Valve/Tube Mics and how to look after them
Release Date: 11/07/2023
The Pro Audio Suite
Summary: This week on The Pro Audio Suite, we dive deep into the heart of Podfest with George 'The Tech' Whittam's firsthand account of 'suitcasing' and the power of networking without a booth. Discover the fascinating world of podcasting - from grassroots communities to the cutting edge of AI and chatbot technologies. Learn how every conversation could turn into a collaboration, and how the future of content creation might just be a chatbot away. Hosts: Robert Marshall, Source Elements & Audio Post Chicago Darren 'Robbo' Robertson, Voodoo Radio Imaging, Sydney George 'The Tech' Whittam,...info_outline Back It Up: The Art and Science of Audio Archiving
The Pro Audio Suite
This week, Robbo, Robert, George, and AP dive headfirst into the digital abyss of archiving audio sessions. It's a showdown of practices, preferences, and pure paranoia that none of us want to miss. We're slicing through the magnetic tape of mystery to answer the burning question: To archive or not to archive? That is the question. Especially for voice actors like AP - is digital hoarding a necessary evil, or just a fast track to a cluttered hard drive? We're peeling back the layers on why every beep, click, and voiceover session might just be worth its weight in digital gold. Robbo, with his...info_outline AI - The Assistant Not the Replacer
The Pro Audio Suite
AI is reshaping industries, but how is it affecting audio outside of Voice Replication? This week, we're diving deep into this "can of worms" on the latest episode of the Pro Audio Suite podcast! Join us as we host a riveting discussion with MPA from WAVES as we unpack: AI's role in enhancing creativity rather than replacing it. WAVES AI investment strategies. • The potential risks of letting AI scrape and replicate without human creativity. The balance between traditional mixing and AI's edges in audio engineering. Perspectives on the rise of AI voices in media. We're not...info_outline Michael Goodman: Designing within Limits – The PASport VO
The Pro Audio Suite
This week, we delve into Part Two of our discussion with Michael Goodman of Centrance. We get into the nitty-gritty of the intricacies of creating the PASpport Vo, and the benefits of maintaining simplicity in design by restricting the device to just six knobs, which enhances ease of use for podcasters and voiceovers alike. #VoiceOverTechTalk #ProAudioSuite #DesignSimplicityInAudio A big shout out to our sponsors Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the...info_outline Michael Goodman: Unveiling the Secrets of Centrance and the English Channel
The Pro Audio Suite
This week, we deep dive into the English Channel from Centrance. Special guest Michael Goodman chats about how it came about, the many unique setups and creative uses of the English Channel by voice artists and content creators alike. Plus, we explore its features, and with Robbo, Robert and Michael all using one for the show, there's plenty of tips and tools to help you get the most out of this impressive piece of kit, or inspire you to go check one out for yourself. A big shout out to our sponsors Austrian Audio and Tri Booth. Both these companies are providers of QUALITY...info_outline Navigating the Future: AI, Voice Licensing, and the Challenges of Digital Identity
The Pro Audio Suite
We went off on such a tangent this week I figured what better way to come up with a description than to let AI do it, so after feeding it the transcript this is what it came up with.. In this episode of the Pro Audio Suite, the hosts dive into a wide-ranging discussion covering the impact of AI on voiceover work, the intricacies of voice licensing in the digital age, and the challenges of maintaining digital identity and content integrity. From concerns about AI-generated voices and the protection of voice actors' rights to the potential theft of intellectual property and the evolving...info_outline RF in microphones. What is it?
The Pro Audio Suite
RF noise rejection is a pretty complicated thing. We try to make sense of it... A big shout out to our sponsors Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure...info_outline Centrance English Channel Unboxing
The Pro Audio Suite
The English Channel is a set of three, premium-quality Signal Processing Devices, designed to help you sound your best, anywhere. Quickly shape your vocal sound making it ready for live streaming or recording. The English Channel includes SoapBox, a Studio Mic Pre, Gate, Compressor and De-Esser, and BlackCab™, a Parametric EQ with Sonic Enhancer. Rounding out the channel strip is PortCaster R4S, a Streaming USB-C Audio Interface with an SD Card Recorder. These tools use proven technology found in British recording consoles, hence the name. A full complement of vintage, tone-shaping goodness,...info_outline Austrian Audio - Mi Creator. Review...
The Pro Audio Suite
Last week AP unboxed the new Mi Creatore set from Austrian Audio, this week we are putting it through it's paces. While its name implies that it might not be up to the rigours of professional voice over work, our tests might convince you otherwise... A big shout out to our sponsors Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"......info_outline Austrian Audio Mi-Creator unboxing.
The Pro Audio Suite
The Austrian Audio MiCreator is a new type of creative tool. Equal parts high-quality condenser microphone and simple audio interface with USB-C ® connectivity, MiCreator gives you the flexibility to create what you want—how you want. Just plug in and start recording in top-notch audio quality instantly. Or expand your setup using MiCreator’s additional input to achieve stereo recordings, record an additional sound source, and more. And whether you’re recording at home or on the go, you can create with confidence thanks to MiCreator’s ultra-durable metal housing. Catch the video...info_outline
They sound great, look incredible, and have a distinct sound that makes them unique. But how should you look after your Tube/Valve mic? From keeping dust out of the capsule to preventing it from overheating, what's the best way to care your your investment?
A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth...
And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..
If you haven't filled out our survey on what you'd like to hear on the show, you can do it here:
Join our Facebook page here:
And the FB Group here:
For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website
“When the going gets weird, the weird turn professional.”
Hunter S Thompson
In this episode of the Pro Audio Suite, hosts Robert Marshall, Darren Robertson, George the tech Wittam and Andrew Peters dive into an intriguing discussion about unique microphone handling techniques and the associated benefits. They answer a listener's question on why some people hang their microphones upside down - a technique often linked to protecting the microphone from overheating and avoiding dust accumulation on the capsule. They also introduce a discount code "trip a P 200" to get $200 off your Tribooth, recommended as the best vocal booth for home or on the road. Additionally, the team humorously integrates tire chat, sponsored by Canadian Tire, into their discussion. Don't forget to join the conversation on their Facebook group.
#ProAudioSuite #MicrophoneTips #TriboothDiscount
(00:00:00) Welcome to Pro Audio Suite
(00:00:45) Hanging Microphones Upside Down
(00:05:39) Trivia: The White Michelin Man
Speaker A: Y'all ready be history.,Speaker B: Get started.,Speaker A: Welcome.,Speaker B: Hi. Hi. Hello, everyone, to the Pro Audio Suite. These guys are professional. They're motivated.,Speaker A: Thanks to Tributh, the best vocal booth for home or on the road. Voice recording and Austrian audio making passion heard. Introducing Robert Marshall from source elements and someone audio post Chicago. Darren robert Robertson from Voodoo Radio Imaging. Sydney to the Vo stars. George the tech Wittam from La. And me, Andrew Peters, voiceover talent and home studio guy learner.,Speaker B: Here we go.,Speaker C: Welcome to another Pro audio suite. Don't forget, if you would like to get $200 off your tribooth, use the code trip a P 200. We had a question sent to us about microphone position particularly. Why would you hang your microphone upside down?,Speaker B: The answer is pretty obvious, if you think about it.,: To get to run all the blood out of it.,Speaker B: Yeah, that's right.,Speaker C: Yeah.,: So you can record Pink, who's famous for singing on stage, hanging upside down.,Speaker B: There you go. There's another good answer to dry it out. Well, there's that as well. That's right. Yeah, exactly.,Speaker C: Or you could record like Brian Wilson in a beanbag.,: I think the new thing with microphone should kind of be like how gangsters will hold the gun sideways. I think we do the gangster style sideways microphone.,Speaker B: Right.,Speaker C: But here's another reason, a serious one. And this is a fine example of a microphone that should be hung upside down. This is the Microtech Gafel M 92.1s, featuring the original M seven capsule. And inside is a valve, or for our American friends, a tube, the EF 86 tube, which, of course, generates heat. And what does heat do? It rises. Rises, affecting the capsule. But if you hang it upside down, it goes out the bottom.,: The heat avoids the capsule.,Speaker B: And we have a wiener.,: And there's another reason. And also it gets it out of the way of the script and all that stuff.,Speaker B: Yeah. And it looks cooler, too, I reckon.,: Yeah. Those are the practical reasons for voice actors.,Speaker C: The other reason you hang your mic upside down is dust as well. So you don't get dust inside the.,Speaker B: That'S a good one. Keep the dust off the capsule, probably. Yeah, absolutely.,: And you should turn the phantom off because a polarized capsule will attract dust.,: Oh, see, I've been trying to think of good reasons to tell people to turn off phantom. I usually tell people, don't worry, just leave it on.,: I'm pretty sure a polarized capsule will attract polarized dust.,Speaker B: There's the two schools of camp. There's the school that says, Leave it on because turning on and off all the time is crap. And there's the school that says Turn it off. Because for all the reasons we've just mentioned yeah.,: I think you should therefore just turn it on to, like, 24 volts phantom when you're gone.,Speaker B: You think so? Half?,: No, you're taking me seriously.,Speaker B: Are you standing by that robert, are you going to pay all the police pay because you my mic claims? Because I want nothing to do with that.,Speaker C: No, not absolutely. But I always turn everything off anyway.,Speaker B: When I yeah, I turn off it. I put my computer to sleep, but I turn everything else off. Yeah, absolutely. I think it's the best way. I mean, God knows what's going to happen.,: Sometimes if you leave stuff turned on and the right thunderstorm comes by, kaboom. But if it's turned off, it might not quite get hit as hard.,Speaker C: That's one thing well, I bet people don't have because I've got the what do you call it, the CyberPower thing. So if we do get a major surge, it blocks it.,Speaker B: Yeah, I've got surge protection stuff on mine. But I always come back to my grandmother, because if I was talking to my grandmother when I was living in a state, when I was working in radio and there was a storm coming, she'd say, oh, I better get off the phone, there's a big storm coming. Okay, right on and see you later down the phone. She made me paranoid.,: Especially if it was like the cordless phones you had at your house back in the day when cordless phones first came out and they had the big antenna. And there used to be this guy that would walk around the block and he's like, this is so great. Because it was 900. Could go a good distance farther than WiFi. But yeah, if you're walking around with a big antenna coming off like.,Speaker C: The umbrella.,Speaker B: So if you hang your mobile phone upside down, do you still get struck by lightning?,Speaker C: No, and don't hold me to that.,: Yes. Are you sticking with that one, Rob?,Speaker B: I didn't know that. I want that court case either.,Speaker C: No way.,Speaker B: Right.,: How about we make a pair of headphones that are purely metal band made to wear in the rain?,Speaker B: There you go. Put them inside the voiceover bodysuit. Yeah.,Speaker C: With a large antenna. Like a lightning rod.,Speaker B: Yeah, lightning rod for the voiceover bodysuit. There we go.,: They can have little pokey things that get a really good contact on your temple so that when the lightning hits.,Speaker B: It just goes like, oh, look at George. There we go. George has got the metal band on his headphones. Look at that. They're cool.,: I like, George, that's too bad.,Speaker C: You know what you could do, though, just to if you wore the metal headphone and you put a lightning rod sticking out the top, then you run a wire from each side down your body and then connects to a metal plate on the bottom of your shoe. By right, you should be earthed and you should be okay in a lightning storm.,: Right. You're doing the same thing as you do to a whole house.,: Yeah.,: And we might need to do this for the voiceover bodysuit. What's it called? The lightning rod. Isn't that what you install?,Speaker B: You know what it's called, Robert? It's called the self charging device.,: The voiceover bodysuit is so goddamn soundproof that you can use it in a lightning storm.,Speaker B: There you go.,: But you need the additional add on option of these.,Speaker C: The optional lightning rollers.,Speaker B: Just gets sillier and sillier. We got to do it one day. We got to come up with a prototype.,: Didn't you send a picture the other.,Speaker B: Day, the Michelin Man? The original Michelin Man. Yeah.,: Do you know why the Michelin Man was white? Was wrapped in white tires?,Speaker B: I didn't know that either until I saw that. I know what you're going to say, so I'm not going to answer that.,: See if anyone natural rubber back in the day was white.,Speaker B: Yeah, they're white.,Speaker C: Of course they used to be white.,Speaker B: Natural rubber is white until they started dyeing it black. That's why the Michelin man's white. Always wondered that.,Speaker C: Now I know because my grandfather was a chauffeur back in the 1920s. And the car he used to drive, I can't even remember what make it was now because it was so long ago since I've seen any photographs. But that had white rubber tires, which, being a chauffeur would have been a bitch because he had to clean them all the time.,: Clean them all the time, absolutely. I'm sure that's why tires are black now.,Speaker C: Yeah.,Speaker B: Was that where white walls came from? Because the tires were white? But then we were driving on the black bitumen road, so the rubber became black on the bottom. The sides were still white, maybe.,: Yeah, probably.,Speaker C: I think when they make white walls, they actually take the black off and it's white underneath.,: I think that's how they do it.,Speaker B: There you go.,: Yeah, they wanted that white look. They wanted that classic, like a tuxedo for cars.,Speaker C: Imagine if you had white tires and you did a burnout. It confused the shit out of people behind you. They go, what the hell is a lane marking here? What am I supposed to do?,: Yeah, all of a sudden, people are like, driving in your direction. If you did a big spinning burnout, they're like, oh, over here.,Speaker A: Oh, shit.,: Check it out online. There are some red tires, some blue tires, just so that when you do burnouts, it leaves crazy colors on the street.,: Yeah, you could get like a red, white and blue tire and then you could be very patriotic about your burnouts.,Speaker C: Yes, you could. You could.,Speaker B: You have to change the name of the show now. The Pro Audio Suite and Tire Chat.,: Yeah, just general brain spillage sponsored by Canadian Tire.,Speaker B: Well, that was fun. Is it over?,Speaker A: The Pro Audio suite with thanks to Triboof and Austrian audio recorded using Source Connect edited by Andrew Peters and mixed by Voodoo Radio Imaging with tech support from George the Tech Wittam don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic or just say G'day. Drop us a note at our website theproudiosuite.com.