THE BIG DRIVE and THE BIG PAPER
1001 RADIO DAYS
Dragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show took its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet is perhaps the most famous and influential police procedural drama in media history. The series gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work. Dragnet earned praise for improving the public opinion of police officers.[1] Actor and producer Jack Webb's...
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THE BIG SIGNET and THE BIG IMPRESSION DRAGNET
1001 RADIO DAYS
Dragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show took its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet is perhaps the most famous and influential police procedural drama in media history. The series gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work. Dragnet earned praise for improving the public opinion of police officers.[1] Actor and producer Jack Webb's...
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THE BIG TRIO and THE BIG HATE DRAGNET
1001 RADIO DAYS
Dragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show took its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet is perhaps the most famous and influential police procedural drama in media history. The series gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work. Dragnet earned praise for improving the public opinion of police officers.[1] Actor and producer Jack Webb's...
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THE BIG JULES and THE BIG ROLL DRAGNET
1001 RADIO DAYS
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters. Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor. Gradually, Friday's deadpanned, fast-talking persona emerged, described by John Dunning as "a cop's cop: tough, but not hard; conservative, but caring". Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a long time radio actor. When Dragnet hit its stride, it became one of radio's top rated...
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THE BIG FOURTH and THE BIG WHIFF DRAGNET
1001 RADIO DAYS
DRAGNET Dragnet, the brainchild of Jack Webb, may very well be the most well-remembered, and the best, radio police drama series. From September, 1949 through February 1957, Dragnet's 30 minute shows, broadcast on NBC, brought to radio true police stories in a low-key, documentary style. The origins of Dragnet can be traced to a semi-documentary film, "He Walked by Night" from 1948, in which Webb had a small role. Both employed the same Los Angeles Police Department technical adviser, used actual police cases and presented the case in "just the facts" manner that became a hallmark of Dragnet....
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THE BIG MALL and THE BIG SHAKEDOWN DRAGNET
1001 RADIO DAYS
DRAGNET Dragnet, the brainchild of Jack Webb, may very well be the most well-remembered, and the best, radio police drama series. From September, 1949 through February 1957, Dragnet's 30 minute shows, broadcast on NBC, brought to radio true police stories in a low-key, documentary style. The origins of Dragnet can be traced to a semi-documentary film, "He Walked by Night" from 1948, in which Webb had a small role. Both employed the same Los Angeles Police Department technical adviser, used actual police cases and presented the case in "just the facts" manner that became a hallmark of Dragnet....
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THE DAVID ROCKEY MATTER and THE JAMES WILDER MATTER YOURS TRULY, JOHNNY DOLLAR
1001 RADIO DAYS
YOURS TRULY, JOHNNY DOLLAR For over twelve years, from 1949 through 1962 (including a one year hiatus in 1954-1955), this series recounted the cases "the man with the action-packed expense account, America’s fabulous freelance insurance investigator, Johnny Dollar". Johnny was an accomplished 'padder' of his expense account. The name of the show derives from the fact that he closed each show by totaling his expense account, and signing it "End of report... Yours Truly, Johnny Dollar". Terry Salomonson in his authoritative "A Radio Broadcast Log of the Drama Program Yours Truly, Johnny...
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THE LELAND BLACKBURN MATTER and THE PORT-O-CALL MATTER YOURS TRULY, JOHNNY DOLLAR
1001 RADIO DAYS
OURS TRULY, JOHNNY DOLLAR For over twelve years, from 1949 through 1962 (including a one year hiatus in 1954-1955), this series recounted the cases "the man with the action-packed expense account, America’s fabulous freelance insurance investigator, Johnny Dollar". Johnny was an accomplished 'padder' of his expense account. The name of the show derives from the fact that he closed each show by totaling his expense account, and signing it "End of report... Yours Truly, Johnny Dollar". Terry Salomonson in his authoritative "A Radio Broadcast Log of the Drama Program Yours Truly, Johnny...
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TURTLE ISLAND and ANTARCTIC EXPEDITION THE MAN CALLED X
1001 RADIO DAYS
The Man Called X is an espionage radio drama that aired on CBS and NBC from July 10, 1944, to May 20, 1952.[1] The radio series was later adapted for television and was broadcast for one season, 1956–1957. People Herbert Marshall had the lead role of agent Ken Thurston/"Mr. X", an American intelligence agent[2] who took on dangerous cases in a variety of exotic locations.[1] Leon Belasco played Mr. X's comedic sidekick, Pegon Zellschmidt,[1] who always turned up in remote parts of the world because he had a "cousin" there. Zellschmidt annoyed and helped Mr. X. Jack Latham was an announcer...
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INTO BERLIN and STOLEN LAVALIERRES THE MAN CALLED "X"
1001 RADIO DAYS
THE MAN CALLED X Beginning in the summer of 1944, at the height of World War II, The Man Called X was originally a kind of "FBI" program. The series soon developed a more international approach, however, featuring danger, intrigue, and romance in exotic settings. On any given Saturday or Sunday evening, Wendell Niles would say, "Wherever there is mystery, intrigue, romance, in all the strange and mysterious places of the world, there you will find "The Man Called X". The Man Called X starred British-born actor, Herbert Marshall as suave, sophisticated Ken Thurston, undercover international...
info_outlineDragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show took its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet is perhaps the most famous and influential police procedural drama in media history. The series gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work. Dragnet earned praise for improving the public opinion of police officers.[1]
Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals, and Dragnet remains a key influence on subsequent police dramas in many media.
The show's cultural impact is such that after seven decades, elements of Dragnet are familiar to those who have never seen or heard the program. The ominous, four-note introduction to the brass and tympani theme music (titled "Danger Ahead"), composed by Walter Schumann, is instantly recognizable.[2] It is derived from Miklós Rózsa's score for the 1946 film version of The Killers.[3] Another Dragnet trademark is the show's opening narration: "Ladies and gentlemen: the story you are about to hear is true. Only the names have been changed to protect the innocent." This underwent minor revisions over time. The "only" and "ladies and gentlemen" were dropped at some point. Variations on this narration have been featured in subsequent crime dramas, and in parodies of the dramas (e.g. "Only the facts have been changed to protect the guilty").
The radio series was the first entry in a Dragnet media franchise encompassing film, television, books and comics.