364. Repositioning Indian Aesthetics
BIC TALKS
Kirtinath Kurtkoti (1928-2003) belongs to the rare but powerful tradition of multilingual literary and cultural criticism in India. His oeuvre encompasses commentaries on the entire spectrum of Kannada literature, from the earliest extant writings to late twentieth-century works. Kurtkoti’s critical works highlight the unique sensibility of the Kannada literary tradition, placing it in the broader context of Indian and world literature. Courtesy of Criticism brings some of his important essays on Kannada literature to non-Kannada readers. Divided into three sections— Literary History,...
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363. Military Leadership in Turbulent Times
BIC TALKS
For over five decades since the Liberation of Bangladesh and the 1971 India-Pakistan War, the Indian state has had to pay a heavy price to protect the fabric of its democracy and its basic geographical structure in the face of a multiplicity of national security threats. These threats have ranged from constant pressure along its Northern and Western borders from nuclear-armed adversaries, several internal fissures and cracks in Punjab, J&K and the Northeast and a festering problem of Left-Wing Extremism (LWE) across several states. Complementing these internal and border security...
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362. Everyday Lives, Extraordinary Stories
BIC TALKS
This conversation on Heart Lamp: Selected Stories, awarded the Booker Prize 2025, will delve into Banu Mushtaq’s fearless storytelling and her portrayal of women navigating faith, family, and societal expectations in southern India. The speakers will explore how Mushtaq’s journalistic and legal background shaped her writing, giving voice to the struggles and resilience of Muslim women. Translator Deepa Bhasthi, whose masterful rendering brings these stories to an English-speaking audience, will share insights into the nuances of language, the challenges of retaining Mushtaq’s...
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361. Vaadivaasal : The Arena
BIC TALKS
Chellayipuram—famed for hosting the most exhilarating jallikattu contests of strength between man and bull. This year, Pichi, from distant Usilanoor, is here to face the Kaari bull, the zamindar’s pride, both menacing in appearance and undefeated in the bull-taming contest. It’s been two years since his father Ambuli had been gored to death by this same beast. In the billowing dust of the arena, as Pichi grabs hold of the Kaari’s horn in an attempt to make it bow its head, watching the contest from his high perch with narrowing eyes is the zamindar. Will his prize animal—and, by...
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360. From Pax Americana to Pax Mysteriana
BIC TALKS
The object of this lecture is to analyze the world order that was put in place at the end of World War II, examine how it has unfolded in terms of experience since then, and highlight some important manifestations of its multiple crises, to discuss possible future scenarios for 2050. In doing so, it asks four questions and seeks to provide answers. Are we witnessing the beginnings of a transformative change in the world order? Are we at the cusp of an emerging bi-polar world order, with the United States and China as the two superpowers? Are we moving towards a multi-polar world, in which...
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359. The Land of The Red River Blue Hills
BIC TALKS
Crucial battles of World War II fought in India’s northeast; followed soon after by India’s Independence and Partition; had a critical impact on the making of modern Assam. In the three decades following 1947, the state of Assam underwent massive political turmoil, geographical instability, and social and demographic upheaval, among others. Later, the truncated state suffered widespread unrest as various groups believed their cultural identity and political leverage were under threat. New social energies and political forces were unleashed and came to the fore. This session draws from...
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358. Building Bridges: The Journey Towards Equality and Fraternity
BIC TALKS
This panel will examine how the principles of equality and fraternity have shaped India’s democratic journey over the past 75 years. They will explore the relevance of these constitutional values in addressing contemporary challenges in the daily lives of Indian citizens like social inequities and polarisation. The discussion will also highlight the indigenous roots of these values within Karnataka’s rich philosophical and cultural traditions. Through diverse perspectives, the panel will reflect on how these constitutional values can be actualised in governance, culture, policy,...
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357. Wild Fictions
BIC TALKS
Join us for an engaging conversation as Amitav Ghosh discusses Wild Fictions, a collection of his writings from the past twenty-five years, with Julia Wheeler. This expansive work explores the themes that have defined Ghosh’s literary journey: literature and language, climate change and the environment, human lives, travel, and discoveries. Through topics ranging from the commodification of the clove to the rich diversity of Bengal’s mangrove forests and the radical fluidity of multilingualism, Wild Fictions offers a critique of imperial violence and the fictions we weave to...
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356. How We Used To Love
BIC TALKS
Being immune to the charms of poetry is a crime that is its own punishment, the Sanskritic tradition tells us. Join us as we discover the allure of Sanskrit and Prakrit love poetry and the travails of translating doe-eyes and elephant-thighs into English with Anusha Rao and Suhas Mahesh, co-translators of the verse anthology, How to Love in Sanskrit (HarperCollins 2024). How to Love in Sanskrit is a poetic exploration of the maze of modern dating: flirting, daydreaming, yearning, and breaking up, through the eyes of Kalidasa, Bana, Vidya, and many other, often anonymous gifted...
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355. A Pandemic World in Syllables Excerpt
BIC TALKS
In March 2020, when the world went into lockdown to prevent the spread of the coronavirus, poets and friends Marilyn Hacker and Karthika Nair—living mere miles from each other, but separated by circumstance, and spurred by this strange time—began a correspondence in verse. ‘Renga’, an ancient Japanese form of collaborative poetry, is comprised of alternating ‘Tanka’, beginning with the themes of ‘Toki’ and ‘Toza’: this season, this session. Here, from the “plague spring”, through a year in which seasons are marked by the waxing and waning of the virus, Hacker and...
info_outlineThe text of Kuvempu’s epic Kannada novel, Malegalalli Madumagalu (1967), and the recent translation, Bride in the Hills by Vanamala Viswanatha (Penguin Random House, 2024), will be discussed by an eminent panel of scholars, writers and the translator.
Set in 1893 in the Malnad region of the Western Ghats with its majestic Sahyadri ranges, dense forests, and river Tunga, Kuvempu’s Malegalalli Madumagalu (Bride in the Hills) describes the saga of not one young woman but many, of varied hues, who aspire for love and fulfilment in marriage, in a self-serving, male feudal order. An organic network of interrelated stories, the well-known Kannada writer Devanoora Mahadeva locates the novel in the epic tradition of the Mahabharata and Tolstoy’s War and Peace. This woman-centric text weaves together the touching plight of young couples in love, such as Gutti and Timmi, from a Dalit community living on the ghats; Aita and Pinchalu, migrant labourers from below the ghats, and Mukundayya and Chinnamma from the land-owning Shudra caste. Fired from within by their love – the most powerful agent of change – these young people seek a life of freedom and dignity, leading to the transformation of the larger community. Their heartening stories are juxtaposed against the travails of hapless Nagakka and scheming Venkatanna, sickly Deyi and brute Chinkra, and gullible Kaveri and lecherous Devayya. All of them are, in different ways, up against the repressive regimes of the decadent landlords, who manipulate traditional feudal practices as well as the modern apparatus of a colonial state.
True to its claim as an epic novel, Kuvempu’s text with its multiple narrative strands vividly enacts its mission statement in the epigraph: “Here, no one is important; no one is unimportant; nothing is insignificant!” Every sentient and insentient thing – the degenerate Chinkra, orphan Dharmu, Huliya the dog, Biri the cat, the evergreen forest, the Hulikal Peak – has a place and a purpose in this narrative. Imbued with an ecological consciousness, the novel offers a veritable biodiversity register of the Malnad region. Kuvempu presents a ‘view from below’, a subaltern perspective which also takes in the world of the wealthy and powerful.
Winner of the first Sahitya Akademi award in 1955 and the Jnanpith in 1967, Kuvempu (Kuppali Venkatappa Puttappa 1904-1994) inaugurated the non-brahmin era in modern Kannada writing. Kuvempu’s versatile oeuvre includes a vast body of poetry, plays, novels, children’s writing, essays and an autobiography. While his poetic epic ‘Shri Ramayana Darshanam’ is a radical rewriting of the Valmiki epic drawing from the Jaina tradition, the two novels, The Kanur House (made into a film by Girish Karnad) and Bride in the Hills, are modern novels set in the late 19th and early 20th centuries. Inspired by Tolstoy’s expansive canvas and Tagore’s unique Indian ethos, this first significant Shudra writer and an iconic figure in Kannada culture, has sculpted an entirely regional epic novel in Bride in the Hills.
Image Credits
Book Cover: MS Murthy and Jay Gosney
Header: A Malnad Landscape, Photo courtesy Girish Kasaravalli
Photo of Amit Chaudhuri by Richard Lofthouse/University of Oxford
In collaboration with Rashtrakavi Kuvempu Pratishthana, Kuppali (Devangi, Thirthahalli, Shivamogga)
In this episode of BIC Talks, Vanamala Viswanathan, Rajendra Chenni, Amit Chaudhuri and Arvind Narrain will be in conversation. This is an excerpt from a conversation that took place in the BIC premises in November 2024.
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