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40 Grace Lynne Haynes on painting to redefine darkness and light

Why AxS from ArtCenter

Release Date: 11/25/2020

Why AxS Podcast from ArtCenter: Rosetta Mission show art Why AxS Podcast from ArtCenter: Rosetta Mission

Why AxS from ArtCenter

Welcome to the Why AxS, ArtCenter’s podcast featuring brilliant scientific and artistic minds ponder the big why's that come with being a tiny part of this universe.  Our first episode, How to Land on a Comet, takes you aboard JPL’s Rosetta Mission, as we’re joined by mission planner Art Chmielewski + alum/illustrator Liz de la Torre (BFA 13), who mapped the surface of speeding comet for a first-of-a-kind rendezvous with a spacecraft — from a single pixel. Rosetta remains one of the world’s most ambitious — and arduous — space exploration missions. Landing on a comet as it...

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Why AxS Podcast from ArtCenter show art Why AxS Podcast from ArtCenter

Why AxS from ArtCenter

Join us for ArtCenter’s new mini-series investigating the powers of art and science–and the extraordinary, unexpected outcomes when the two fields intersect. The four-part series, launching September 12, features prominent artists–often with connections to ArtCenter–and scientists tackling big ideas about dark matter and transcendence from right- and left-brain points of view. At ArtCenter, science and art often cross paths–after all, CalTech and NASA's Jet Propulsion Laboratory are in our backyard, allowing for unique collaborations through programs, exhibitions, internships and...

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Karen Hofmann on building an accessible, affordable and inclusive education show art Karen Hofmann on building an accessible, affordable and inclusive education

Why AxS from ArtCenter

To many of our listeners, this guest needs no introduction. She is someone who has burst through seemingly impenetrable ceilings – glass and otherwise – to claim leadership roles historically held by men. She rose through the ranks as a strategic industrial designer before returning to ArtCenter, her alma mater, for a transformative stint as Chair of our Product Design department. She was also a driving force behind ArtCenter’s innovative DesignStorm program, through which major brands engage our stud

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Jackie Amezquita on migration, memory and making art show art Jackie Amezquita on migration, memory and making art

Why AxS from ArtCenter

When we first heard from Jackie Amezquita four years ago, she was an ArtCenter Fine Art student on the cusp of graduating. In a raw and revealing interview, she traced the arduous path she’d walked to find the stability she needed to risk everything for her art. 

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Aimee Mullins on Finding a World of Possibilities in Every Problem show art Aimee Mullins on Finding a World of Possibilities in Every Problem

Why AxS from ArtCenter

Aimee Mullins is a true polymath. Her passions and professional pursuits are as varied and boundless as the awards and groundbreaking strides she’s achieved within her many chosen fields. She broke new ground in athletics as the first amputee in history to compete against able-bodied athletes in the NCAA’s Division 1 track and field events. She went on to set records in the 100 and 200 meter races and the long jump.

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Artist Lita Albuquerque on Regeneration After the Fire show art Artist Lita Albuquerque on Regeneration After the Fire

Why AxS from ArtCenter

We’re lucky as artists that we can recover much faster because we can express. Nature recovers and we recover. 

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Artist Kim Schoenstadt on finding redemption through creativity and kinship show art Artist Kim Schoenstadt on finding redemption through creativity and kinship

Why AxS from ArtCenter

Client hypothetical. This is the term pioneering architect and designer Eileen Gray used to classify the many Modernist masterpieces she designed in the absence of actual paid commissions. She was simply making things because that was what she was made to do. 

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James Meraz on creating a path through unimaginable loss  show art James Meraz on creating a path through unimaginable loss

Why AxS from ArtCenter

James Meraz joined the faculty of ArtCenter’s Environmental Design department in September of 2001, shortly before 9/11. In the wake of that tragedy he wavered about how to proceed with his planned curriculum. How would it all be relevant? In the end, he resolved to lean into the uncertainty of that “cataclysmic moment,” realizing that the only way out of the pain, chaos and confusion was to go through it. 

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Change Lab Season 10: Forged in Fire, Make to Heal show art Change Lab Season 10: Forged in Fire, Make to Heal

Why AxS from ArtCenter

The next season of Change Lab debuts on March 23. We’re calling it Forged in Fire: Make to Heal and we’re looking at the ways in which adversity can be a conduit for creativity and, more importantly, how creativity can offer solace during the hardest of times. 

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53 Google's Ivy Ross on Reimagining the Life You're Meant to Live show art 53 Google's Ivy Ross on Reimagining the Life You're Meant to Live

Why AxS from ArtCenter

As Google’s vice president of hardware design, Ivy Ross is breaking new ground in the physical world for a trillion-dollar company synonymous with building tools for navigating the virtual one. Since assuming the role in 2014, she’s been tasked with translating a corporate identity consisting of a primary colored logo and blinking cursor into three-dimensional products and environments that are inviting, accessible and add value to people’s lives in ways big and small. 

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Grace Lynne Haynes’ creative calling didn’t announce itself until she set foot in her first college painting class. But from that moment forward, Grace’s artistic destiny came through loud and clear, as unmistakable as a spiritual epiphany.

Here’s how she describes it: “It almost reactivated my physical senses. I felt as if colors were brighter, senses were stronger. I just felt like my passion for life began to come back again. I knew that I had to be doing this for a living."

She poured that passion into her painting practice as an Illustration student at ArtCenter, where she cultivated the signature style that quickly translated into a thriving career as a professional painter and illustrator. 

Her works are striking and instantly recognizable, at least partially because you’ve probably seen them on the cover of The New Yorker, which has featured two of her illustrations in the past eight months. She’s also recently graced the pages of Vogue, ELLE and The Washington Post.

The vibrancy of her bright color schemes and rich skin tones, which she describes as “pitch black,” offer a counter-narrative to the negative connotations placed on the very idea of darkness. Grace’s brush strokes depict a better world, one where light and dark coexist harmoniously in brightly hued images that celebrate contrast.

Grace’s career launched like a rocket the moment she graduated from ArtCenter. She was selected to be an inaugural member of Kehinde Wiley’s Black Rock Senegal residency and was included in Forbes “30 Under 30” list under Art and Style.

In many respects, Grace is now living her dream along with that of most every young artist. But perhaps most admirable is her commitment to pursuing a creative practice that reflects her deeply-held values.


https://www.bygracelynne.com/

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