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Four Weddings and a Funeral (1994)

Shat the Movies: 80's & 90's Best Film Review

Release Date: 01/15/2024

Ordinary People (1980) show art Ordinary People (1980)

Shat the Movies: 80's & 90's Best Film Review

Honestly, when listener Eric commissioned "Ordinary People," we were worried the episode would be dry, academic and morose. Instead, this 1980 Oscar winner led to uncontrollable laughs. The quality certainly is there: A Robert Redford-directed drama starring Donald Sutherland, Mary Tyler Moore, Judd Hirsch and Timothy Hutton. But you know how it goes when the Shat Boys get rolling. In this episode, the Shat Crew explores Japanese breakfast, whether you can save French toast, "the three lives," and what real therapy looks like. Gene complains that he can't relate to the problems of the rich,...

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Blazing Saddles (1974) show art Blazing Saddles (1974)

Shat the Movies: 80's & 90's Best Film Review

One Shat host is a social justice warrior. The other hates Mel Brooks movies. So "Blazing Saddles" seemed doomed from the start. But there's magic in Gene Wilder, Cleavon Little and the old frontier. Listener Ed took Shat The Movies way back to 1974 for this satirical Western that Gene Lyons argues isn't racist, sexist or even remotely offensive (other than one particular performance). Dick Ebert was impressed with the "real Hollywood Western" feel of the movie, attributing the incredible cast and chemistry to divine intervention, and also the groundbreaking farts. In this episode, the Shat...

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PCU (1994) show art PCU (1994)

Shat the Movies: 80's & 90's Best Film Review

Is "PCU" hard to find because it crossed a line or because it's just not a very good movie? Listener Jeff from Nebraska commissioned the Shat Crew to uncover the truth for his 40th birthday. In a lot of ways, PCU is your typical '90s college movie. The university president is trying to shut down a student house. There's seventh-year senior showing the new guy the ropes. A kegger is the solution to life's problems, and the good guys win. But PCU is still very much its own film. There's no clear protagonist. No group of students is decidedly popular. There might not even be an actual plot. In...

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La Bamba (1987) show art La Bamba (1987)

Shat the Movies: 80's & 90's Best Film Review

A lot's changed since 1987: Biopics are much more common (and darker). Chicano artists are more mainstream, and Lou Diamond Phillips is a household name.  So we acknowledge "La Bamba' was groundbreaking ... and not very good. Listener Mark C. commissioned this episode and the upcoming "American Me" to celebrate his heritage as a first-generation Hispanic-American. He noted the blockbuster soundtrack, janky lip-syncing and performances from Esai Morales, Joe Pantaliano and Elizabeth Pena. But Mark didn't prepare us for laughably large talismans, breakneck pacing and Ritchie Valens'...

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Desperado (1995) show art Desperado (1995)

Shat the Movies: 80's & 90's Best Film Review

Robert Rodriguez blew minds when he created "El Mariachi" for $7,000. The sequel added a brooding Antonio Banderas and sizzling Salma Hayek to rack up $58 million worldwide. But was "Desperado" actually good?  If you're looking for cool cameos, hot sex scenes, bloody bar fights and a strong female lead, then yes. If you're looking for believable gunplay, a plot that makes sense, badass sidekicks or artistic composition, then you're out of luck. In this episode, commissioned by listener Rachel, the Shat Crew discusses Steve Buscemi always being the same age, Quentin Tarantino always being...

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Krush Groove (1985) show art Krush Groove (1985)

Shat the Movies: 80's & 90's Best Film Review

"Krush Groove" is the sort of '80s oddity that can't quite be categorized. Is it a musical? A comedy? A collection of music videos with dialogue sprinkled in between? This time capsule captured rap's infancy and changed the way Big D speaks. This week's episode, commissioned by listener David B., gave us a newfound respect for Run-DMC, The Fat Boys and, oddly enough, "Purple Rain." Dick Ebert learned why Kurtis Blow is called Kurtis Blow; Ash revealed the depth of her hip-hop knowledge; and Gene explained why he thinks rappers are naturally good actors. Android:  Apple: All: CONTACT...

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Who's Harry Crumb? (1989) show art Who's Harry Crumb? (1989)

Shat the Movies: 80's & 90's Best Film Review

John Candy is the kind of guy you want as your uncle, your travel buddy or your best friend. But does he work as a private investigator cracking a complicated kidnapping? "Who's Harry Crumb?" rolled the dice to find out. Falling somewhere between "Fletch" and "Ace Ventura," this 1989 comedy was largely predictable, mostly uninteresting and painfully miscast, but it had its moments. Absurd disguises, a loveable sidekick, non sequiturs and uncomfortable outfits kept things irreverent and memorable. And for an '80s movie, that's sometimes all you need. Android:  Apple: All: CONTACT Email: ...

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The King of Comedy (1983) show art The King of Comedy (1983)

Shat the Movies: 80's & 90's Best Film Review

When people think DeNiro and Scorsese, it's generally mob hits or boxing rings. But 1983's "The King of Comedy" is an often-overlooked exploration of television fame that shows just how funny, dark and thought-provoking the actor-director pair can be in any genre. Listener Charlie in L.A., who brought us "Boogie Nights," is back with another stellar commission that led to some interesting topics, including when it's OK to ask for an autograph, who the new acting royalty is in Hollywood, whether Sandra Bernhard helped or hurt the movie and when being agreeable becomes creepy. If you've never...

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Cabin Boy (1994) show art Cabin Boy (1994)

Shat the Movies: 80's & 90's Best Film Review

Once upon a time, there was a movie about an unlikeable fancy lad joining the unlikeable crew of a ship called The Filthy Whore after David Letterman tried to sell him a monkey, but at least it had Tim Burton as the director. Until it didn't. This week, Shat The Movies brings you "Cabin Boy," the 1994 box-office bomb that nearly sank Chris Elliott's career and left the Shat Crew scratching their heads. On one hand, this movie is terrifically quotable, wonderfully quirky and loaded with comedic talent. On the other hand, viewers might find themselves asking where the budget went, what year it's...

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Hardbodies (1984) show art Hardbodies (1984)

Shat the Movies: 80's & 90's Best Film Review

Shat The Movies was made for movies like "Hardbodies," a motion picture originally planned for the Playboy Channel but released in theaters because America needed boobs. This 1985 skin flick has all the tropes you'd expect: women in bikinis, beach parties, waterbeds and cheesy lines. But "Hardbodies" surprised us with a few unexpected moments: a no-means-no stance on sexual harassment, a heartwarming makeover scene, an exploration of aging and a woman banged so hard she bursts through the roof of a limousine.  In this episode, the Shat Crew explores the charm of bad writing, what...

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More Episodes

Shat The Movies takes its anglophilia to a new level with an English commissioner, an English guest host and a movie that epitomizes the English film renaissance: "Four Weddings and a Funeral."

Rob Will Taylor joins Ash and Gene to discuss the reality of British weddings, why they start so early and why they suck for guests. The Shat Crew also explores the tragic tale of Charlotte Coleman, the charm of Hugh Grant and Ash's favorite sex scene ever. 

In this episode, Gene assumes Dick Ebert's mantle of Curious Average American Guy, asking about British phone habits, whether viewers are supposed to hate Andie MacDowell and how sleeping at pubs works. Ash applauds a powerful scene that still packs a punch. And Rob rails against That Fucking Song.

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