Why AxS Podcast from ArtCenter: Dark Matter
Why AxS from ArtCenter
Ready to go dark and get deep? In the third episode of the podcast—where brilliant scientific and artistic minds ponder the important whys—we explore the infinite possibilities of the origins and nature of our universe. Our guests couldn't be more disparate in their paths, yet conjoined in their pursuits. , an internationally renowned visual artist and ArtCenter faculty member, is inspired by the natural world, on this planet and beyond. Her works are intimate and epic, earthly and ephemeral—a celebration of how we connect to our environment, below and above. Her large-scale...
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Why AxS Podcast from ArtCenter: Art and Science
Why AxS from ArtCenter
Did you know the intersection of art + science has been rooted in the DNA of Los Angeles from the very beginning? In this episode of our Why AxS podcast, alum + former ArtCenter Exhibitions director Stephen Nowlin unravels the rich intertwining origins of the artists and experimenters who landed in L.A. and pioneered new industries, from aeronautics to film. As humans, we aspire to find common ground between the two district sides of our brain. That’s why science needs art to tell its narratives in a language that makes data illuminating, immersive, complex and even...
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Why AxS Podcast from ArtCenter: Rosetta Mission
Why AxS from ArtCenter
Welcome to the Why AxS, ArtCenter’s podcast featuring brilliant scientific and artistic minds ponder the big why's that come with being a tiny part of this universe. Our first episode, How to Land on a Comet, takes you aboard JPL’s Rosetta Mission, as we’re joined by mission planner Art Chmielewski + alum/illustrator Liz de la Torre (BFA 13), who mapped the surface of speeding comet for a first-of-a-kind rendezvous with a spacecraft — from a single pixel. Rosetta remains one of the world’s most ambitious — and arduous — space exploration missions. Landing on a comet as it...
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Why AxS Podcast from ArtCenter
Why AxS from ArtCenter
Join us for ArtCenter’s new mini-series investigating the powers of art and science–and the extraordinary, unexpected outcomes when the two fields intersect. The four-part series, launching September 12, features prominent artists–often with connections to ArtCenter–and scientists tackling big ideas about dark matter and transcendence from right- and left-brain points of view. At ArtCenter, science and art often cross paths–after all, CalTech and NASA's Jet Propulsion Laboratory are in our backyard, allowing for unique collaborations through programs, exhibitions, internships and...
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Karen Hofmann on building an accessible, affordable and inclusive education
Why AxS from ArtCenter
To many of our listeners, this guest needs no introduction. She is someone who has burst through seemingly impenetrable ceilings – glass and otherwise – to claim leadership roles historically held by men. She rose through the ranks as a strategic industrial designer before returning to ArtCenter, her alma mater, for a transformative stint as Chair of our Product Design department. She was also a driving force behind ArtCenter’s innovative DesignStorm program, through which major brands engage our stud
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Jackie Amezquita on migration, memory and making art
Why AxS from ArtCenter
When we first heard from Jackie Amezquita four years ago, she was an ArtCenter Fine Art student on the cusp of graduating. In a raw and revealing interview, she traced the arduous path she’d walked to find the stability she needed to risk everything for her art.
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Aimee Mullins on Finding a World of Possibilities in Every Problem
Why AxS from ArtCenter
Aimee Mullins is a true polymath. Her passions and professional pursuits are as varied and boundless as the awards and groundbreaking strides she’s achieved within her many chosen fields. She broke new ground in athletics as the first amputee in history to compete against able-bodied athletes in the NCAA’s Division 1 track and field events. She went on to set records in the 100 and 200 meter races and the long jump.
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Artist Lita Albuquerque on Regeneration After the Fire
Why AxS from ArtCenter
We’re lucky as artists that we can recover much faster because we can express. Nature recovers and we recover.
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Artist Kim Schoenstadt on finding redemption through creativity and kinship
Why AxS from ArtCenter
Client hypothetical. This is the term pioneering architect and designer Eileen Gray used to classify the many Modernist masterpieces she designed in the absence of actual paid commissions. She was simply making things because that was what she was made to do.
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James Meraz on creating a path through unimaginable loss
Why AxS from ArtCenter
James Meraz joined the faculty of ArtCenter’s Environmental Design department in September of 2001, shortly before 9/11. In the wake of that tragedy he wavered about how to proceed with his planned curriculum. How would it all be relevant? In the end, he resolved to lean into the uncertainty of that “cataclysmic moment,” realizing that the only way out of the pain, chaos and confusion was to go through it.
info_outlineTo experience one of Ann Hamilton’s installations is to be transported into a world of invention unlike any other. Recognized for her large-scale public projects and performance collaborations, Ann uses space as her canvas and fills it with a sense of mystery and drama that is as inviting as it is provocative.
Though much of her work is, by nature, transitory, its impact and ideas endure. To get a sense of the experiential texture of her work, look no further than her extraordinary 2012 installation, the event of a thread, at New York’s Park Avenue Armory. The hauntingly beautiful piece filled the large space with billowing white fabric panels and an array of swings inviting participants to experience a joy and weightlessness too often relegated to childhood.
In this timely and incisive Change Lab interview, conducted the day before the 20th anniversary of 911, Hamilton explored the ideas animating CHORUS, her public art installation at the World Trade Center Cortland subway station. The piece, visible from the platform and passing trains, consists of a field of marble mosaic weaving the texts of the Declaration of Independence and the United Nations Universal Declaration of Human Rights onto a wall beneath the spot where the towers once stood.
Change Lab listeners will recognize her ideas connecting making and exploration as core to the themes explored throughout this show. It’s hard to imagine how anyone could more artfully illuminate the creative power and exhilaration that comes from braving uncertainty and lingering in the mysterious “I-don’t-know.”
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