Planes Trains & Automobiles (1987)
Shat the Movies: 80's & 90's Best Film Review
Release Date: 11/25/2017
Shat the Movies: 80's & 90's Best Film Review
This week on Shat the Movies, we’re suiting up for Men in Black (1997), where aliens live among us, the government knows everything, and Will Smith learns the hard way not to touch the red button. Gene and Big D break down the perfect mix of sci-fi, comedy, and ‘90s cool, from Tommy Lee Jones’ deadpan delivery to Vincent D’Onofrio’s bug-eyed nightmare performance. Does this blockbuster still feel fresh, or is it just a relic of peak ‘90s attitude? Tune in and find out. 👇 Full movie info below 👇 Movie Summary: Men in Black (1997) is a sci-fi action comedy directed by Barry...
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This week, Shat The Movies puts on the sunglasses and uncovers John Carpenter’s They Live, the cult classic that turns Reagan-era paranoia into a full-blown alien conspiracy. Starring “Rowdy” Roddy Piper as a drifter who discovers the world is secretly controlled by skull-faced elites, this 1988 sci-fi satire pulls no punches—and barely bothers with subtlety. Gene and Big D dig into Carpenter’s blunt-force messaging, Piper’s surprisingly effective everyman performance, and the film’s legendary alley fight that somehow goes on forever—and still works. Along the way, they debate...
info_outlineShat the Movies: 80's & 90's Best Film Review
This week on Shat the Movies, we’re asking the important question: what if Bigfoot was just… a really hairy houseguest? Harry and the Hendersons (1987) brings us a giant, gentle creature, a suburban family, and way more emotional damage than anyone signed up for. Gene and Big D break down the mix of slapstick, heart, and surprisingly heavy moments that somehow made this a childhood staple. Is Harry adorable or just a walking mess? And why does this movie hit harder as an adult than it ever did as a kid? Tune in to find out if this furry classic still holds up. Movie Summary: Harry and the...
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Shat The Movies heads to New York City for Quick Change, the 1990 crime comedy starring Bill Murray as a master planner who pulls off the perfect bank robbery… only to discover escaping Manhattan is the real heist. Directed by Murray and Howard Franklin, the film pairs Murray’s signature dry frustration with a city that seems determined to sabotage every step of the getaway. Gene and Big D break down the chaotic charm of Geena Davis and Randy Quaid, exploring why the movie obsesses over the uniquely exhausting experience of navigating New York City. From the clown-mask bank...
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This week, Shat The Movies tackles one of the most bafflingly successful high-concept comedies of the ’80s: Twins, the movie that asked, “What if Arnold Schwarzenegger and Danny DeVito were genetically engineered brothers?” and somehow convinced the world to buy a ticket. Gene and Big D revisit Ivan Reitman’s unlikely buddy comedy to examine Arnold playing against type as a naive, hyper-intelligent gentle giant, while DeVito leans hard into sleaze, scams, and short-man rage. The guys debate whether the fish-out-of-water humor still works, unpack the film’s bizarre science experiment...
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This week, Shat The Movies heads behind the Iron Curtain—or at least a Zucker-Abrahams-Zucker version of it—with Top Secret!, the absurdist spy spoof that introduced the world to Val Kilmer as a legitimately charismatic movie star who could also sing, dance, and commit fully to absolute nonsense. Long before Top Gun or The Doors, Kilmer was playing it dead serious in a movie where cows wear boots and visual gags never stop firing. Gene and Big D break down how Top Secret! feels like the forgotten middle child between Airplane! and The Naked Gun, debate whether the joke density is...
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This week, Shat The Movies parks the surveillance van and cracks open Stakeout, the 1987 buddy-cop hit that proved Richard Dreyfuss could be both wildly neurotic and a believable romantic lead. Gene and Big D revisit this Reagan-era crowd-pleaser to figure out how a movie about police spying on a civilian somehow became a rom-com, a workplace comedy and an action-thriller all at once. The guys dig into Dreyfuss’s escalating obsession, Emilio Estevez’s mustachioed energy, and how the film casually treats stalking, harassment and undercover ethics as punchlines. They break down hot crooks,...
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This week, Shat The Movies heads into the Pacific Northwest wilderness with Shoot to Kill, the late-’80s thriller that blends serial killers, mountain survival, and peak “competent adult movie” energy. Starring Sidney Poitier, Tom Berenger, and Kirstie Alley, this 1988 sleeper feels like the kind of grown-up studio thriller Hollywood simply doesn’t make anymore. Gene and Big D break down Poitier’s no-nonsense authority, Berenger’s quietly unhinged menace, and Kirstie Alley’s refreshingly capable romantic lead. Along the way, they discuss outdoorsy masculinity, Reagan-era law...
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This week, Shat The Movies heads to rural Iowa for Field of Dreams, the baseball fantasy that turns whispered voices, cornfields and unresolved daddy issues into cinematic magic. This episode is especially meaningful as it marks the first episode edited by our first-ever intern, Elias, officially ushering in a new era for the show. If you build it… apparently Elias will cut it. Gene and Big D revisit Kevin Costner’s earnest everyman performance, debate whether this movie is genuinely profound or expertly engineered emotional manipulation, and confront the fact that Field of Dreams...
info_outlineShat the Movies: 80's & 90's Best Film Review
Shat The Movies unsheathes the katana and heads to modern-day Japan for The Hunted, a mid-’90s action oddity that asks a very important question: What if Christopher Lambert was a reluctant samurai caught in a centuries-old ninja blood feud? Released in 1995 and promptly forgotten, this movie blends corporate intrigue, mystical warrior clans, and neon-lit Tokyo alley fights into one very strange package. Gene and Big D break down Lambert’s perpetual confusion, Joan Chen’s elegant menace, and the film’s commitment to taking ancient honor codes extremely seriously—despite feeling...
info_outlineEasily excitable Neal Page (Steve Martin) is somewhat of a control freak. Trying to get home to Chicago to spend Thanksgiving with his wife (Laila Robins) and kids, his flight is rerouted to a distant city in Kansas because of a freak snowstorm, and his sanity begins to fray. Worse yet, he is forced to bunk up with talkative Del Griffith (John Candy), whom he finds extremely annoying. Together they must overcome the insanity of holiday travel to reach their intended destination.
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Theme Song - Die Hard by Guyz Nite