Study into effects of COVID on British theatre
Release Date: 12/04/2025
British Theatre Guide podcast
London’s Marylebone Theatre is soon to present a revival of Arthur Miller’s 1968 play The Price, directed by Jonathan Munby and starring Henry Goodman in the role of 89-year-old Gregory Solomon. BTG Editor David Chadderton spoke to Henry about the role and the play and its current relevance as well as about rehearsing, directors, political theatre, the influence on him of playing Freud in Terry Johnson’s Hysteria and the types of roles he is currently looking to play. David then spoke to Jonathan about the play, his reasons for wanting to direct it now, the production’s design and...
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The 2016 Palme d’Or and BAFTA-winning film I, Daniel Blake, directed by Ken Loach, written by Paul Laverty and featuring comedian and actor Dave Johns in the title role, was adapted by Johns for a stage production in 2023 directed by Mark Calvert. The production is to be revived for a short tour in 2026 produced by Northern Stage in Newcastle and Leeds Playhouse featuring most of the original cast and production team. BTG Editor David Chadderton spoke to director Mark Calvert about the play and its strong message, how playing the title role in the film fired up Dave Johns politically and...
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English Touring Opera has been taking live opera productions and educational and community projects around the UK since 1979. The company has been based in London up to last year, when it began a move to Sheffield, and its spring 2026 season will be its first to open in the South Yorkshire city. BTG Editor David Chadderton spoke to ETO’s Artistic Director and CEO, Robin Norton-Hale, about the three productions about to open as well as about what makes the company unique, the challenges of touring, developing new opera works and about why no one should be afraid or daunted about going to the...
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Ockham’s Razor was founded in 2004 by its current Artistic Directors, Alex Harvey and Charlotte Mooney, who have directed and toured many large-scale circus-based productions over the last two decades. Their latest show, Collaborator, is an intimate two-hander that sees the company founders back on stage together for the first time in five years. BTG Editor David Chadderton spoke to Charlotte about the origins of the show and how it came together, the company’s approach to making work, the challenges of touring a circus show to conventional theatre venues, adapting running a theatre...
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BTG’s Panto Editor Simon Sladen spoke to Allan Stewart, who marks an extraordinary milestone of 50 years in pantomime. Allan reflected on his early start as a teenage club performer, his unexpected first role as Buttons without ever having seen a panto and the lessons learned from mentors such as Jack Radcliffe and producer Paul Elliott. He shared stories from working alongside stars including Les Dawson, Danny La Rue and Frank Bruno and offered insight into the craft of comedy and the traditions that make pantomime unique. Simon and Allan also discussed his long-standing partnership with...
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The Big Tiny Productions Ltd, founded in 2019 by Will Cousins and Ben Richards, is producing four shows in the North West for Christmas 2025, three of which are pantos written by Ben and designed by Will. BTG Editor David Chadderton spoke to them both, with a few contributions from their dog, Toby, about the company and this year’s shows, as well as about the changing nature of panto, the balance between tradition and innovation (it’s like a lasagne…), choosing panto stories, Northern v Southern humour, funding spectacular shows in small venues and Ben’s panto-related PhD, amongst...
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The British Theatre Consortium, headed by playwrights Dan Rebellato and David Edgar, has followed up its reports on the state of the British theatre repertoire in 2013 and 2014 with a study into how things have changed in the industry between 2019, the year before the COVID lockdowns began, and 2023. BTG Editor David Chadderton spoke to Dan Rebellato about the findings of the report, what it tells us about the problems, vulnerabilities and stability of British theatre over those four years and how it was changed by the pandemic. The report British Theatre Before & After Covid was published...
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David Ireland is an Irish playwright with a reputation for writing hard-hitting drama such as The Fifth Step, Ulster American and Cypress Avenue, but director Max Elton is reviving a very different play by him, Most Favoured, which can be seen at Soho Theatre in London over the Christmas period. BTG David Chadderton spoke to David about the play and his influences as a writer, as well as how his love of Shakespeare began in a Blackpool guest house at the age of 9 and why he wants to write romantic comedies and feels he couldn’t face watching some of his earlier plays now. Most Favoured,...
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Buzz Goodbody was the first female director at the Royal Shakespeare Company in Stratford where she was instrumental in setting up the venue The Other Place. She died just 50 years ago at the age of 28, and her nephew, Adam Goodbody, has created a new theatre company, Buzz Studios, in her honour. The company’s first production is Petty Men at London’s Arcola Theatre. BTG Editor David Chadderton spoke to Adam and his co-writer and fellow performer, John Chisham about the play and its creation, adapting Shakespeare’s Julius Caesar to create a modern piece, the importance of theatre and...
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Steve Marmion is currently in his second season as Chief Executive and Director of Programming for Watford Palace Theatre, but he also ran Soho Theatre in London for eight years and founded PantoCo Ltd. BTG Editor David Chadderton spoke to Steve about the upcoming panto production of Jack and the Beanstalk with the voice of Stephen Fry as the Giant, but he also spoke at some length about the value of panto in general, the challenges of running and programming theatres for diverse communities, why theatres need to conquer TIkTok and how his social media reels resemble Sunday Night at the London...
info_outlineThe British Theatre Consortium, headed by playwrights Dan Rebellato and David Edgar, has followed up its reports on the state of the British theatre repertoire in 2013 and 2014 with a study into how things have changed in the industry between 2019, the year before the COVID lockdowns began, and 2023.
BTG Editor David Chadderton spoke to Dan Rebellato about the findings of the report, what it tells us about the problems, vulnerabilities and stability of British theatre over those four years and how it was changed by the pandemic.
The report British Theatre Before & After Covid was published on 26 November 2025 by the British Theatre Consortium based on the work of a research team led by Catherine Love-Smith. The full 143-page report can be read at or downloaded from the BTC web site.