KQEK.com --- Interview with film composer Nima Fakhrara (2016)
KQEK.com Digital / Big Head Amusements / ArtScopeTO - Podcasts
Release Date: 07/14/2016
KQEK.com Digital / Big Head Amusements / ArtScopeTO - Podcasts
Musician and music video director Max Farrell spent almost 8 years gathering footage for what became a roughly half-hour short film that supports the release of Blessings Infinity’s latest album, Season One. With a specific interest in experimental imagery, he crafted the film’s sections into meticulously layered collages of landscapes wild, cultivated, and urban, and although the final work is in HD, for the limited VHS edition, he recomposed the widescreen footage to suit the standard 4:3 ratio of a CRT monitor – the optimum way to enjoy VHS. Whether...
info_outlineKQEK.com Digital / Big Head Amusements / ArtScopeTO - Podcasts
To mark the 15th Annual Video Store Day [VSD] in Anno 2025, I've recorded a short nostalgia piece originally published in the second issue of . “The Great Tape Swap or: How I Learned Even More About Films and People Thanks to VHS” is a true recollection of a special period when friends swapped VHS tapes and expanded their cinematic horizons, and discovered new genres and filmmakers – in my case, schlock, sexploitation, and direct-to-video B-movies. For a related (and rather barbed) blog on some of the piquant trends in home video, , which also contains links to prior...
info_outlineKQEK.com Digital / Big Head Amusements / ArtScopeTO - Podcasts
When Canadian filmmaker and musician Schnudlbug was making his short film Roach, part of the end goal was to produce a 3D film with very specific visual and sonic palettes, and a limited edition VHS release. In our lengthy conversation we touch upon the making of his film, which draws upon both cinematic influences and a background rich in practical skills, including editing, visual effects, sound design, and composing music with a special affection for noise. Also discussed is sourcing the physical elements to create a VHS release, and the thrill of presenting the film to audiences after...
info_outlineKQEK.com Digital / Big Head Amusements / ArtScopeTO - Podcasts
Announcing the soft launch of BHA+ - my Patreon-sponsored media channel where I review vintage consumer, prosumer, and broadcast video gear; offer practical user info for filmmakers; feature test footage featurettes; publish podcast interviews in blog, audio-only, and visual versions; and feature serialized, historical examinations of unique gear. This podcast is both an Introduction to BHA+, and maps out my mandate to showcase, inform, contextualize, and support the preservation and creative use of vintage video gear from the 1970s thru the 2000s. Coming next: a podcast interview with...
info_outlineKQEK.com Digital / Big Head Amusements / ArtScopeTO - Podcasts
The first podcast from BHA+ - - is a lengthy conversation with Canadian-born composer, musician, and filmmaker , who celebrates his lengthy career with a tour that takes him to the U.S., Europe, and eastern Canada, including a one-day stop in Toronto on . Perhaps best known for his breakthrough hit "," Ruben will perform selections from his extensive songbook, and debuts his MIDI-triggered Crash Bang Theatre - both of which are tied to his other skillsets as a music video director and filmmaker. Prior to directing and enjoying a fruitful career as a solo artist, Ruben studied film...
info_outlineKQEK.com Digital / Big Head Amusements / ArtScopeTO - Podcasts
For ArtScopeTO, I interviewed Toronto-based abstract painter Donna Wise on her unique techniques, and working during the 2020-2021 pandemic. Further info and stills are available via the . If you enjoyed this podcast, connect with us on and follow us on . Visit and for more info on the artist and samples of her fine work. Special Thanks to Donna Wise for her time, and Glenda Fordham at for facilitating the interview.
info_outlineKQEK.com Digital / Big Head Amusements / ArtScopeTO - Podcasts
CanCon film historian, home video producer, and restorationist Jason Pichonsky discusses the premiere Blu-ray and DVD release of Julian Roffman's restored suspense-drama THE BLOODY BROOD (1959), from KINO Lorber, plus thoughts on John Huston's long unavailable PHOBIA (1980).
info_outlineKQEK.com Digital / Big Head Amusements / ArtScopeTO - Podcasts
Composers Amin Bhatia and Ari Posner discuss scoring ANNE WITH AN E, CBC and Netflix's recent production of L.M. Montgomery's ANNE OF GREEN GABLES, as adapted by BREAKING BAD's Moira Walley-Beckett. Visit for additional , , , and read the by Mark R. Hasan for additional info and related links. Special Thanks to and , and Maike Eilert at White Bear PR. If you enjoyed this podcast, connect with us on and follow us on and .
info_outlineKQEK.com Digital / Big Head Amusements / ArtScopeTO - Podcasts
Composer Austin Wintory discusses scoring the new interactive full motion video game ERICA from Flavourworks, and published by Sony, and his compilation album REMNANTS. Music from both albums are available via . A prior interview from 2010 regarding Paul Solet's psychological shocker GRACE (2009) . Visit for additional , , , and read the by Mark R. Hasan for additional info and related links. Special Thanks to Austin Wintory, and Maike Eilert at White Bear PR. Visit for music samples, news, and media links. If you enjoyed this podcast, connect with us...
info_outlineKQEK.com Digital / Big Head Amusements / ArtScopeTO - Podcasts
For the latest edition of ArtScopeTO, I interview photographer Pengkuei (Ben) Huang, whose current eco-series SOLEMN PINES FADING THINGS is exhibited at Toronto's Urban Gallery (400 Queen Street East) from May 2-31st, as part of the 2019 . Huang discusses the genesis of his series, which examines the location and people in Japan's Tohoku region, and the lingering effects of the triple hit of an earthquake, tsunami, and the Fukushima Daiishi nuclear disaster in 2011. Further info and stills from the exhibition are available via the . If you enjoyed this podcast, connect with us...
info_outlineIn my latest conversation with Iranian-American composer Nima Fakhrara, we touch upon some of the organic experimentation that gives his recent horror score The Girl in the Photographs its eerie tenor, and the fusion of Persian and vintage electronic sounds for 1979 Revolution: Black Friday (of which both soundtrack albums are available digitally and on CD from Lakeshore Records).
This interview is also available as a visual podcast. Visit KQEK.com for more info and related CD reviews.
Additional info on the making of the visual podcast is available at my filmmaking site, Big Head Amusements.
My interview with Fakhrara on the sci-fi puzzle film The Signal (2014) is also available on iTunes, Libsyn, and YouTube.
If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter.
Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links.