Alexey Shor. A suite, a nocturne and a concerto.
Naxos Classical Spotlight
Raymond Bisha introduces the third instalment of a collectable series of seven albums showcasing Ukraine-born composer Alexey Shor’s appealing personal style and superb craftsmanship. The programme features vivid portraits of literary figures for piano (Behzod Abduraimov) and orchestra (Kyiv Virtuosi), similarly an homage to Glinka, and a dazzling concerto for flute (Jasmine Choi). The conductors are Dmitry Yablonsky and Massimiliano Caldi. Commenting on a previous album of Shor's music (8.579061), MusicWeb International noted how Shor's popularity “is easy to understand. His idiom is...
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“The Earth is going to be fine without us.” Jake Runestad unpacks his Earth Symphony.
Naxos Classical Spotlight
Born in 1986, Jake Runestad is a versatile and prolific young composer whose visceral music and charismatic personality have fostered a busy schedule of national and international commissions, residencies, workshops, and speaking engagements, enabling him to be one of the youngest full-time composers in the world. In this podcast he discusses with Raymond Bisha the profound message behind his Earth Symphony, as Mother Earth recounts mankind's evolution, to lust for power and progress, to the impact this has had on the planet, and how she will move on after all that we have managed to...
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Notker Balbulus, a mediaeval marvel.
Naxos Classical Spotlight
Notker Balbulus (c.840-912), also known as Notker of St Gall or Notker the Stammerer, was a renowned Benedictine monk at the Abbey of St Gall in Switzerland who made substantial contributions to both the music and literature of his time. In this podcast Michael Alan Anderson, musical director of Schola Antiqua of Chicago, explains to Raymond Bisha the challenges of marrying elaborate melodies with threadbare musical notation to unravel the mediaeval mysteries behind plainsong performance.
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Karabtchevsky on Villa-Lobos.
Naxos Classical Spotlight
Since the 1970s, Brazilian conductor Isaac Karabtchevsky has steadfastly developed one of the most brilliant careers across the Brazilian and international music scenes, The Guardian in 2009 hailing him as one of Brazil's living icons. He's heard in this podcast In conversation with Raymond Bisha, discussing the music of fellow Brazilian icon, the composer Heitor Villa-Lobos. Extracts from Karabtchevsky's recordings of Villa-Lobos' complete symphonies (8.506039) and cello concertos (8.574531) amplify the composer's attachment to his country's musical heritage and the conductor's assiduous...
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Weaving intellect with emotion: Daron Hagen's cantata Everyone, Everywhere.
Naxos Classical Spotlight
American composer Daron Hagen talks about his cantata Everyone, Everywhere in conversation with Raymond Bisha. Composed In 2023 to mark the 75th anniversary of the Universal Declaration of Human Rights, Hagen found impetus in the contemporary political status of his own nation to recontextualise the declaration's dry language and enable him to convey its emotional essence (“as a citizen, a person and a father”). Also drawing on texts by a range of significant historical figures, this sweeping work for choir, vocal soloists and orchestra marries intellect and emotion in a passionate cry for...
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The Queene’s Masque, a courtly collection for lute.
Naxos Classical Spotlight
A delightful collection of lute music from the courts of Queen Elizabeth I and King James I, played by Italian lutenist Elisa La Marca. This was a time of incredible cultural richness in England brought forth composers such as John Dowland and writers such as William Shakespeare. Because the lute was one of the favoured instruments in court during this time, many of the best composers of the time either played the lute or wrote music for it.
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Pade, Krek, Batič. Denmark meets Slovenia to inspirational effect.
Naxos Classical Spotlight
In this podcast, Raymond Bisha discusses a new album from the Danish National Vocal Ensemble with their chief conductor, Slovenian Martina Batič. The programme similarly melds the two nations in a programme of choral music by Slovenian composer Uroš Krek (1922-2008) and Danish composer Else Marie Pade (1924-2016), the latter a pioneer in electronic music whose greatest religious work Maria is scored for coloratura soprano, bass baritone, speaking choir, 7 trombones and electronic sounds.
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Johann Sebastian Bach meets the Theorbo, Lutenist Yasunori Imamura plays transcriptions of Bach
Naxos Classical Spotlight
Yasunori Imamura, whose recording of Bach’s complete lute works has been described as a ‘magnificent interpretation’ (Naxos 8.573936–37), turns his attention to the Cello Suites. Imamura has chosen to perform these iconic suites on the theorbo, the most important plucked instrument in the lute family, with a range very similar to the cello. Certain technical elements, such as the playing of arpeggios are, in fact, easier on the theorbo whose unique timbres and resonances bring a new sonic quality to these much-loved works. This album includes cello suites 1, 4 and 5.
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Sir Simon Rattle looks at Haydn’s Oratorio The Creation
Naxos Classical Spotlight
To mark his inauguration as Chief Conductor of the Bavarian Radio Chorus and Symphony Orchestra, Sir Simon Rattle chose Joseph Haydn's oratorio The Creation. After two concerts on September 21 and 22, 2023 in Munich's Herkulessaal, the work was performed on September 24 in the historic basilica of Ottobeuren in Upper Swabia, together with the three outstanding soloists Lucy Crowe (soprano), Benjamin Bruns (tenor) and Christian Gerhaher (baritone). This album comes from these inaugural concerts.
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Bach to Notre-Dame, Olivier Latry plays Bach
Naxos Classical Spotlight
When Notre-Dame de Paris caught fire in 2015 the organ was not damaged - some would call it a miracle. In this podcast I talk to Olivier Latry, organist at Notre-Dame, about his album Bach to Notre-Dame which was the last album recorded at Notre-Dame before the fire. Latry was also organist when Notre-Dame reopened in 2024.
info_outlineJoAnn Falletta, conductor of the Buffalo Philharmonic Orchestra, discusses a programme of orchestral works by composer/conductor Lukas Foss, who was both a predecessor of hers in Buffalo and a mentor to her. Highlighting his eclecticism as a composer, who went wherever his mind took him, Raymond Bisha discusses the performers' latest album, which features four works that colourfully reflect Foss' wide embrace and expert craftsmanship.