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Cuts, Comics and Creatures: A Sci-Fi Podcast Retrospective

Every Single Sci-Fi Film Ever*

Release Date: 12/22/2024

On the Beach: Atomic Apocalypse in 1959 show art On the Beach: Atomic Apocalypse in 1959

Every Single Sci-Fi Film Ever*

As always there are spoilers ahead! Trigger warning for a lot of discussion of suicide with analysis of the plot along with a side of dark humour. If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at  You can follow the podcast on ,  and . If you want to watch the film before you listen you can check the Just Watch website to see where it is available in your region. On the Beach is available online to buy and rent from Apple and other sources in many places. I can’t believe I am almost done and dusted with this...

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The World, the Flesh and the Devil: Harry Belafonte, Race and Apocalypse show art The World, the Flesh and the Devil: Harry Belafonte, Race and Apocalypse

Every Single Sci-Fi Film Ever*

As usual there are spoilers ahead!

 

You can follow the podcast on social media: Instagram, Threads and BlueSky.


You can support the podcast and get ad-free episodes on info_outline The Fabulous World of Jules Verne: Czechoslovakia, Steampunk and Zeman in 1958 show art The Fabulous World of Jules Verne: Czechoslovakia, Steampunk and Zeman in 1958

Every Single Sci-Fi Film Ever*

If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at https://www.patreon.com/everyscififilm

 

You can follow the podcast on Threads, Instagram and <

info_outline The Mysterians: 1957 Sci-Fi Space Invaders in Postwar Japan show art The Mysterians: 1957 Sci-Fi Space Invaders in Postwar Japan

Every Single Sci-Fi Film Ever*

You can find the podcast on ThreadsInstagram and Bluesky


In 1992 Ishiro Honda sat down for his info_outline I Married a Monster from Outer Space: Gender expectations in 1958 show art I Married a Monster from Outer Space: Gender expectations in 1958

Every Single Sci-Fi Film Ever*

You can find the podcast on Threads, Instagram and Bluesky

I Married a Monster from Outer Space was released as part of a double bill (with The Blob) in 1958. The story focuses on newlywed couple Marge and Bill Farrell but unbeknownst to his new bride and the whole town Bill has been replaced by an alien on the eve of th

info_outline The Blob, Steve McQueen and the Rising Teen show art The Blob, Steve McQueen and the Rising Teen

Every Single Sci-Fi Film Ever*

As usual there are spoilers ahead! 

Somewhere in the late 1950s society began to come to terms with the idea of the teenager. Teens were heading to the cinema leaving younger siblings and parents at home. The Blob (1958) isn‘t a tale of rebellion or film warning about teenage delinquency but a thoroughly enjoyable time with a catchy theme tune. 

I have two wonderful guests to help us unravel this classic 1950s sci-fi. 

The Experts 

Roger Luckhurst is a Professor at Bi

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McCarthyism vs Ed Murrow: History Daily show art McCarthyism vs Ed Murrow: History Daily

Every Single Sci-Fi Film Ever*

For this bonus episode I’ve teamed up with the excellent History Daily podcast. 

Very exciting! 

History Daily tells fascinating stories of what happened “on this day” in history with a new episode every weekday.

The early 1950s in the USA stand out as not just a time of economic prosperity but also one of paranoia. The country faced the fear of the atomic bomb, the Red Scare and a moral panic around juvenile delinquency. (Teenagers were new and unpredictable!)

During this

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Ed Wood's Plan 9 from Outer Space: The Worst Movie Ever? show art Ed Wood's Plan 9 from Outer Space: The Worst Movie Ever?

Every Single Sci-Fi Film Ever*

You can find the podcast on Threads, Instagram and Bluesky

The Worst Film of All Time by The Worst Director of All Time. So claimed the 1980 book The Golden Turkey Awards by Michael and Harry Medved regarding the film Plan 9 from Outer Space and director Edward Wood Jr AKA Ed Wood. 

But this very title is one of the

info_outline The Incredible Shrinking Man: 1950s Masculinity in Crisis show art The Incredible Shrinking Man: 1950s Masculinity in Crisis

Every Single Sci-Fi Film Ever*

As usual there are spoilers ahead! 


I would love to know what you make of the ending of this film if you watched it. Best place to do that is on social media. Threads, Instagram and Bluesky.&nb

info_outline How Forbidden Planet Shaped Sci-Fi Cinema show art How Forbidden Planet Shaped Sci-Fi Cinema

Every Single Sci-Fi Film Ever*

As usual there are spoilers ahead! 


Forbidden Planet (1956) is a somewhat overlooked 50s classic. Although it often fails to make lists of the greatest sci-fi films of all time it has come across often in my written research and when

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More Episodes

The end of 2024 is nigh!

You can follow the podcast on Instagram and Threads although I am also trying to join in on BlueSky a bit. (It's a bit weird though.)

Welcome to an end of year special! A compilation of some interesting parts of conversations from the podcast in 2024 that were edited out. I edit the podcast down to a more digestible length but this means I often lose parts of conversations that are really fun or insightful so here is a collection of those.

I also wanted to give a shout out to some amazing independent podcasters who (like myself) do not have huge teams or budgets to put together their shows. They’ve also offered me some sense of camaraderie in the crazy world of obsessing over something and then making podcasts about it.

You can find The Lorehounds crew and offerings which include conversations and recaps on some of the best sci-fi shows around on their website.

Em at Verbal Diorama is absolutely lovely, passionate about films (especially The Mummy) and does deep dives into many popular movies. Her research skills are fantastic and she is a fellow winner on the Ear Worthy podcast awards for 2024. Her website is here.

Mark Steadman is a fantastic and knowledgeable digital producer who knows lots about the podcasting business. He will be launching Undo: How history’s outliers got stuff done in January. You can learn more about him and it here.


Details of the guests and shows featured in this end of year episode: 
• Jess Nevins and Julian Chambliss were guests on episode 10: Pulps, Comics and the Rise of Superheroes. 
• Mark Bould and Peter Conolly Smith were guests on episode 8: King Kong: The Origin of a Cinematic Titan.
• Sonja Fritzsche and Noah Isenberg were guest in episode 5: Metropolis: The Most Influential Sci-Fi Film Ever*.
• Thomas Doherty and Xavier Aldana Reyes were guests on episode 12: Mad Scientists: Frankenstein, Dr Jekyll & Boris Karloff.
• Keith Williams and Ari Brin were guests on episode 14: Robert Duncan Milne: A Lost Pioneer of Science Fiction.
• Jay Telotte and Marc Longenecker were guests on episode 15: The Thing from Another World: Howard Hawks & the Cold War.
•  Scott Higgins and Phil Nichols were guests on episode 18: It Came From Outer Space: Bradbury, 3D & 1950s Teens
• Thomas Doherty and Mathew Rule Jones were guests on episode 21: Them! The 1954 Horror Sci-Fi that Spawned Big Bug Cinema.
• Jay Telotte and Mark Bould were guests on episode 11: Flash Gordon: From Buck Rogers Rip-Off to Space Opera Legend.

Chapters:
00:00 Intro and indie podcast shoutouts
02:06 Comics and Pulps: Who is your favourite superhero?
05:46 King Kong: Hays Code, covert wars and Frank-N-Furter
10:17 Metropolis: Rotwang the prototype
15:35 Mad Scientists: Favourites
20:55 Robert Duncan Milne: From page to screen
30:35 The Thing from Another World: Themes of seeing
34:15 It Came From Outer Space: 3D cinema and unions
36:28 Them! Drive-ins, degenerates and dingy cinemas
46:53 Flash Gordon: Casting choices

NEXT EPISODE! The next film we’ll be focusing on is the original Japanese version of Godzilla (1954). This is surprisingly difficult to get hold of although you can purchase a DVD from many outlets. In the US it is available on Apple TV and Max (previously HBO Max) as well as on Tubi. You can check the Just Watch website to see if it might be streaming in your region. I just wanted to add that the opening credits and music are just phenomenal in my opinion.  


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