The Mysterians: 1957 Sci-Fi Space Invaders in Postwar Japan
Every Single Sci-Fi Film Ever*
Release Date: 04/13/2025
Every Single Sci-Fi Film Ever*
As always there are spoilers ahead! You can follow the podcast on social media on , and . If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. First Men on the Moon was written by HG Wells and serialised in The Strand Magazine beginning in 1900. The book was published in 1901 a year before Georges Méliès kicked off science fiction cinema with La Voyage dans la Lune in 1902. (You can learn more about that film in episode number 2 .) Then in the swinging 60s as the space race...
info_outlineEvery Single Sci-Fi Film Ever*
I am very sorry but I have been unwell this past week. (But I am on the mend!) Multiple visits to the hospital mean that although I have the next episode recorded I have not been able to edit it. I've heard many podcasts serve up older episodes in this circumstance. Maybe an annoyance to those who have already heard all the episodes but for those who haven't since it is 2026 it's probably a good opportunity to watch Metropolis (1927) as this year is the year it was set. I have two remarkable and engaging academics speak about it. Sonja Fritzsche is a professor of German Studies and an...
info_outlineEvery Single Sci-Fi Film Ever*
As always there are spoilers ahead! You can follow the podcast on social media on , and . If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. In 1958 the Peter George novel Red Alert was published about the dangers of nuclear war. A few years later when Stanley Kubrick was looking to make a (serious) film about the topic he was recommended the book. Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb was the resulting film. The film takes aim at...
info_outlineEvery Single Sci-Fi Film Ever*
Time for another detour! An introduction to Afrofuturism with two magnificent guests. You can follow the podcast on social media on Threads, Instagram and Bluesky. If you would like to be a patron of the podcast it would be greatly appreciated! You can join Patreon and for £3 or $3 a month you can get ad free version of the show. The symbol mentioned in the podcast a few times is the Sankofa symbol which is a recurring symbol in Afrofuturism. It represents the idea that there are things that you go back for (and things you leave behind). You can read more about it on this wiki page: Julian...
info_outlineEvery Single Sci-Fi Film Ever*
As always there are spoilers ahead! We’ve discussed Czech scifi before with Karel Zeman’s gorgeous steam punk offering from 1958 Invention for Destruction (dubbed into the English language The Fabulous World of Jules Verne) and we’ve also covered Communists in Space with 1960s The Silent Star (AKA First Spaceship on Venus). The Czech Ikarie XB-1 (1963) has connections to both of those films but also offers an aesthetic that . The year is 2163, communism has won, and a crew of 40 are sent to find life on the white planet in Alpha Centauri with a journey fraught with sociological,...
info_outlineEvery Single Sci-Fi Film Ever*
As always there are spoilers ahead! You can follow the podcast on social media on , and . If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. Roger Corman produced hundreds of films in his lifetime and directed dozens. X: The Man with the X-Ray Eyes is a colourful, psychedelic, 1960s extravaganza with aspirations of transcendence. If you wanted to join in, you can watch the film X: The Man with the X-Ray Eyes from 1963 first. DVDs of the film are available, but it is also...
info_outlineEvery Single Sci-Fi Film Ever*
As always there are spoilers ahead! You can follow the podcast on social media on , and . If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. In 1959 at the cusp of a new and exciting decade Richard Condon wrote a book that is largely described as a political thriller. And it is a political thriller. But it also fits neatly into my concept of science fiction. To learn more about what is and isn’t science fiction you can head to the heady days of the first episode where the topic...
info_outlineEvery Single Sci-Fi Film Ever*
There are spoilers ahead for all versions of The Day of the Triffids and also for the film Signs. You can follow the podcast on social media on , and . If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. This episode had been edited down to a more digestible length of under an hour but a longer (audio only) version is available for Patreon subscribers (alongside the shorter option). We are doing things a little differently and discussing the 1963 film along with the source material...
info_outlineEvery Single Sci-Fi Film Ever*
As always there are spoilers ahead! You can follow the podcast on social media on , and . If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. There is a trigger warning for discussion of rape in this episode. I have marked the beginning of that part of the discussion with a beep and the discussion lasts for four minutes and four seconds after the beep if you wanted to skip past it. Last week we told you “” but this week we focus in on the panic. ...
info_outlineEvery Single Sci-Fi Film Ever*
As always there are spoilers ahead. You can buy the Hitchhiker’s Guide to the Galaxy book in most bookshops and you can listen to the radio play on YouTube and also on the Internet Archive. You can follow the podcast on social media on , and . If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show and be revered amongst both the G'Gugvuntts and the Vl'Hurgs: As mentioned elsewhere this is not an analysis of the film or any kind of review of the book but more like a chat...
info_outlineYou can find the podcast on Threads, Instagram and Bluesky.
In 1992 Ishiro Honda sat down for his final interview with journalist David Milner. When asked about which of his own films were his favourite Honda listed Godzilla (1954), Gorath (1962) and The Mysterians from 1957.
The Mysterians is a visually beautiful film full to the brim with sci-fi tropes. A technologically advanced but desperate alien race, affected by radiation, is invading earth and wants to take our healthy women for breeding purposes. There’s also a groovy space station and the first mecha-kaiju in the form of Moguera. A film made at a time when Japan seems to be wrangling with what it means to be a post imperial, post nuclear tragedy country with a growing economy and a booming film industry.
I have two wonderful experts to help shed light on the context of this trope laden sci-fi classic.
Jay Telotte is Professor Emeritus of film and media studies at Georgia Tech. He has written/edited numerous books and articles about science fiction film including the 2023 book Selling Science Fiction Cinema.
Yuki Miyamoto is Professor of Religious Studies and Director of the Humanities Center at DePaul University. Her work focuses on the ethics around nuclear discourse.
Chapters
00:00 Introduction
01:56 Japanese Golden Age of Cinema: censorship, art vs big budget & the USA
08:47 Pacifism and militarism
14:04 Toho studios
15:36 Glorious colour, Toho-scope and cinema culture
19:57 Tradition, science and military might
27:55 Taking our women: occupation, war & marketing
36:55 Message of collaboration
39:50 The US market
44:51Battle of the Planets
45:55 Shout outs: Akira Ifukube and Eiji Tsuburaya
48:10 Legacy and Recommendations
NEXT EPISODE!
In two weeks we will be speaking about a film that shocked me with its striking visual style. The Fabulous World of Jules Verne (1958), also known as Invention for Destruction or in its original Czech: Vynález zkázy. You can look to find the film on Just Watch but people in mainland and central Europe may find it easier to find with mainstream streaming services. The Criterion Channel also has the film available and there may be some Central and Eastern European services that you may be able to sign up to. I believe there may be a copy on YouTube but I am unsure of its quality or validity.
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