Collected: The Podcast
In this special interview, cult author and RLF beneficiary Hanif Kureishi tells Paul Dodgson about working with David Bowie, why he has given up listening to music except for one particular song, and how he has rebuilt his writing process after the fall that left him paralysed in 2022. © Royal Literary Fund www.rlf.org.uk
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The Cairo-born scriptwriter joins host Ann Morgan to explore her accidental route into writing, what it means to speak English wrong, the challenges and opportunities of being a writer of migrant heritage and how she has blended Egypt and Scotland in her work. © Royal Literary Fund www.rlf.org.uk
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The winner of the T.S. Eliot Prize and the Queen's Gold Medal for Poetry joins host Julia Copus to discuss why he hardly reads novels, shifting literary fashions, building poems from snippets and growing up in a family of actors. © Royal Literary Fund www.rlf.org.uk
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The East Anglian writer tells Jonathan Tulloch what editing taught her about rejection and why ghosting is so damaging for writers. She also discusses investigating asbestos and hate speech, and discovering the spectres of places that used to exist through archival research. © Royal Literary Fund www.rlf.org.uk
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Pat Cumper, the celebrated former artistic director of Talawa Theatre Company talks to fellow playwright Juliet Gilkes Romero about the survival of political theatre, her experience of racism at Cambridge University in the 1970s, adapting work by Toni Morrison and what it means to be in the writing zone. © Royal Literary Fund www.rlf.org.uk
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Emma John, chronicler of cricket, bluegrass music and singlehood, talks to presenter Paul Dodgson about creating a writing panic room, writing memoirs by accident and when it is acceptable to tweak facts in non-fiction. © Royal Literary Fund www.rlf.org.uk
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The celebrated nature writer and farmer delves into the Royal Literary Fund archive, reflecting on his singular creative processes, why rewilding may not always be a good thing and how he learnt to speak dog. © Royal Literary Fund www.rlf.org.uk
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In her first conversation about her hotly anticipated new erotic novel Wet Ink, written under the pen name Abigail Avis, RLF Fellow Abigail Mann tells presenter Ann Morgan about the importance of portraying a diversity of experiences in sex scenes, the perils of the productivity mindset and the fear of combining writing and motherhood. Abigail will be writing a series of articles for Collected following the process of Wet Ink’s publication this year. Follow her journey on the RLF's Substack: © Royal Literary Fund www.rlf.org.uk
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Collected's Caroline Sanderson is joined by author and broadcaster Vanessa Collingridge to discuss writing about neurodiversity, chronicling the adventures of her distant relative Captain Cook, tackling fake news and democratising knowledge, and a career that has spanned seven continents. © Royal Literary Fund www.rlf.org.uk
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International bestseller and RLF trustee Paula Hawkins joins Collected host Sonia Faleiro to reflect on her journey to success, how she deals with criticism, and the way each book comes to her differently. Paula's renowned thrillers include The Girl on the Train, A Slow Fire Burning and Into the Water. © Royal Literary Fund www.rlf.org.uk
info_outlineIn this bonus episode, RLF trustee Mark Lawson explores the challenges new and established dramatic writers face today as the Royal Literary Fund celebrates the announcement of the first recipient of the Robert Holman Award this #WorldTheatreDay. The discussion features the award-winning playwrights and founder of The Friends of Robert Holman, David Eldridge (Festen, Market Boy, Under the Blue Sky, Beginning, Middle) and friend of Holman, Simon Stephens (Curious Incident of the Dog in the Nighttime, Vanya), in addition to Juliet Gilkes Romero, RLF Fellow and National Theatre Writer in Residence (The Gift, The Whip, Day of the Living), Ishy Din, RLF Fellow and Royal Court Associate Playwright (Snookered, Champion), Joe Ward Munrow (The Legend Ned Lund, Screaming Heart) Robert Holman Grant Award recipient, and also TV screenwriter Sameera Steward (Geek Girl, Get Even) and the Olivier nominated writer for stage, screen and audio, Joe White (Blackout Songs, Little Big Things, 1984 on Audible), both of whom are recipients of the RLF’s JB Priestley Award, given to writers of promise.
You can watch this discussion on our YouTube channel and you can find out more about our Grant Awards on our website.
© Royal Literary Fund