A. I. As Monkeypaw Slaves
Alienating the Audience
How has A. I. been portrayed through history in science fiction, and what's it going to look like as it keeps getting better? Stone Lynch and J. C. Campbell join to discuss.
info_outline
A Clockwork Orange’s Secret Extra Chapter
Alienating the Audience
Anthony Burgess wrote his dystopian novel “A Clockwork Orange” in 1962, but two different versions appeared on either side of the Atlantic. The American version stops at chapter twenty, whereas the British version has an extra twenty-first chapter, which totally changes the book. Brian Brushwood joins to discuss.
info_outline
Faster Than Light Travel in Sci-Fi
Alienating the Audience
The universe is really, really big. Like huge. Really really really huge. Prompting science fiction to come up with workarounds so everyone isn't stuck on the same boring 'ol planet. Dickie Lynch rejoins to discuss.
info_outline
Stay Your Age Right Now Forever
Alienating the Audience
Drew Magary’s book “The Postmortal” explores a scenario in which a vaccine is made for aging. Whatever age you take it at, you are paused there indefinitely. How does that effect marriage, retirement, and society as a whole? Josh Jennings and Ashland Viscosi return to discuss.
info_outline
All The Gods Suck, Except "Circe"
Alienating the Audience
Madeline Miller's "Circe" novelizes the mysterious character from the Odyssey who turns men into swine, but also helps Odysseus get home. The book shows the feckless, narcissistic nature of the Greek pantheon, what is the true nature of self, and the divine patriarchy. Alexandra August and Isabella Reinhardt join to discuss.
info_outline
"1984" According to Julia
Alienating the Audience
George Orwell died way back in 1950, and his estate has never allowed anyone to canonically (or legally) contribute to the immense worldbuilding of "1984"... Until now. Sandra Newman recently wrote "Julia," the official sequel to 1984, which happens conterminously with its events, but from the perspective of Winston's paramour, Julia. Josh Jennings joins to discuss.
info_outline
The Zen of Robots
Alienating the Audience
Season Finale! In which we talk about how to use sci-fi robots for helpful psychological thought experiments. Support the show! ATA Survey:
info_outline
Much Ado About Garak
Alienating the Audience
Star Trek Deep Space Nine's Elim Garak is a simple, unassuming character. But also a spymaster. Why is he so beguiling, and what's his character arc? Andrew Young joins to discuss.
info_outline
Doublethinking George Orwell's 1984
Alienating the Audience
Is 1984 prophetic, or merely a terrifying dystopia? What makes this haunting book so engaging on a literary level? Josh Jennings returns to discuss.
info_outline
Why Picard's Last Season Is So Much Better Than The Others
Alienating the Audience
Star Trek: Picard recently wrapped up its third and final season--and the first season Heaton or his guests have enjoyed of it. Scottish sci-fi twins Dickie and Stone rejoin to discuss Star Trek: Picard, and what made its ultimate season likeable.
info_outlineHow would Emperor Palpatine's Press Secretary describe the Galactic Empire? How would Grand Moff Tarkin spin the destruction of Alderaan? Jonathan Last of "The Bulwark" joins Heaton to describe why he believes the Empire was a good thing--an imperfect system, but on balance the best one for peace and order in the galaxy.