148: When Dance and Fine Jewelry Intersect — Serge Laurent
5.6.7.EIGHT
This week on 5.6.7.EIGHT, Aleksandra speaks with Serge Laurent, Director of Dance and Cultural Programs at Van Cleef & Arpels. Serge is in charge of implementing Dance Reflections, an international program supporting the art of choreography. Laurent's journey began with a classical education at the École de Louvre, specializing in Art History and Archeology. His career took him from being an Associate Curator at the Fondation Cartier to heading Live Performance Programming at the Centre Pompidou in Paris. In this episode, Serge discusses his role at Van Cleef & Arpels, the historical...
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147: Art as Social Justice — Steven Melendez
5.6.7.EIGHT
This week on 5.6.7.EIGHT, Aleksandra speaks with Steven Melendez, Artistic Director at the . Steven’s journey with dance began through his current company’s LIFT Program, which teaches dance to homeless or home insecure youth. Steven has since danced as a Soloist and Principal dancer at a collection of ballet companies across three continents. Steven’s story is also explored in the award-winning film LIFT, which premiered at the Tribeca Film Festival in 2022. Steven’s life was changed because New York Theatre Ballet made the arts more accessible to New York City youth. Now, Steven...
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146: Passion Over Money — Kevin Jenkins
5.6.7.EIGHT
This week on 5.6.7.EIGHT, Aleksandra interviews Kevin Jenkins, Founder and Artistic Director at . Kevin’s choreography, which Dance Magazine has praised as “riveting,” has been featured at dozens of dance companies, including State Street Ballet, SUNY Purchase, and San Diego Dance Theater. He has also served on faculty at Boston Ballet School, Joffrey Ballet School, and several other esteemed institutions. Early in his dance journey, Kevin knew he had a passion for choreography. So he decided to take the plunge — to follow his passion, even if it didn’t “pan out” in the...
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145: Lessons from an Executive Coach — Matz Skoog
5.6.7.EIGHT
This week on 5.6.7.EIGHT, Aleksandra speaks with Matz Skoog, executive coach at . Skoog, a Stockholm native, had an accomplished career in dance at several international companies. Following his career in dance, he became a sought-after tutor, which led to a variety of professional appointments, including Artistic Director of the English National Ballet and Royal New Zealand Ballet. Upon his exit from the stage, Matz founded Matz Skoog Coaching, where he helps others achieve their true professional potential. As a dancer and Artistic Director, Matz had a passion for helping others fulfill...
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144: New Experiences Build Character — Jeffrey Cirio
5.6.7.EIGHT
This week on 5.6.7.EIGHT, Aleksandra interviews Jeffrey Cirio, an internationally recognized ballet dancer who is currently dancing as Principal at . Jeffrey also is co-founder and Artistic Director of his own company, Cirio Collective. Jeffrey has danced for American Ballet Theatre and the English National Ballet as Principal and Lead Principal, respectively. Jeffrey holds medals from competitions held across three different continents. His list of accolades is truly remarkable. Jeffrey’s run as a professional dancer began at Boston Ballet. By his own account, he was living a dream and...
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143: On Rejection, Perseverance, and Chasing your Dreams — Kristin Draucker
5.6.7.EIGHT
This week on 5.6.7.EIGHT, Aleksandra interviews Kristin Draucker, a veteran dancer and choreographer who is currently performing with the . As a long-time New York City resident, she has danced with a variety of well-known companies in the area. Draucker began creating original works in 2014 and has shown her choreography both nationally and internationally at various companies and festivals. In 2017, she joined Paul Taylor Dance Company, where she currently performs. Kristin’s story is a compelling tale of obstacles and perseverance. From the start, Kristin’s road into the dance world was...
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142: Find Your “Zone of Genius” — Julianna Rubio Slager
5.6.7.EIGHT
This week on 5.6.7.EIGHT, Aleksandra speaks with Julianna Rubio Slager, Artistic Director at . Slager, who is originally from Michigan, studied under many renown global dance experts and teachers. Upon moving to Chicago, Slager had the opportunity to work as a freelance artist, teacher, and choreographer in the Greater Chicago area. Eventually, she co-founded Ballet 5:8 in 2012. Ballet 5:8 just had its 10th anniversary and has grown immensely. It now has a professional company of 20 dancers and a school of over 400 dancers of all ages. Ballet 5:8 also has a touring company that tours 32 weeks...
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141: It’s a Privilege to Lead — Joseph Morrissey
5.6.7.EIGHT
This week on 5.6.7.EIGHT, Aleksandra interviews Joseph Morrissey, Director of Dance at . Prior to this role, he served in a similar role with the Hong Kong Ballet. As a professional dancer, he danced with the Bavarian State Ballet in Munich and the Boston Ballet II. He’s a seasoned choreographer and also has instructed for various dance companies, including the American Ballet Theatre Studio Company. He also currently serves on the juries for the Youth America Grand Prix, the International Baltic Ballet Competition, and the Japan Grand Prix. Joseph’s resume is impressive, but above...
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140: A Balanced Life for Better Dancing — Jess Spinner
5.6.7.EIGHT
This week on 5.6.7.EIGHT, Aleksandra speaks with Jess Spinner, entrepreneur and holistic health coach at . Jess holds a bachelor’s degree from Butler University in Dance and Arts Administration. Upon graduation, she danced with the Louisville Ballet and did some professional work as a freelancer in Boston. Now, Jess’s life mission is to support dancers in finding a personal balance in their approach to food and their bodies. As a former professional dancer that struggled with body image issues, Jess knows the physical, mental, and emotional grind of dance. And, now looking back, Jess...
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139: Enjoy Dance More through Self Care — Liz Bayley
5.6.7.EIGHT
This week on 5.6.7.EIGHT, Aleksandra speaks with Liz Bayley, a seasoned professional dancer whose interest in sports injuries birthed a career as a physiotherapist for some of the world’s top shows. Liz was a professional dancer for 15 years, performing all over the world. Liz went on to work as a physiotherapist in the West End on shows such as Hamilton, Wicked, The Wizard of Oz, Singing in the Rain, Shrek, Matilda, and Jersey Boys. Liz holds a master’s degree in physiotherapy from King’s College and, now, serves as the physio for The Lion King. She also owns her own private practice....
info_outlineFor Alexandra, some of her most formative years as an artist — and as a human — were her years in New York City. Upon landing in the United States, this city filled her with awe and curiosity around all areas of the arts and helped rid her of any anxiety and fear as a citizen in a foreign land. On the podcast, Alexandra discusses the modern dance industry and walks through her entire career but, most notably, shares why the “Big Apple” holds a special place in her heart.
Moving Quotes:
"Suddenly every conditioning I had, every expectation, every demand I was putting on my own body to be a dancer — all of that just exploded. In a moment, suddenly everything was possible. That was New York, for me."
"For the arts, the pandemic is a crucible. This is how we get clearer and stronger. And we can show what we're made of, in a way. There are huge opportunities, if we don't let fear paralyze us."
"Voice lessons and theater and, really, anything will add to your dance resumé. I think, more and more, choreographers want to have dancers who can really offer something."
"You can't be a contemporary dance company and not be a mirror of the society you are a part of."
"I feel very grateful that I have a voice and a platform so that I can be an example for my daughter — for my young dancers — and contribute in that way. At the same time, I don't have all the answers [for achieving female equality in dance leadership]. But we're at the start of a very long journey."
"Ultimately, leading this company is not about me. It's about me with the team, at the service of this dance company from Montreal. From Quebec. From Canada. And I like that challenge — that it will be a balancing act between just the right amount of history and innovation... It's a dance."
"For me, dance has no borders."
Bullet Points (w/ timestamps) - Highlighting key topics discussed:
2:50: Alexandra, who previously danced for BJM-Les Ballets De Montréal, discusses what it’s like to come back and now serve as artistic director.
3:57: Alexandra shares some lessons learned in her time as a performer that she hopes to implement as artistic director.
6:42: Damiani explains how she hopes to bring her own personality to her artistic direction, while maintaining the rich culture of BJM-Les Ballets De Montréal.
10:08: Damiani predicts her biggest challenge as she takes the reigns as artistic director.
14:02: Alexandra describes her excitement to be a woman in dance leadership, at this pivotal time when that male-centric culture is beginning to change.
18:37: Damiani, who has appeared in feature films like Black Swan, discusses her involvement in the music and film industry.
22:54: Alexandra retells stories from her life-changing years in New York City and how that time period came to define her as a dancer and as a person.
31:38: Alexandra imparts some advice to aspiring dancers who are hoping to succeed in the industry.
Bullet List of Resources –
Alexandra Damiani
BJM-Les Ballets Jazz De Montréal