An Empires Lullaby
Detective Maza from Gargoyles guest stars on Deep Space 9 and Sisko is smitten. Briar tries not to go on tangents about dopamine and epigenetics. Matt talks about the cultural origin of terraforming. Visit Mixolydian Gray on SoundCloud:
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CW: policing, the fascist Cardassian occupation of Bajor
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In this episode, Grand Nagus Zek returns and sends Quark and a waiter at Quark's bar on a quest filled with capitalism, love, and surprise twists!
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CW: disability, accommodations, ableist frameworks
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CW: Surgery, invasive medical procedures
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Starfleet tries to hold the fort on DS9 while Kira and Dax smuggle key evidence to the Bajoran prov. government.
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CW for The Circle: Torture
info_outline An Empire's Lullaby 2 - Episode 1An Empires Lullaby
CW: concentration camps, forced labor, genocide
info_outline An Empire's Lullaby Bonus EpisodeAn Empires Lullaby
It's our Season 1 retrospective and Q&A episode! Matt and Briar answer a handful of questions submitted by people. Matt reveals a secret project to be completed, and hoarse Briar is slightly hoarse, of course.
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In the finale of DS9 Season 1, a Bajoran spiritual leader with lofty political aspirations arrives to shake things up on the station. Matt and Briar compare the issues Vedek Winn brings up to real-world conflicts between faith and secularism to point out what works, and what could have used a little extra time in the writing room.
info_outlineThis episode deals with war crimes, particularly concentration camps, forced labor, and genocide, as well as questions of structural complicity. Our discussion explores these topics further, working from both the episode’s fictional depiction and the real-world parallels to the Holocaust. We will not be going into the graphic details of any genocides, real or in the show, however, Deep Space 9 has scenes where characters go into graphic detail about the conditions in the Gallitep labor camp.
For those of you unfamiliar with this practice, we include content/trigger warnings in our show in order to increase accessibility. These warnings let our listeners who may have trauma and triggers decide whether or not they want to engage with the content, and if they do decide to engage, these warnings let them take whatever preparations they need to in order to engage safely.
A special thanks to Briar's friends: kerys and Tali for helping us write out the content warning. It would not have been nearly as well-written without your assistance.