Shat the Movies: 80's & 90's Best Film Review
This week on Shat the Movies, we’re heading into the woods with The Evil Dead (1981), where five friends discover that renting an isolated cabin is apparently the fastest route to demonic possession. Gene and Big D break down Bruce Campbell’s early Ash, Sam Raimi’s inventive camera work, buckets of blood, questionable decision-making, and special effects held together with imagination and whatever they could afford. Is this low-budget horror landmark still genuinely scary, or has forty years of imitation turned it into something closer to a comedy? Tune in and find out. Full movie info...
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The 10th Annual Shat Spooktacular kicks off with a bang. People are melting. A penis is flying through the air. And somebody brought a woodwind. Commissioner John kicks off our first-ever full month of horror by taking us back to 1987 for Street Trash, the cult splatter comedy where a Brooklyn liquor store sells poisoned Tenafly Viper to the local homeless population and things go exactly as wrong as you'd expect. With a budget of roughly $100,000, this movie had no stars, no money, and no business being as memorable as it is — and yet here we are, still talking about it 39 years later. Big...
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This week on Shat the Movies, we’re going rogue with Licence to Kill (1989), the Bond movie where 007 forgets about saving the world and makes things very personal. Timothy Dalton’s Bond quits MI6 and goes after drug lord Franz Sanchez, giving us revenge, exploding tankers, questionable undercover decisions, and one seriously pissed off James Bond. Gene and Big D break down Dalton’s darker take on the character and whether this stripped down Bond adventure was ahead of its time. Does Licence to Kill deserve another look, or was this just too much Bond for 1989? Tune in and find out. ...
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Commissioned by Michael S. from the UK, "Dragonheart" promised swordplay, knights and old codes. What it delivered was a Funko Pop-headed CGI dragon, Dennis Quaid auditioning for an Oscar that was never coming, and a plot hole so big you could fly a wyvern through it. Gene and Big D break down the visual effects that aged like milk, the casting choices that could have saved the film (Schwarzenegger?!), the one question the movie never bothers to answer, and why Dennis Quaid delivers "Honor won't feed my belly, nor shoe my horse" like he's filming Braveheart. Plus: listener emails from a...
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We're going back to 1985 for the teen action drama Tuff Turf—starring James Spader, Robert Downey Jr., and Kim Richards. What starts as a goofy '80s teen comedy about a new kid who falls for the wrong girl spirals into a bloodbath with switchblades, fire axes, and rottweilers. It's Grease meets The Karate Kid meets Friday the 13th, and nobody on set seemed to notice. Gene calls it "one of the dumbest stories ever seen on screen" while Big D calls it "surprisingly enjoyable and wild." Commissioner Heather adds to the mix with an emotional letter about what the podcast means to her during the...
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This week on Shat the Movies, we’re hunting a serial killer with Kiss the Girls (1997), the thriller that introduced Morgan Freeman as detective and psychologist Alex Cross. Gene and Big D break down Freeman’s effortless authority, Ashley Judd fighting back, the creepy Casanova mystery, and a plot packed with enough twists and suspicious dudes to keep everyone guessing. Does this late 90s serial killer thriller still deliver, or was Hannibal Lecter already casting too big a shadow? Tune in and find out. Shat on Entertainment Kiss the Girls (1997) is a psychological thriller directed by...
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Cheech Marin steps out from Tommy Chong's shadow for his directorial debut, and Gene and Big D dig into whether this immigration comedy still holds up 40 years later. The Shat Crew breaks down the film's boldest gamble — leaving huge chunks of dialogue untranslated — plus the sight gags that still kill, the sketches that don't, and why Rudy's romance with Dolores might be the real heart of the movie. The conversation goes deeper than the jokes: workplace immigration raids in the '80s, the real cases (and real consequences) behind the comedy, and why Cheech says this movie now plays more...
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This week on Shat the Movies, we’re heading to the White House with Dave (1993), where an ordinary guy who looks exactly like the president suddenly finds himself running the country. Gene and Big D break down Kevin Kline’s double duty, the surprisingly sweet romance with Sigourney Weaver, and a political fantasy built around the idea that maybe common sense could actually fix Washington. Is Dave still a charming political comedy, or does its optimism feel completely insane today? Tune in and find out. Full movie info below: Dave (1993) is a political comedy directed by Ivan Reitman and...
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This week on Shat the Movies, we’re going back to school with Mr. Holland’s Opus (1995), the story of a musician who takes a teaching job while dreaming of something bigger. Gene and Big D break down Richard Dreyfuss’ decades in the classroom, the students he inspires, the family he sometimes neglects, and whether Mr. Holland is actually the inspirational teacher we remember him being. Is this a moving tribute to teachers, or does nostalgia deserve most of the credit? Tune in and find out. Full movie info below Mr. Holland’s Opus (1995) is a drama directed by Stephen Herek and starring...
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This week, Gene and Big D review The Power of One (1992), the historical drama directed by John G. Avildsen (Rocky) and starring Stephen Dorff, Morgan Freeman, John Gielgud, and a very young, very hateable Daniel Craig — in his feature film debut. Set in apartheid-era South Africa, the film follows Peter "PK" Keith, an Anglo boy navigating boarding school brutality, a German expat mentor, a prison boxing coach, and the weight of becoming a symbol for an oppressed people. It's ambitious, it's beautiful, and it completely bombed at the box office. This episode, the guys debate: Whether PK is...
info_outlineThis week on Shat the Movies, we’re shedding a single tear for Cry-Baby (1990)! Johnny Depp stars in John Waters’ rockabilly musical that’s equal parts parody, punk, and pure teen rebellion. From electric chairs to tear-streaked serenades, it’s a weird, wild ride through '50s nostalgia with a twisted grin. Tune in as we dive into this cult classic and ask: was Cry-Baby cool or just confused?
Plot Summary:
Cry-Baby (1990), directed by John Waters, is a rockabilly musical comedy set in 1950s Baltimore, starring Johnny Depp as Wade “Cry-Baby” Walker, the leader of a group of rebellious “Drapes.” When he falls for straight-laced “Square” Allison (Amy Locane), their romance sparks a clash between their two social worlds. Packed with campy humor, catchy tunes, and Waters’ signature subversive style, the film parodies teen musicals while celebrating the outsiders who refuse to conform.
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