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A Conversation with Rian Johnson

Austin Film Festival's On Story

Release Date: 10/22/2025

The Writer's Toolkit: Inspiration show art The Writer's Toolkit: Inspiration

Austin Film Festival's On Story

Next Up, we’re joined by three accomplished writers, Virgil Williams, Nicole Perlman, and Scott Rosenberg, for a conversation on finding and maintaining inspiration.  Virgil Williams began his career in television, writing on 24 and ER. In 2011 Williams joined the writing staff of the grisly FBI procedural Criminal Minds, and stayed on for a six-season run as a writer and producer. Williams earned an Academy Award nomination for Best Adapted Screenplay for his work writing the script for the 2017 historical drama Mudbound, following the clash between two Southern families as they...

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Austin Film Festival's On Story

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Austin Film Festival's On Story

This week on On Story, we’re taking a trip back in time to an interview with writer, creator, and showrunner Graham Roland, as he discusses developing his AMC series Dark Winds. Roland joined us to share the origins of the project, the creative challenges behind adapting Tony Hillerman’s iconic novels, and what excited him most about bringing these characters to the screen. Let’s dive into his conversation and hear his thoughts on crafting Dark Winds.

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Austin Film Festival's On Story

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Austin Film Festival's On Story

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Austin Film Festival's On Story

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Austin Film Festival's On Story

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Austin Film Festival's On Story

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Austin Film Festival's On Story

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Bojack Horseman, with Allison Flierl and Joe Lawson show art Bojack Horseman, with Allison Flierl and Joe Lawson

Austin Film Festival's On Story

This week on On Story, a conversation on the animated tragicomedy series Bojack Horseman with two of its writers, Alison Flierl and Joe Lawson.   The series follows Bojack, a washed-up former sitcom star who’s trying to stage a comeback in Hollywood, while fighting against his own addiction and self-destructive tendencies. Bojack is also an anthropomorphic horse inhabiting a world where humans and animals live side-by side. The series, which ran for six seasons on Netflix, features the voice acting talents of Will Arnett, Amy Sedaris, Aaron Paul, and a rotating cast of celebrity...

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This week on On Story, a covnersation with writer-director Rian Johnson on his love of genre media from noir to sci-fi, and the long process of outlining which allows him to craft intricate stories without getting lost in the second act.

Johnson made his directorial debut in 2005 with the neo-noir mystery, Brick. Set against the backdrop of a suburban high school, Brick draws inspiration from classic noir mysteries while adding a coming-of-age twist. Johnson dove into the sci-fi genre with his time-travel action-thriller Looper, released in 2012. Starring Bruce Willis, Looper follows the work of contract killers who are tasked with executing targets who have been sent backwards through time by crime syndicates from the future. Next, Johnson served as writer-director for Star Wars: The Last Jedi, an installment of the Star Wars sequel trilogy. Most recently, Johnson has been busy writing, directing and producing his murder-mystery film franchise Knives Out.

After earning Johnson an Academy Award nomination for Best Original Screenplay, Knives Out was followed by its first sequel, Glass Onion. The third film in the series, Wake Up Dead Man, will be coming to select theaters this November before streaming on Netflix. The series is known for its star-studded ensemble cast, led by Daniel Craig, as the eccentric, gentlemanly detective, Benoit Blanc. In addition to his work in film, Johnson has also directed episodes of Breaking Bad and created the case-of-the-week crime-comedy series Poker Face, starring Natasha Lyonne. 

Barbara Morgan sat down with Rian Johnson for a conversation on his expansive career and his intricate writing process.

Clips of Brick courtesy of Focus Features.

Clips of Looper courtesy of Sony Pictures Releasing.

Clips of Knives Out courtesy of Lionsgate.

Clips of Poker Face courtesy of Peacock.