48 Artist Diana Thater is determined to reveal a world worth saving
Release Date: 09/29/2021
Why AxS Podcast from ArtCenter: Rosetta Mission
Why AxS from ArtCenter
Welcome to the Why AxS, ArtCenter’s podcast featuring brilliant scientific and artistic minds ponder the big why's that come with being a tiny part of this universe. Our first episode, How to Land on a Comet, takes you aboard JPL’s Rosetta Mission, as we’re joined by mission planner Art Chmielewski + alum/illustrator Liz de la Torre (BFA 13), who mapped the surface of speeding comet for a first-of-a-kind rendezvous with a spacecraft — from a single pixel. Rosetta remains one of the world’s most ambitious — and arduous — space exploration missions. Landing on a comet as it...
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Why AxS Podcast from ArtCenter
Why AxS from ArtCenter
Join us for ArtCenter’s new mini-series investigating the powers of art and science–and the extraordinary, unexpected outcomes when the two fields intersect. The four-part series, launching September 12, features prominent artists–often with connections to ArtCenter–and scientists tackling big ideas about dark matter and transcendence from right- and left-brain points of view. At ArtCenter, science and art often cross paths–after all, CalTech and NASA's Jet Propulsion Laboratory are in our backyard, allowing for unique collaborations through programs, exhibitions, internships and...
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Karen Hofmann on building an accessible, affordable and inclusive education
Why AxS from ArtCenter
To many of our listeners, this guest needs no introduction. She is someone who has burst through seemingly impenetrable ceilings – glass and otherwise – to claim leadership roles historically held by men. She rose through the ranks as a strategic industrial designer before returning to ArtCenter, her alma mater, for a transformative stint as Chair of our Product Design department. She was also a driving force behind ArtCenter’s innovative DesignStorm program, through which major brands engage our stud
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Jackie Amezquita on migration, memory and making art
Why AxS from ArtCenter
When we first heard from Jackie Amezquita four years ago, she was an ArtCenter Fine Art student on the cusp of graduating. In a raw and revealing interview, she traced the arduous path she’d walked to find the stability she needed to risk everything for her art.
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Aimee Mullins on Finding a World of Possibilities in Every Problem
Why AxS from ArtCenter
Aimee Mullins is a true polymath. Her passions and professional pursuits are as varied and boundless as the awards and groundbreaking strides she’s achieved within her many chosen fields. She broke new ground in athletics as the first amputee in history to compete against able-bodied athletes in the NCAA’s Division 1 track and field events. She went on to set records in the 100 and 200 meter races and the long jump.
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Artist Lita Albuquerque on Regeneration After the Fire
Why AxS from ArtCenter
We’re lucky as artists that we can recover much faster because we can express. Nature recovers and we recover.
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Artist Kim Schoenstadt on finding redemption through creativity and kinship
Why AxS from ArtCenter
Client hypothetical. This is the term pioneering architect and designer Eileen Gray used to classify the many Modernist masterpieces she designed in the absence of actual paid commissions. She was simply making things because that was what she was made to do.
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James Meraz on creating a path through unimaginable loss
Why AxS from ArtCenter
James Meraz joined the faculty of ArtCenter’s Environmental Design department in September of 2001, shortly before 9/11. In the wake of that tragedy he wavered about how to proceed with his planned curriculum. How would it all be relevant? In the end, he resolved to lean into the uncertainty of that “cataclysmic moment,” realizing that the only way out of the pain, chaos and confusion was to go through it.
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Change Lab Season 10: Forged in Fire, Make to Heal
Why AxS from ArtCenter
The next season of Change Lab debuts on March 23. We’re calling it Forged in Fire: Make to Heal and we’re looking at the ways in which adversity can be a conduit for creativity and, more importantly, how creativity can offer solace during the hardest of times.
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53 Google's Ivy Ross on Reimagining the Life You're Meant to Live
Why AxS from ArtCenter
As Google’s vice president of hardware design, Ivy Ross is breaking new ground in the physical world for a trillion-dollar company synonymous with building tools for navigating the virtual one. Since assuming the role in 2014, she’s been tasked with translating a corporate identity consisting of a primary colored logo and blinking cursor into three-dimensional products and environments that are inviting, accessible and add value to people’s lives in ways big and small.
info_outlineFor Diana Thater making art is like oxygen. It sustains and nourishes her. And when her access to it is suddenly limited -- as it was in the spring of 2020-- she figures out a way to create her art. By any means necessary.
Her latest exhibition, Yes, There Will Be Singing, is the captivating result of one such extraordinary pandemic pivot. She conceived the idea for the sound-based installation when her in-person show was cancelled. But what’s most ingenious about this immersive work is not its format but rather its remarkable subject --Whale 52, who is deaf and yet sings into a world of complete darkness and silence.
It’s hard to imagine a more perfect metaphor for resilience in the face of the isolation we’ve all just experienced than Whale 52 and, more specifically, the sensitivity with which Thater represents his plight in her work.
That kind of empathy is the lifeblood running through everything Thater creates. Best known for creating large-scale installation art exploring the tensions between the animal kingdom and mankind, Thater’s studio practice has sent her around the globe to film species in peril in their natural habitats. Her work has been widely exhibited at major institutions worldwide, including MOMA, LACMA and the Guggenheim Bilbao.
In this lively and fathoms-deep Change Lab episode, Thater explores the forces animating her creative practice, the role of improvisation in her filming process and her enduring commitment to risking life and limb to transport us there alongside her.
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