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Mad Max Has the Best Barbarians

Alienating the Audience

Release Date: 01/28/2021

Galaxy Quest is the Greatest Sci-fi Comedy, Ever show art Galaxy Quest is the Greatest Sci-fi Comedy, Ever

Alienating the Audience

“Galaxy Quest” is the greatest parody of Star Trek imaginable… without technically being Star Trek. Nick Sperdute and Erin Macdonald join the show to discuss what makes the show so memorable--and hilarious.

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The Time-Backwards Robot Monster show art The Time-Backwards Robot Monster

Alienating the Audience

"Hyperion" by Dan Simmons projects Chaucer's Canterbury Tales onto a distant scifi future. Katherine Mangu-Ward joins to discuss the multiple characters who make their away on a deadly pilgrimage to meet the Shrike—a robot monster who moves backwards in time, and what it all means for humanity, mortality, and literature

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Darth Vader is a 19th Century Supervillain show art Darth Vader is a 19th Century Supervillain

Alienating the Audience

Michael Weiss, editor-at-large at The Daily Beast, joins the show to discuss Darth Vader: why he’s such a compelling malefactor, the deep inner conflict and tumult which motivates him, and the mythological figures the dark lord of the Sith represents.

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Watchmen Part 2: The Greenwood Massacre show art Watchmen Part 2: The Greenwood Massacre

Alienating the Audience

"Watchmen" kicks off with the Tulsa Race Massacre, which defines the central theme of the rest of the series: race. Hannibal Johnson is the author of “Black Wall Street 100–An American City Grapples With Its Historical Racial Trauma,” as well as the host of "Black Wall Street Remembered." 

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Watchmen's Fake Psychic Squid Attack show art Watchmen's Fake Psychic Squid Attack

Alienating the Audience

Brian Brushwood joins the show to discuss "Watchmen," the televised sequel to the film and book, "The Watchmen." Topics include: underlying tensions in the show, is Dr. Manhattan a stupid character, and was Ozymandias right? 

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Are We Living in “Demolition Man”? show art Are We Living in “Demolition Man”?

Alienating the Audience

"Demolition Man" is a cult classic, wherein Sylvester Stallone gets thawed out in the near future to stop Wesley Snipes from destroying Los Angeles. Society is bifurcated into infantilized virginal technocrats up top, and rat-eating, free-thinking punks beneath.

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If An Insane Asylum Was an Entire Planet show art If An Insane Asylum Was an Entire Planet

Alienating the Audience

In "Clans of the Alphane Moon" by Philip K. Dick, a planet is colonized as an insane asylum, then abandoned, so that its inmates develop their own society and cultures.

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Mad Max Has the Best Barbarians show art Mad Max Has the Best Barbarians

Alienating the Audience

"Mad Max: Fury Road" is the height of post-apocalyptic wasteland glam--everyone is really getting into skulls, cars, and neo-Viking lore. Not to mention it may be the greatest feminist film in science fiction. 

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Why Why "The Mandalorian" Works

Alienating the Audience

Why is "The Mandalorian" so popular with Star Wars fans, yet the latest films are so divisive? Where does it veer from the traditional beats and themes of Star Wars, and where does it embrace that unique George Lucas flavor? Jack Helmuth and Nick Sperdute join to unpack everyone's favorite bounty hunter.

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Deadly Sex Objects in The Stepford Wives show art Deadly Sex Objects in The Stepford Wives

Alienating the Audience

“The Stepford Wives” (1975) is a satirical horror film about spunky urban wives getting replaced by their husbands with submissive, ornamental robots. Chris and Cristi Moody come on to talk about the unease captured by the movie in a time of gender roles tumult, 1950s conformity, Second Wave Feminism, and parallels to “Get Out.”

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"Mad Max: Fury Road" is the height of post-apocalyptic wasteland glam--everyone is really getting into skulls, cars, and neo-Viking lore. Not to mention it may be the greatest feminist film in science fiction. 

Scott Johnson of Frogpants Studios joins to discuss!