The Mysterians: 1957 Sci-Fi Space Invaders in Postwar Japan
Every Single Sci-Fi Film Ever*
Release Date: 04/13/2025
On the Beach: Atomic Apocalypse in 1959
Every Single Sci-Fi Film Ever*
As always there are spoilers ahead! Trigger warning for a lot of discussion of suicide with analysis of the plot along with a side of dark humour. If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at You can follow the podcast on , and . If you want to watch the film before you listen you can check the Just Watch website to see where it is available in your region. On the Beach is available online to buy and rent from Apple and other sources in many places. I can’t believe I am almost done and dusted with this...
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The World, the Flesh and the Devil: Harry Belafonte, Race and Apocalypse
Every Single Sci-Fi Film Ever*
As usual there are spoilers ahead!
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Every Single Sci-Fi Film Ever* If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at https://www.patreon.com/everyscififilm Every Single Sci-Fi Film Ever* You can find the podcast on Threads, Instagram and Bluesky. In 1992 Ishiro Honda sat down for his info_outline
Every Single Sci-Fi Film Ever* You can find the podcast on Threads, Instagram and Bluesky. Every Single Sci-Fi Film Ever* As usual there are spoilers ahead! Somewhere in the late 1950s society began to come to terms with the idea of the teenager. Teens were heading to the cinema leaving younger siblings and parents at home. The Blob (1958) isn‘t a tale of rebellion or film warning about teenage delinquency but a thoroughly enjoyable time with a catchy theme tune. I have two wonderful guests to help us unravel this classic 1950s sci-fi. The Experts Roger Luckhurst is a Professor at Bi Every Single Sci-Fi Film Ever* For this bonus episode I’ve teamed up with the excellent History Daily podcast. Very exciting! History Daily tells fascinating stories of what happened “on this day” in history with a new episode every weekday. The early 1950s in the USA stand out as not just a time of economic prosperity but also one of paranoia. The country faced the fear of the atomic bomb, the Red Scare and a moral panic around juvenile delinquency. (Teenagers were new and unpredictable!) During this Every Single Sci-Fi Film Ever* You can find the podcast on Threads, Instagram and Bluesky. The Worst Film of All Time by The Worst Director of All Time. So claimed the 1980 book The Golden Turkey Awards by Michael and Harry Medved regarding the film Plan 9 from Outer Space and director Edward Wood Jr AKA Ed Wood. But this very title is one of the Every Single Sci-Fi Film Ever* As usual there are spoilers ahead! I would love to know what you make of the ending of this film if you watched it. Best place to do that is on social media. Threads, Instagram and Bluesky.&nb Every Single Sci-Fi Film Ever* As usual there are spoilers ahead! Forbidden Planet (1956) is a somewhat overlooked 50s classic. Although it often fails to make lists of the greatest sci-fi films of all time it has come across often in my written research and when 
I Married a Monster from Outer Space was released as part of a double bill (with The Blob) in 1958. The story focuses on newlywed couple Marge and Bill Farrell but unbeknownst to his new bride and the whole town Bill has been replaced by an alien on the eve of th
You can find the podcast on Threads, Instagram and Bluesky.
In 1992 Ishiro Honda sat down for his final interview with journalist David Milner. When asked about which of his own films were his favourite Honda listed Godzilla (1954), Gorath (1962) and The Mysterians from 1957.
The Mysterians is a visually beautiful film full to the brim with sci-fi tropes. A technologically advanced but desperate alien race, affected by radiation, is invading earth and wants to take our healthy women for breeding purposes. There’s also a groovy space station and the first mecha-kaiju in the form of Moguera. A film made at a time when Japan seems to be wrangling with what it means to be a post imperial, post nuclear tragedy country with a growing economy and a booming film industry.
I have two wonderful experts to help shed light on the context of this trope laden sci-fi classic.
Jay Telotte is Professor Emeritus of film and media studies at Georgia Tech. He has written/edited numerous books and articles about science fiction film including the 2023 book Selling Science Fiction Cinema.
Yuki Miyamoto is Professor of Religious Studies and Director of the Humanities Center at DePaul University. Her work focuses on the ethics around nuclear discourse.
Chapters
00:00 Introduction
01:56 Japanese Golden Age of Cinema: censorship, art vs big budget & the USA
08:47 Pacifism and militarism
14:04 Toho studios
15:36 Glorious colour, Toho-scope and cinema culture
19:57 Tradition, science and military might
27:55 Taking our women: occupation, war & marketing
36:55 Message of collaboration
39:50 The US market
44:51Battle of the Planets
45:55 Shout outs: Akira Ifukube and Eiji Tsuburaya
48:10 Legacy and Recommendations
NEXT EPISODE!
In two weeks we will be speaking about a film that shocked me with its striking visual style. The Fabulous World of Jules Verne (1958), also known as Invention for Destruction or in its original Czech: Vynález zkázy. You can look to find the film on Just Watch but people in mainland and central Europe may find it easier to find with mainstream streaming services. The Criterion Channel also has the film available and there may be some Central and Eastern European services that you may be able to sign up to. I believe there may be a copy on YouTube but I am unsure of its quality or validity.
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