perspective for interacting with glass, going beyond form and technique to provoke a deeper level of engagement. Impressed by how humble and open Takizawa was...
info_outline Jessica Loughlin’s Kiln Formed Glass: An Homage to the Observation of LightTalking Out Your Glass podcast
Jessica Loughlin’s work is characterized by a strict reductive sensibility and restricted use of color. Fusing kiln formed sheets of opaque and translucent glass together in flat panels or in thin, geometric compositions and vessels, she alludes to shadow, reflection and refraction. Loughlin’s work is influenced by the flat landscapes and salt lakes of South Australia, and the recurring motif of the mirage appears in much of her work. Each piece makes its own poetic statement. “My work investigates space, seeing distance and understanding how wide-open spaces, particularly of the...
info_outline The Glass Galaxies of Josh SimpsonTalking Out Your Glass podcast
Apollo 8, which launched on December 21, 1968, was the first mission to take humans to the moon and back. While the crew did not land on the moon’s surface, the flight was an important prelude to a lunar landing, testing the flight trajectory and operations getting there and back. Capt. James A Lovell, Apollo 8 astronaut, shared his memories of that historic mission: “Then, looking up I saw it, the Earth, a blue and white ball, just above the lunar horizon, 240,000 miles away…I put my thumb up to the window and completely hid the Earth. Just think, over five billion people,...
info_outline Wesley Fleming: Flameworking the Realism of the MicrocosmosTalking Out Your Glass podcast
Wesley Fleming brings the fantastic realism of the microcosmos to life in glass. An ambassador for smaller denizens of the earth, his passion for nature sparks awe and curiosity in others. Growing up in the countryside, his favorite pastime was exploring beneath logs and rocks in the woods or reading science fiction and comic books. Hence the natural world and his own imagination became his muse. Says Fleming: “I hope to rekindle awe and curiosity for nature with my fantastic realism. I’ve focused more than two decades honing my flameworking skills and trying to capture the essence of...
info_outline Robin and Julia Rogers: A Collaboration Resulting in Provocative Glass SculptureTalking Out Your Glass podcast
Physically and metaphorically Robin and Julia Rogers put their minds, hearts and hands together to create sculptural works in glass – their chosen material because of its inherent qualities of luminosity, viscosity, and seductive flow. Their inspiration is drawn from the natural world, personal experience, family life, music, psychology, and science. Robin and Julia state: “Complex and mystifying, the human mind drives us, but the subtle inner workings remain, to certain extent, unknown. Delving into the psyche, our work explores the human mind to reveal a metaphorical interior of...
info_outline Flameworking 2024: PerspectivesTalking Out Your Glass podcast
Talking Out Your Glass podcast kicks off 2024 with our first episode of Season 9! This fascinating panel discussion on flameworking features four of the technique’s most well-known artists: Paul Stankard, Carmen Lozar, Dan Coyle aka coylecondenser and Trina Weintraub. At different points in their careers, these four artists compare and contrast their journeys and experiences working glass behind the torch. Considered a living master in the art of the paperweight, Paul Stankard’s work is represented in more than 75 museums around the world. Over his 52-year...
info_outline Indre Bileris: Mastering Design and Painting for Liturgical, Educational, and Residential Glass ProjectsTalking Out Your Glass podcast
Master Glass Painter at Judson Studios in Los Angeles, California, Indre Bileris earned a BFA in Illustration from Parsons School of Design and became involved in stained glass conservation during that same time at St. Ann and the Holy Trinity’s conservation program. Having been a conservator at the Metropolitan Museum of Art and the Cloisters from 2007 to 2012, the artist arrived at the Judson Studios with an extensive body of design and painting work for liturgical, educational, and residential installations. Her hand can be seen in much of the painted work that comes out of the studio...
info_outlineMark Peiser: The Moving Target of Perfection
Since 1967 when Mark Peiser became involved with the Studio Glass Movement, he has been recognized for his uniquely individualized approaches and accomplishments in glass. Continual investigation of the expressive implications of glass properties and processes has led to his distinctive bodies of work. Recently Peiser published the book, Thirty-Eight Pieces of Glass – with Related Thoughts, pairing his glass with brief writings of resonance.
To quote from the preface: “Since I began with glass 50 years ago, I’ve received countless questions asking, basically, what’s it about? In that discussion I’ve tried to answer honestly and completely but I’ve always felt to have fallen short – short of the words and short of the voice that would say them. When I started to assemble this book, I began feeling much more truthful and satisfying answers to that question. I hope you will, too. That these selections sorted out into something of an abridged life story was a bit of a surprise to me. It shouldn’t have been. All along I’ve said my work has been about my feelings and experiences and, over many years, what else is a life?”
Peiser, an internationally known glass artist, was born in Chicago in 1938. After studying electrical engineering at Purdue University (Lafayette, Indiana, 1955-1957), he received a Bachelor of Science in Design from Illinois Institute of Technology (Chicago, Illinois, 1961). Peiser studied piano and composition at DePaul University School of Music (Chicago, Illinois, 1965-1967) before attending Penland School of Crafts (Penland, North Carolina) in 1967. After five weeks of glass classes, he became the first resident craftsman in glass at the school. Peiser is a founder of the Glass Art Society, of which he is now an honorary member, and a leading presence in the Studio Glass Movement.
Inducted into the College of Fellows of the American Craft Council in 1988, Peiser received the Lifetime Achievement Award from the Art Alliance for Contemporary Glass in 2004, the North Carolina Governor’s Award in 2009, the Lifetime Achievement Award from the Glass Art Society in 2010 and the North Carolina Living Treasure Award in 2011, among others. He has exhibited worldwide and is in many public and private collections including the Asheville Art Museum, the Chrysler Museum of Art, The Corning Museum of Glass, the Glassmuseum Ebeltoft, the Lucerne Museum of Art, the Milwaukee Art Museum, The Museum of Art and Design, the Peggy Guggenheim Collection, the Toledo Museum of Art, the Smithsonian American Art Museum and the Tokyo Museum of Modern Art, among others.
By challenging established formulas and techniques throughout his career, Peiser has created and combined new and unusual colors in his glass sculptures. This approach to glass is radical as he has literally invented new glasses in order to pursue an idea through to creation. In 2009, a special glass formulation was created by melting opal glasses for his Palomar series of sculptures that pay homage to Corning Glass Works’ famous 200-inch Disk, the telescope mirror cast in 1934 for the Mt. Palomar Observatory in California. Currently, Peiser is working on the Marko Blanko Project to develop a specialty glass for filigrana.
Peiser’s work highlights include:
EARLY WORKS 1967 – 1977
Develops blowing skills, designs and builds various furnaces and equipment, develops formulations for crystal, various opal and luster glasses. Produces iridescent miniatures, gather pots, flower forms, spaghetti bowls, copper core vessels, opaque geometric and image vessels.
PAPERWEIGHT VASES (PWV) 1975 – 1981
Introduces and develops torch working techniques for furnace blown work allowing more detailed imagery and perspective. Produces Paperweight Vases portraying natural subjects and landscapes, urban views and abstract imagery related to the vessel form.
INNERSPACE (IS) 1983 – 1994
Develops graphite molding process and casting glasses. Makes compound cast glass pieces that compose the internal volume of solid transparent forms. Produces Innerspace series including Ascensions, Hands, Light Beams, Moons, Mountain Skyscapes, Muses, Planets and Polychrome Progressions.
FORMS OF CONSCIOUSNESS (FOC) 1994 – 2004
Develops bottom pour casting furnace, casting and mold techniques, and glass formulae allowing larger scale work representing psychological conditions.
CONTRITION SECOND STUDY (CSS) 2000 – 2004
Produces a limited edition of 50 as a learning experience to formulate and develop casting process for controlled translucency in sculptural glass.
COLDSTREAM CASTING (CSC) 2001 – 2007
A creative use of my bottom pour furnace. My most fun in a glass shop since 1969. View videos of the Coldstream Casting process on You Tube by searching Mark Peiser.
PALOMAR 2008 – 2012
Develops vermiculite molding process. Produces Palomar series as a tribute to the accomplishment of the Palomar Mirror in 1934. For more about the Palomar series and the transition to the Passage and Etudes Tableau, search You Tube for Mark Peiser’s Corning Museum of Glass talk.
PASSAGES AND ETUDES TABLEAU 2012 – PRESENT
Refines formulation and heat treatment of light scattering glasses. Produces work whose subject is light.
Now, more than a half century later, Peiser’s name is synonymous with invention and precision. He conveyed to ToYG podcast: “Most of my earliest memories are of making things. I seem to have a knack for seeing how things work, how things go together, and how to make it. If I have a gift, that’s it.
“When I was in design school, I became concerned with the essence of quality. Read some books and papers, sat through some lectures, and developed a somewhat subconscious but deep commitment for my life’s efforts. Later working in industry, design and advertising it was difficult to impossible to implement quality. At my level it was irrelevant and deeply unsatisfying. When I happened into Penland and the beginning of the Studio Glass Movement, the control offered by the notion of a one-man glass studio seemed an avenue that could lead to quality. I’ve done my best to hold to that path throughout my career. All in all, I’ve been successfully self- employed for 57 years. As we all hope, with the rest of life, I did the best I could at the time. But unlike the rest of life, I could disappear a bad piece like it never happened.
“Being an artist is not just another job. It’s a commitment.”