Camera Operator Brett Hurd SOC: American Primeval, The Handmaid’s Tale and the craft of leading from behind the lens
Cinemapodgrapher
International camera operator Brett Hurd SOC joins us after a run on shows like The Handmaid’s Tale, Mrs America, The Terminal List and American Primeval. We talk about the path that took him from early sports broadcasting and documentary work to operating on major dramas around the world. Brett shares how still photography shapes his eye, why mobility and body awareness matter for handheld, and how growing up skating and playing sport feeds directly into his work today. He opens up about the pressure of big opportunities, the value of being uncomfortable, and the moments that pushed his...
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Murderbot with Production Designer Sue Chan
Cinemapodgrapher
This week on Cinemapodgrapher, one of our new hosts, Hannah, sits down with acclaimed production designer Sue Chan, whose work spans Shang-Chi and the Legend of the Ten Rings, Where the Crawdads Sing, Colossal, and now the highly anticipated series Murderbot. Together they explore Sue’s approach to world-building, the design of the AI-driven character at the heart of Murderbot, and how her background in architecture, theatre and art direction shaped her storytelling eye. Sue opens up about balancing practical and visual effects, creating entire alien languages, and grounding futuristic...
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Dolly Grip Dave Shaw: Lessons from 30 years in the Industry
Cinemapodgrapher
This week on Cinemapodgrapher, new host Josh Calder sits down with one of Australia’s most respected dolly grips, Dave Shaw. With over 30 years in the industry and credits on War Machine, Thor: Ragnarok, The Hobbit, Avatar, Eat Pray Love, San Andreas, Furiosa, Nim’s Island, and Pete’s Dragon, Dave has seen it all from behind the camera. They unpack what it truly means to be a dolly grip, the craft, the instinct, and the trust required to move the camera in harmony with story and emotion. Dave shares how he got his start, the lessons that shaped his career, and the subtle art of reading...
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Cinematographer Jacques Jouffret ASC: Camera Operating, Transformers, Gran Turismo & American Primeval
Cinemapodgrapher
For many years Jacques Jouffret ASC was one of the world’s top camera operators, winning the SOC Camera Operator of the Year award for his work on Into the Wild and contributing to multiple Transformers films, Swordfish, Seabiscuit, Deepwater Horizon, Man on Fire, Patriots Day and Lone Survivor. Today he is an acclaimed cinematographer whose credits include The Purge, Jack Ryan, Mile 22, Gran Turismo and his Emmy nominated work on American Primeval. This week on Cinemapodgrapher we sit down with Jacques to hear his journey from growing up in France to moving to the United States, discovering...
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F1 with Skywalker Sound - Al Nelson, Luke Dunn-Gielmuda and Andree Lin
Cinemapodgrapher
The legendary team from Skywalker Sound, Supervising Sound Editor Al Nelson, Lead Sound Effects Editor Luke Dunn-Gielmuda, and Sound Design Assistant Andree Lin join us for Part 2 of F1, the movie. From working with Joseph Kosinski, collaborating with Sir Lewis Hamilton, to drawing lessons from Top Gun: Maverick, the team breaks down how they reconstructed the visceral sounds of Formula 1 racing. We explore the artistry and technical precision behind building engines from silence, capturing the rush of speed, and crafting a sonic experience that feels authentic not only to everyday listeners,...
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Andor Season 2 with Cinematographer Christophe Nuyens SBC
Cinemapodgrapher
Andor Season 2 has earned 14 Emmy nominations, including Outstanding Cinematography. DP Christophe Nuyens SBC joins us to discuss his nominated work on Episodes 1–6. We talk about his journey through the Belgian, French, and English film industries, and his extended preproduction with director Ariel Kleiman, where they used ILM’s live-vis system to plan shots. Christophe also shares why he prefers shooting in full frame, his search for full frame anamorphic lenses, and the creative benefits of the Venice 2 and the Sony ecosystem of cameras. He reflects on his approach to staging...
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Chief of War with Cinematographer Matthew Chuang ACS
Cinemapodgrapher
Born in Taiwan and raised in Australia, cinematographer Matthew Chuang ACS has always been drawn to telling stories rooted in culture and identity. After reaching a creative ceiling in Australia, he made the leap to Los Angeles where he connected with director Justin Chon. The two have since collaborated on multiple projects, most recently reuniting for Apple TV's epic series Chief of War. In this conversation, Matt reflects on his upbringing in Australia, his journey into the world of independent filmmaking in the United States, and his first experience working on a large scale television...
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DIT Jason Bauer: Taylor Swift, Kingdom of the Planet of the Apes, Thai Cave Rescue & Cherry
Cinemapodgrapher
The first digital imaging technician to join the podcast, Jason Bauer began his career using still photography for previs on productions shooting film. As cinematography shifted to digital, Jason trained other digital imaging technicians before eventually stepping into the role himself. Now one of the most sought-after DITs in the industry, he has worked on major productions around the world. In this episode, we explore the role of the DIT and the value they bring to a director of photography. Jason breaks down the hardware and software he uses, how he works on set, and why DITs are essential...
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F1 with 1st Assistant Camera Dan Ming
Cinemapodgrapher
From fighter jets to race cars, Dan Ming is a world-class 1st AC who loves tech. Dan Ming and his team are known for their work on Top Gun: Maverick, and now they’ve taken those lessons, pushing the boundaries even further, to bring you F1. We talk about the collaboration with some of the biggest brands in the game: Sony, Apple, and Panavision, and the camera builds that came out of it: Sony’s Carmen (a custom-built car mount camera), Apple’s Wing Camera, and Panavision’s custom Pan Head. Plus, how they built a full Mercedes F2 car, from scratch, just for the film. Dan answers all your...
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The Studio with DP Adam Newport-Berra and Camera Operator Mark Goellnicht SOC ACO
Cinemapodgrapher
DP Adam Newport-Berra and Camera Operator Mark Goellnicht SOC ACO are the powerhouse duo behind the lens of The Studio. In this episode, we dive into what it’s really like working with comedy legends and co-directors Seth Rogen and Evan Goldberg. Adam and Mark take us through the camera rigs they tested and how they meticulously choreographed scenes that feel like total chaos but are actually tightly crafted. We also break down some of the most jaw dropping shots in the series, the kind that had us hitting rewind just to figure out how they pulled them off. If you're into behind the scenes...
info_outlineMarkus Förderer ASC BVK takes us behind the scenes of September 5, an independent feature where he crafted an authentic 1970s broadcast aesthetic while pushing the boundaries of digital cinematography. He shares how he transformed the RED V-Raptor to look like film, lit the set for 360-degree shooting, and operated in a raw, documentary style without rehearsals.
Markus also discusses the challenges of building a set that felt true to the era, working with vintage-inspired lighting, and his unconventional decision to pull apart and detune his own zoom lenses to create a messier, more organic look. Along the way, he reflects on his journey to Los Angeles and how his early work, including his debut feature Hell with director Tim Fehlbaum, shaped his approach to cinematography.
Markus credits his early experimentation with photography as a child for helping him develop an instinct to break the rules and embrace unconventional techniques. This mindset has played a key role in his distinctive style, allowing him to challenge norms and create visually striking work. He also shares his passion for sharing knowledge through his website, Cineflares, which he founded to help fellow filmmakers explore the creative possibilities of lighting and cinematography.
From embracing imperfections to rethinking the way digital cameras capture texture and movement, Markus offers a fascinating look at the creative choices that define his work.
This episode is proudly sponsored by Red.