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The Mysterians: 1957 Sci-Fi Space Invaders in Postwar Japan

Every Single Sci-Fi Film Ever*

Release Date: 04/13/2025

The Time Machine: HG Wells’ Legacy in 1960s Sci-Fi show art The Time Machine: HG Wells’ Legacy in 1960s Sci-Fi

Every Single Sci-Fi Film Ever*

As always there are spoilers ahead! You can follow the podcast on ,  and .  HG Wells shadow is a long one and his seminal work on time travel was published in 1895. But well over a half a century later Hollywood was still hooked on Herbert (George Wells). The Time Machine was directed by George Pal and released 1960. From the turn of the century to the beginning of a new decade my amazing guests break down the themes and influences on this mid-century steampunk precursor. Keith Williams is a Reader in English Literature at the University of Dundee where he runs the...

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The Wasp Woman: Roger Corman’s Corporate Queen show art The Wasp Woman: Roger Corman’s Corporate Queen

Every Single Sci-Fi Film Ever*

As always there are spoilers ahead! Scroll down to read a brief synopsis of the film. The idea is to watch the film in advance before tuning in but apparently many of you listen without prep which is lovely albeit confusing! Next episode’s film is also listed below.  Roger Corman began his career in film in 1950 and would go on to leave a huge mark on the industry by mentoring many filmmakers in the 1970s (Peter Biskind’s book Easy Riders, Raging Bulls is a great read if you’re interested!).  The Wasp Woman from 1959 was produces and directed by Corman and rounds of the...

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The Tingler: Vincent Price, William Castle & 1959 Ballyhoo show art The Tingler: Vincent Price, William Castle & 1959 Ballyhoo

Every Single Sci-Fi Film Ever*

Hello wonderful people!   You can follow the podcast on ,  and .   Thank you so much to Patreon subscribers! If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at    The idea behind the podcast is we all watch the film (with film choices and where to watch given in the show notes of the previous episode) and then you can listen to the podcast after two weeks and learn more about the film.   It has been brought to my attention (thank you, Olivia!) that sometimes a synopsis might be very helpful...

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Teenagers from Outer Space: Aliens, Ray Guns & Gargons, Oh My! show art Teenagers from Outer Space: Aliens, Ray Guns & Gargons, Oh My!

Every Single Sci-Fi Film Ever*

You can follow the podcast on ,  and .   Thank you so much to Patreon subscribers! If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at    As usual there are spoilers ahead!   This film is silly. And I love that for me. I hope many of you will enjoy something much more lighthearted after the heavy topic of nuclear annihilation from the last episode.   Teenagers from Outer Space (1959) was the work of Tom Graeff who wrote, produced, directed, edited and acted in the film.     ...

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On the Beach: Atomic Apocalypse in 1959 show art On the Beach: Atomic Apocalypse in 1959

Every Single Sci-Fi Film Ever*

As always there are spoilers ahead! Trigger warning for a lot of discussion of suicide with analysis of the plot along with a side of dark humour. If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at  You can follow the podcast on ,  and . If you want to watch the film before you listen you can check the Just Watch website to see where it is available in your region. On the Beach is available online to buy and rent from Apple and other sources in many places. I can’t believe I am almost done and dusted with this...

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The World, the Flesh and the Devil: Harry Belafonte, Race and Apocalypse show art The World, the Flesh and the Devil: Harry Belafonte, Race and Apocalypse

Every Single Sci-Fi Film Ever*

As usual there are spoilers ahead!

 

You can follow the podcast on social media: Instagram, Threads and BlueSky.


You can support the podcast and get ad-free episodes on info_outline The Fabulous World of Jules Verne: Czechoslovakia, Steampunk and Zeman in 1958 show art The Fabulous World of Jules Verne: Czechoslovakia, Steampunk and Zeman in 1958

Every Single Sci-Fi Film Ever*

If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at https://www.patreon.com/everyscififilm

 

You can follow the podcast on Threads, Instagram and <

info_outline The Mysterians: 1957 Sci-Fi Space Invaders in Postwar Japan show art The Mysterians: 1957 Sci-Fi Space Invaders in Postwar Japan

Every Single Sci-Fi Film Ever*

You can find the podcast on ThreadsInstagram and Bluesky


In 1992 Ishiro Honda sat down for his info_outline I Married a Monster from Outer Space: Gender expectations in 1958 show art I Married a Monster from Outer Space: Gender expectations in 1958

Every Single Sci-Fi Film Ever*

You can find the podcast on Threads, Instagram and Bluesky

I Married a Monster from Outer Space was released as part of a double bill (with The Blob) in 1958. The story focuses on newlywed couple Marge and Bill Farrell but unbeknownst to his new bride and the whole town Bill has been replaced by an alien on the eve of th

info_outline The Blob, Steve McQueen and the Rising Teen show art The Blob, Steve McQueen and the Rising Teen

Every Single Sci-Fi Film Ever*

As usual there are spoilers ahead! 

Somewhere in the late 1950s society began to come to terms with the idea of the teenager. Teens were heading to the cinema leaving younger siblings and parents at home. The Blob (1958) isn‘t a tale of rebellion or film warning about teenage delinquency but a thoroughly enjoyable time with a catchy theme tune. 

I have two wonderful guests to help us unravel this classic 1950s sci-fi. 

The Experts 

Roger Luckhurst is a Professor at Bi

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More Episodes

You can find the podcast on ThreadsInstagram and Bluesky


In 1992 Ishiro Honda sat down for his final interview with journalist David Milner. When asked about which of his own films were his favourite Honda listed Godzilla (1954), Gorath (1962) and The Mysterians from 1957.

 

The Mysterians is a visually beautiful film full to the brim with sci-fi tropes. A technologically advanced but desperate alien race, affected by radiation, is invading earth and wants to take our healthy women for breeding purposes. There’s also a groovy space station and the first mecha-kaiju in the form of Moguera. A film made at a time when Japan seems to be wrangling with what it means to be a post imperial, post nuclear tragedy country with a growing economy and a booming film industry.

 

I have two wonderful experts to help shed light on the context of this trope laden sci-fi classic.

 

Jay Telotte is Professor Emeritus of film and media studies at Georgia Tech. He has written/edited numerous books and articles about science fiction film including the 2023 book Selling Science Fiction Cinema.

 

Yuki Miyamoto is Professor of Religious Studies and Director of the Humanities Center at DePaul University. Her work focuses on the ethics around nuclear discourse.

 

Chapters

00:00 Introduction

01:56 Japanese Golden Age of Cinema: censorship, art vs big budget & the USA

08:47 Pacifism and militarism

14:04 Toho studios

15:36 Glorious colour, Toho-scope and cinema culture

19:57 Tradition, science and military might

27:55 Taking our women: occupation, war & marketing

36:55 Message of collaboration

39:50 The US market

44:51Battle of the Planets

45:55 Shout outs: Akira Ifukube and Eiji Tsuburaya

48:10 Legacy and Recommendations

 

 

NEXT EPISODE!

In two weeks we will be speaking about a film that shocked me with its striking visual style. The Fabulous World of Jules Verne (1958), also known as Invention for Destruction or in its original Czech: Vynález zkázy. You can look to find the film on Just Watch but people in mainland and central Europe may find it easier to find with mainstream streaming services. The Criterion Channel also has the film available and there may be some Central and Eastern European services that you may be able to sign up to. I believe there may be a copy on YouTube but I am unsure of its quality or validity.


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