The Pro Audio Suite
The team breaks down what “acceptable audio” really means for voice actors recording from home, from reflections and noise to mic placement, editing, clothing rustle and using reference recordings. What actually counts as acceptable audio when you’re recording voiceover from home? That question came up after Robbo spoke with a group of aspiring voice actors in Perth. The advice was simple enough, don’t overprocess, don’t gate everything, and send clean raw audio when asked. But one student asked the thing every beginner wants to know: how do I know if what I’m recording is...
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Apple has not always been known as the bargain option, but the latest Apple Silicon Macs might be changing that conversation. In this episode, the team gets into the surprising value of the M4 Mac Mini, why even a base model can be serious overkill for many voice actors, and how smaller machines like the MacBook Air and MacBook “Neo” style systems compare for remote sessions, Source Connect, Pro Tools, and travel rigs. The conversation also wanders into classic Pro Audio Suite territory, including old Macs that refuse to die, running Linux or Windows on ageing Apple hardware, right to...
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This week on The Pro Audio Suite, things go gloriously off the rails. AP has been rebuilding his studio, and is talking reclaimed timber and custom desks, George is showing off weird vintage Apple gear, and somewhere in the middle, the boys fall down a rabbit hole involving Korg M1s, old ISDN boxes, retro synths, ancient Macs, and why audio people can never throw anything away. There’s also a surprisingly deep discussion about why the physical studio environment matters creatively, why a tidy desk changes your mindset, and how modern workflows are reshaping how studios are built and used....
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What happens when audio is so bad… even the best plugins can’t save it? In this episode of The Pro Audio Suite, we’re joined by Michael “Gomez” Pearce-Adams from Waves Audio to talk about Voice Regeneration, a new AI-driven tool designed to rebuild poor-quality dialogue into something actually usable. And this isn’t just noise reduction or EQ… it’s a complete rethink of how broken audio gets fixed. We dig into: Why this will never be a plugin How AI is actually “rebuilding” voice recordings Real-world use cases, from podcast disasters to phone interviews What this means...
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TwistedWave has dropped updates that feel like they were built for anyone smashing through a pile of auditions or VO edits every day. George walks through what’s new in 32.3 and 32.4, including the ability to apply a Batch directly to your currently open file and map that Batch to a single keystroke. That means you can normalise to a target level, then apply a processing stack, all in one hit, without the old multi step workflow. Then there’s the new Repair tool, a quick “auto heal” style fix for little clicks, mouth noises, and short waveform anomalies. Select the problem area, hit a...
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Loopback is one of the most common and misunderstood problems in home studios. In this episode of The Pro Audio Suite, the team breaks down how the new Nexus Suite, specifically Nexus Review, makes it dramatically easier to capture system audio, create proper mix-minus setups, and send playback to clients without complicated routing. If you have ever wrestled with UA Console routing, virtual drivers, Chrome output quirks, or Mac system audio conflicts, this one is for you. We cover: • Why traditional loopback setups get messy fast • The UA console routing method and its limitations • How...
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In this episode of The Pro Audio Suite, the team dives into some major shifts in the audio industry. Audio Tonics has acquired DPA, Austrian Audio, SSL, Harrison and more. What does this wave of consolidation mean for boutique brands and the future of innovation? Then we unpack the developing Native Instruments insolvency proceedings. With Kontakt, iZotope, Plugin Alliance and Brainworx under that umbrella, what could this mean for producers, composers and post professionals? And does this reignite the subscriptions versus perpetual debate? We also wander into: • Neumann U47 reissue rumours...
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In this episode of The Pro Audio Suite, the team digs into a large-scale remote recording with Robert Marshall, capturing a full orchestra and 100-plus voice choir performing Handel’s Messiah inside a church. Robert breaks down his microphone choices, including Neumann KM184s, Austrian Audio CC8s, Schoeps mains, and why ORTF still delivers a convincing stereo image in complex acoustic spaces. We also talk about spot mic placement for piano and soloists, blending ambience naturally without artificial reverb, and the realities of recording live with zero second chances. The conversation...
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A fascinating piece of gear quietly surfaced ahead of NAMM, and it sent us down a deep rabbit hole. In this episode of The Pro Audio Suite, the crew digs into the Carno Sepia system, a digitally controlled, fully analog modular hardware platform that feels like a modern reimagining of the 500 series concept, minus the knobs. We unpack how it works, who it’s really for, and whether this kind of hybrid approach is genuine innovation or just another expensive way to chase “analog purity.” Along the way, we talk NAMM expectations, Sweetwater leaks, digitally controlled analog routing,...
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2025 has been a big year for The Pro Audio Suite, so this episode is a full end-of-year wrap up with Robbo, Andrew Peters, George “The Tech” Whitham, and Robert Marshall. We look back at the biggest moments, the most downloaded episodes, the conversations that sparked the most reaction, and the industry shifts that actually mattered. From the launch of the PASport VO and real-world use cases, to persistent Source-Connect confusion, to the realities of AI in voiceover and audio production, this episode ties together the themes that defined 2025 for working audio pros. We also talk gear...
info_outlineWAVES director of training and development Michael Pearson Adams (Gomez to his Aussie mates) joins us in part 1 of a chat about plugins for Voice Actors. We delve into the common pitfall of overusing plugins in audio editing. Through a masterclass, listeners are advised to be judicious with the use of plugins, as indiscriminate use often leads to the degradation of sound quality. The aim is to help listeners focus on necessity, and understand if a plugin truly addresses a need or if it is being added merely based on hearsay. Tune into this enlightening discussion on any major podcast platform.
#ProAudioTips #PluginProblems #MasterClassInsight
Timestamps
- (00:00:00) Sneak Peek
Transcript
Speaker A: Coming up. Coming up next, the pro audio Suite sneak peek. In nearly every single masterclass I do with my waves hat on, I spend as much time telling people that I want you to use as few plugins as possible to make sure that you're just not overdoing things. And one of the biggest problems is that people throw plugins on with way too much ease and breeze without actually thinking about it sometimes. And that also degrades. So you have to really decide, is this plugin going to fix something, or am I just putting it on? Because I've heard that it helps. Now, who am the Pro audio suite? Thanks to Tripoos and Austrian audio. Listen now on your favourite podcast provider.