Shat the Movies: 80's & 90's Best Film Review
This week, Shat The Movies tackles one of the most bafflingly successful high-concept comedies of the ’80s: Twins, the movie that asked, “What if Arnold Schwarzenegger and Danny DeVito were genetically engineered brothers?” and somehow convinced the world to buy a ticket. Gene and Big D revisit Ivan Reitman’s unlikely buddy comedy to examine Arnold playing against type as a naive, hyper-intelligent gentle giant, while DeVito leans hard into sleaze, scams, and short-man rage. The guys debate whether the fish-out-of-water humor still works, unpack the film’s bizarre science experiment...
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This week, Shat The Movies heads behind the Iron Curtain—or at least a Zucker-Abrahams-Zucker version of it—with Top Secret!, the absurdist spy spoof that introduced the world to Val Kilmer as a legitimately charismatic movie star who could also sing, dance, and commit fully to absolute nonsense. Long before Top Gun or The Doors, Kilmer was playing it dead serious in a movie where cows wear boots and visual gags never stop firing. Gene and Big D break down how Top Secret! feels like the forgotten middle child between Airplane! and The Naked Gun, debate whether the joke density is...
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This week, Shat The Movies parks the surveillance van and cracks open Stakeout, the 1987 buddy-cop hit that proved Richard Dreyfuss could be both wildly neurotic and a believable romantic lead. Gene and Big D revisit this Reagan-era crowd-pleaser to figure out how a movie about police spying on a civilian somehow became a rom-com, a workplace comedy and an action-thriller all at once. The guys dig into Dreyfuss’s escalating obsession, Emilio Estevez’s mustachioed energy, and how the film casually treats stalking, harassment and undercover ethics as punchlines. They break down hot crooks,...
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This week, Shat The Movies heads into the Pacific Northwest wilderness with Shoot to Kill, the late-’80s thriller that blends serial killers, mountain survival, and peak “competent adult movie” energy. Starring Sidney Poitier, Tom Berenger, and Kirstie Alley, this 1988 sleeper feels like the kind of grown-up studio thriller Hollywood simply doesn’t make anymore. Gene and Big D break down Poitier’s no-nonsense authority, Berenger’s quietly unhinged menace, and Kirstie Alley’s refreshingly capable romantic lead. Along the way, they discuss outdoorsy masculinity, Reagan-era law...
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This week, Shat The Movies heads to rural Iowa for Field of Dreams, the baseball fantasy that turns whispered voices, cornfields and unresolved daddy issues into cinematic magic. This episode is especially meaningful as it marks the first episode edited by our first-ever intern, Elias, officially ushering in a new era for the show. If you build it… apparently Elias will cut it. Gene and Big D revisit Kevin Costner’s earnest everyman performance, debate whether this movie is genuinely profound or expertly engineered emotional manipulation, and confront the fact that Field of Dreams...
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Shat The Movies unsheathes the katana and heads to modern-day Japan for The Hunted, a mid-’90s action oddity that asks a very important question: What if Christopher Lambert was a reluctant samurai caught in a centuries-old ninja blood feud? Released in 1995 and promptly forgotten, this movie blends corporate intrigue, mystical warrior clans, and neon-lit Tokyo alley fights into one very strange package. Gene and Big D break down Lambert’s perpetual confusion, Joan Chen’s elegant menace, and the film’s commitment to taking ancient honor codes extremely seriously—despite feeling...
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This week, Shat The Movies heads to Prohibition-era Chicago with Brian De Palma’s The Untouchables, a glossy crime epic that somehow combines operatic violence, moral absolutism, and one of the most iconic staircases in movie history. Featuring Kevin Costner at his most upright, Sean Connery at his most Oscar-winning, and Robert De Niro going full scarface-with-a-bat, this film has long been considered a prestige gangster classic—but does it still earn its reputation? Gene and Big D break down Ennio Morricone’s unforgettable score, De Palma’s shameless love of excess, and whether...
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This week, Shat The Movies looks to the stars with Contact, Robert Zemeckis’s thoughtful, talky, and occasionally frustrating sci-fi drama about faith, science, and whether humanity is ready for the truth. Based on Carl Sagan’s novel and anchored by a career-best performance from Jodie Foster, Contact dares to ask big questions—then spends two and a half hours arguing about who gets to answer them. Gene and Big D debate whether this is smart, adult science fiction or a preachy lecture disguised as a blockbuster. They dig into Matthew McConaughey’s spiritual hot takes, the movie’s...
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This week on Shat the Movies, we march into Glory (1989), the powerful Civil War epic telling the true story of the 54th Massachusetts, the first African American volunteer infantry regiment. With unforgettable performances by Denzel Washington, Morgan Freeman, and Matthew Broderick, the film tackles courage, sacrifice, and the fight for dignity. Gene and Big D dig into the emotional weight, historical accuracy, and lasting impact of this Oscar-winning drama. Does Glory still resonate today? Tune in and find out. Subscribe Now Android: Apple/iTunes: Help Support the Podcast Contact...
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This Christmas, Shat The Movies takes a detour into one of the strangest holiday comedies ever made with Mixed Nuts, Nora Ephron’s chaotic 1994 remake of the French farce Le Père Noël est une ordure. We’re revisiting this deeply uncomfortable Christmas movie in honor of the late Rob Reiner, who helped define smart, character-driven comedies—even when they didn’t always work. Gene and Big D unpack how a film with an absurdly stacked cast—Steve Martin, Madeline Kahn, Rita Wilson, Adam Sandler, Juliette Lewis, and Liev Schreiber—somehow became a cult curiosity instead of a holiday...
info_outlineThis week, Shat the Movies finally kneels before Zod—and listener Chris Lloyd—by reviewing Superman II (1980), the sequel that gave us Terrence Stamp’s immortal sneer, Margot Kidder’s bathrobe thirst, and Christopher Reeve’s blue-eyed beefcake perfection.
This episode dives headfirst into the Donner vs. Lester debate, asks how much ejaculate the Fortress of Solitude can handle, and questions Lois Lane’s true intentions once Clark Kent drops the glasses—and the powers.
Gene and Big D examine everything from Superman’s bizarre morality and dubious revenge tactics to the wildly impractical Phantom Zone prison system. They also debate if memory-wiping kisses and cellophane logos deserve a place in superhero canon and why Perry White’s newsroom features a threatening photo of Bill Cosby.
Whether you’re team “Mormon Dad Superman” or “Man of Steel, Woman of Kleenex,” this episode delivers laughs, awkward truths, and more than a few inappropriate questions about Kryptonian sex.
Plot Summary
After banishing Kryptonian rebels General Zod, Ursa, and Non to the Phantom Zone, Superman continues his life as Clark Kent—until a hydrogen bomb explosion in space releases the trio. Landing on Earth, they gain Superman’s powers from the yellow sun and quickly set their sights on global domination.
Meanwhile, Lois Lane grows suspicious of Clark’s identity, prompting him to reveal his secret and sacrifice his powers to be with her. But when Zod and his cronies begin wreaking havoc—and Lex Luthor joins their side—Superman must reclaim his abilities and protect humanity.
The final showdown brings the villains to the Fortress of Solitude, where Superman uses brains over brawn to save the world, while also redefining the meaning of romantic boundaries with a memory-erasing kiss.
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