Mischief Improv
In art form that is so temporary, we have a tendancy to view aspects of it as permanent. We think an improv team will last forever, or take classes with only one person... improv is organic. It stops, and starts.
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I did a study for fun. I looked at communities and how communities interact with one another like organisms in an ecosystem.
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How many improv workshops deal with "listening?" Like a ton of them.
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What is your brand? Your unique selling point? And why is that a benefit!
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Firstly and leastly, I talk about this entire podcast and why I started it. It’s all about DOCUMENTATION!! Which made me think I want to do a whole episode on “documentation.”
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I have been noticing a few trends in larger improv companies when addressing their lack of BIPOC representation on stage and as teachers. Leaders tend to use the same reasons across the board - and sometimes they are reasons for past behavior, as well as an excuse for future behavior.
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The value of class is not always what comes from the instructors. I do my best to make my workshops and classes have value beyond what I teach.
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The problem with “Improv Community” is …
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Chaos.
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Finally feeling like I’m getting back into the swing of producing things! Let’s talk about some of the physical tools you have when performing. Your hands and face – and WHY they are some of the most dynamic parts of your body. AND BONUS content at the end!
info_outlineInterview with Keith Hyland of Broken Chair Improv and Liverpool Comedy Improv. Keith has come to improv more recently, but with a plethora of acting/performing experience. He is truly a giant energy to watch on stage, and his teams love him. He is great at finding a character within milliseconds of stepping on stage, and then still being flexible with that character depending on where the show goes.
Very happy I got to know Keith a bit better and I look forward to working with him after this is all over.