Bringin' it Backwards
On this episode of Bringin’ It Backwards, Adam and Tera Lisicky sit down with fast-rising singer-songwriter Avery Lynch for an open and honest conversation about her remarkable journey from a small town in Pennsylvania to the heart of LA’s music scene. Avery opens up about how her musical gift was discovered at just five years old, when she could play songs by ear on her childhood keyboard, and how those early talents eventually led her to the Berklee College of Music—and some unconventional ways of making the most out of her college experience. Avery reveals how hitting “post” on a...
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What does it take to grow up loving music in a non-musical household—and still carve your way onto one of heavy music’s most respected labels? On this episode of Bringin’ It Backwards, Adam and Tera Lisicky sit down with Joe from Lightworker for a no-holds-barred conversation about humble roots in Redwood City, navigating sketchy Bay Area venues as a teenager, and learning to channel creative urges through violin and guitar—even if it meant skipping lunch to buy new CDs. Joe opens up about his evolution from writing songs alone to forming Lightworker, grinding through DIY releases, and...
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What happens when an artist steps away from their craft, finds themselves again, and returns with a renewed sense of joy and creative purpose? On this episode of Bringin’ It Backwards, host Adam Lisicky reconnects with the incomparable Gavin Turek, just weeks after the release of her brand-new album, Diva of the People. It’s been three years since Gavin first joined the show to talk about her debut album, Madam Gold—a time shaped by struggle, transformation, and the challenges of releasing music during the pandemic. In this candid conversation, Gavin shares how that era left her...
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On this episode of Bringin’ it Backwards, Sean Ulbs of sits down with Michael Fitzpatrick—better known as Fitz, frontman of the chart-topping band Fitz and the Tantrums. Fitz gets real about his long and winding road through the music industry, from years of rejection and heartbreak to risking it all—both emotionally and financially—on one more shot at his dream. He shares how a vintage organ and a single inspired rehearsal launched the band that would eventually bring us hits like “HandClap,” “The Walker,” and “Out of My League.” Fitz opens up about the creative process...
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On this episode of Bringin’ It Backwards, Adam sits down with the inspiring Britnee Kellogg for a candid look at her journey from a “non-musical” family in Vancouver, Washington, to viral success and a brand new album. Britnee shares how a life-changing Johnny Cash and June Carter concert at just six years old set her path, the realities of balancing motherhood with musical dreams, and the bumps along the road — from American Idol to a Taylor Swift contest that took her to Nashville. She opens up about her viral TikTok moments, the pressure of chasing the next big hit, and the courage...
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On this episode of Bringin’ It Backwards, Adam sits down with Joshua Aubrey Jackson, the creative force behind the indie project Make Sure. Broadcasting from his hometown of Opelika, Alabama, Josh opens up about his journey from discovering music through his older siblings’ hand-picked mixes to teaching guitar to the next generation of musicians. He shares how his earliest experiments in home recording and high school band projects eventually led him to develop a more intentional, polished sound with Make Sure—a project that landed him a deal with Tooth & Nail Records. Josh dives...
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On this episode of Bringin’ It Backwards, Adam sits down with TAVE—an acclaimed London-born producer and songwriter who’s now stepping boldly into the spotlight as a solo artist. You might recognize TAVE’s name from his Grammy-nominated work on Black’s album "Since I Have a Lover," but this episode is extra special—it's TAVE’s very first interview ever. Adam leads TAVE through his story, from discovering the piano at age five thanks to an abandoned upright in his family’s London home, to working the church musician circuit, eventually landing gigs on world tours with acts like...
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What happens when a message meant for the wrong drummer leads to the right band? On this episode of Bringin’ It Backwards, Adam Lisicky sits down with Andres and Patrick of Stockholm’s own Self Deception to unravel a musical story packed with serendipity, stubborn determination, and fearless reinvention. From awkward high school musicals to their earliest days hustling through Stockholm’s music scene, Andres and Patrick talk candidly about band origins, creative breakthroughs, and why they never fit neatly into Sweden’s rock landscape. It’s not all easy—Andres opens up about lonely...
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On this episode of Bringin’ It Backwards, Adam and Tera catch up with rising indie-pop artist Gigi Perez for a candid and inspiring conversation about her journey over the last two and a half years. When they first had Gigi on the show, she was just breaking out—she hadn’t yet released her debut EP, and she was still figuring out her sound. Since then, Gigi’s world has turned upside down: she’s experienced viral success, lost her record deal, moved back in with her parents, and—against the odds—taught herself how to engineer and record her own full-length album right from her...
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Guests:
- Mikaila Delgado, singer, songwriter, and frontwoman of Yours Truly.
- Teddie Winder-Haron, lead guitar of Yours Truly.
Guest's Genre(s): Alternative Rock, Pop Punk, Emo.
Episode Topic: Yours Truly’s Mikaila Delgado opens up about band transitions, finding her voice through vulnerability, and the honest evolution behind their latest album.
Key Themes Discussed:
- Navigating the emotional and creative aftermath of losing foun info_outline
23-year-old singer, guitarist, and songwriter Elliot James Reay returns with the irrepressibly upbeat new single, “Who Knew Dancing Was A Sin.” The soulful cut is built on an old school premise: Reay’s partner fears he’s been unfaithful when really he was just out dancing the night away. The song’s music video brings that scenario to life and pays homage to the Northern Soul dancing scene still thriving in Reay’s hometown of Manchester, UK. “Who Knew Dancing Was A Sin” is available now at via Interscope / Island EMI.
For his fourth song to date, Reay reunites with writer-producer duo SOAP (Manchester’s Josh Noble and Karl Ziegler) alongside fellow cowriters Annielle Lisiuk and Glen Roberts. With deep bass groove, sharp guitar stabs, jangling tambourine, and driving drums, “Who Knew Dancing Was A Sin” is itself a powerful enticement to dance. Horns and strings only add to the urgency as Reay growls, quavers, and coos out his passion for movement: “It’s a shame she doesn’t get it, a shame she doesn’t see / It don’t make me a traitor and it don’t make me cheat / You can try to stop the music, but you can’t stop my feet / Just give me a bourbon, a bass line, and a beat.”
The music video for “Who Knew Dancing Was A Sin” finds Reay in the hot seat after he comes home late. He’s suited up and visibly disheveled as a nightgown-wearing woman gives him a piece of her mind. Through thrilling flashbacks, though, we see the truth as Reay cuts a rug amidst a group of passionate dancers kicking, spinning, and shuffling in a red-curtained club.
Reay’s new tune further leans into the young artist’s loving embrace of ’50s and ’60s music, and follows March’s “Daydreaming,” a swooning single infused with cinematic grandeur and eerie longing. Before that came the upbeat and stylish “Boy in Love,” with a video shot on the streets of his hometown, and the massive breakthrough “I Think They Call This Love,” which enthralled millions around the globe with Reay’s refreshing revival of a classic rock ’n’ roll sound.
Influenced from an early age by artists like Roy Orbison and Elvis Presley, Reay now channels that pioneering era of culture into his music to incredible effect. A truly sensational debut, “I Think They Call This Love” has amassed over 150 million global streams, earned 400 million views across 120,000+ TikTok creates, climbed Spotify Viral Charts in over 27 countries, and helped Reay build a loyal fanbase of more than 5 million followers. The song also marked the arrival of a fascinating new talent who, clearly, has much more to share.
ABOUT ELLIOT JAMES REAY:
Elliot James Reay has a genuine, lifelong love for not just the music of the ’50s but the entire era and he has the voice, look, and magnetism to seemingly transport his fans back in time. But a close listen to his intoxicating forays into doo-wop and rockabilly reveals decade-hopping flourishes, knowing nods, and the occasional bent melody or distorted peel of guitar that would’ve caused uproar in Billy Fury’s Day. Instead — and despite those who told him he’d need to change his sound to succeed — Elliot’s grown a huge fan base via modern means, organically amassing over 4.7 million followers and hundreds of millions of views across social media platforms.
Reay grew up listening to all kinds of music in the town of Bury, outside of Manchester, but he was drawn to the old stuff from an early age and took it farther than most, thrifting for vintage clothes and busking the town center as a teen. As the crowds grew, so did his confidence, and after earning more than £2,000 in a single day fundraising in the wake of the 2017 Manchester tragedy, Elliot realized the power he had to reach others. He was only 15 years old back then, and ever since he’s been working on bringing his velveteen voice to an expanding audience whose appreciation for his music transcends generations, time zones and, yes — to see his fans’ comments about his work — quite possibly time itself.
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