The Actor and The Engineer Podcast
On this episode we dive deep into Joachim Trier's latest film. We were captivated by the film's unique storytelling, vivid character portrayals, and exceptional filmmaking techniques. We talk about shot selection, camera work, the use of a central location, and the powerful performances that led to multiple Oscar nominations. The episode also features analysis on the film's exploration of family dynamics, the psychological nuances of its characters, and the unexpected craft behind pivotal scenes.
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In this episode on Park Chan-Wook’s No Other Choice we discuss initial reactions, key themes, impressive performances, and the symbolic elements that make this movie a standout. From the intricacies of the narrative to our thoughts on its Academy Award chances, we cover it all. Plus, we touch on our thoughts about the current award season.
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Join us as we dive into the world of 'Marty Supreme,' Josh Safdie’s solo-directed film. We discuss Timothée Chalamet’s Oscar-worthy performance and Gwyneth Paltrow’s intriguing role. We also touches on the kinetic style of Safdie films and the film's amazing score.
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From nostalgic classics like 'Broadcast News' and 'Moonstruck' to the latest releases such as 'Jay Kelly' and 'No Other Choice,' we offer insightful commentary on performances, direction, and cinematography. We talk about Adam Sandler’s standout role in Jay Kelly, the artistry of Park Chan-wook, and the moving portrayals in 'Train Dreams.'
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In this episode we delve into Guillermo del Toro's latest work, Frankenstein. We discuss our overall impressions and highlights. Key points include critiques of the film's pacing and character development, the standout skills of the actors, and an examination of del Toro's unique storytelling style.
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In this episode we delve into the latest film by Yorgos Lanthimos, 'Bogonia.' We discuss the film's intricate themes, complex characters, and unique narrative style. We also exploring the themes of hope, agency, and societal critique. The hosts debate the effectiveness of the film's ending and its impact on the audience.
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In this episode we dive into the latest Paul Thomas Anderson movie. We explore the film's intricate layers, masterful performances, and unparalleled storytelling. We break down the film's standout scenes, including its tension-filled chase sequence and the complex interplay of its characters. We get into the captivating performances by Sean Penn and Chase Infinity and have a few Oscar predictions.
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This week we start with Paul recounting his recent performance in a play up in Virginia, sharing his thoughts on the experience and the audience's reception. We also touch on the emotional and technical challenges faced during his performance. Then we get into the film 'Weapons,' directed by Zach Cregger. We discuss the film’s characters, notable scenes, and the overarching themes, touching on its horror elements and the director’s unique storytelling approach.
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Welcome to the 400th episode of The Actor and the Engineer! Paul shares his top four acting performances seen during the podcast's run, discussing the tremendous talent showcased in movies like 'If Beale Street Could Talk' and 'Birdman.' Meanwhile, Josh delves into advancements like digital film projection, drone usage, the ARRI Alexa cameras, and the revolutionary use of virtual sets. Join us for a dynamic and heartfelt discussion as we honor filmmaking and reflect on our podcast journey.
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In this episode we kick off with Paul announcing his new play, 'The Lifespan of a Fact'. Then we have an in-depth analysis of the film ‘Eddington', directed by Ari Aster. We explore various plot points, character motivations, social media's impact, and the film's complex themes.
info_outlineIn this episode we discuss the latest film by Alex Garland, which is co-directed and co-written with retired Navy SEAL Ray Mendoza. The movie recounts real events from Ramadi, Iraq, in 2006. We delve into its character development and its portrayal of military operations. We get into the emotional intensity of the storytelling and why this may not be a “war film”.