City Ballet The Podcast
The Rosin Box heats up this week with a lively conversation shared by hosts Claire Kretzschmar and Soloist Aarón Sanz and their guests, Principal Dancers Gilbert Bolden III and Sara Mearns. They talk about acting and emotions onstage, including their favorite roles, techniques and practices, and hilarious memories. Whether conveying the characters in a narrative ballet or achieving the appropriate expressiveness in an abstract work, the dancers describe the need for extensive preparation—and life experience—to achieve an instinctual, organic performance. As Sara relates, the "half a...
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Listen in on another intimate conversation around The Rosin Box with host Claire Kretzschmar, joined this week by Principal Dancer Taylor Stanley. The topic is all things props, which provide essential context and character development for many of the company's story ballets and "teach you how to remain calm in the moment," as Taylor shares. From training with a professional swordsman in preparation for Romeo and Juliet, to maneuvering the candle in La Sonnambula's haunted pas de deux, Taylor describes many of the playful, challenging, and transformative props used by dancers every season....
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Hosts Claire Kretzschmar and Soloist Aarón Sanz are back for another cozy conversation around The Rosin Box. This week, they're joined by Soloist Alexa Maxwell and Principal Dancer Gilbert Bolden III, who have plenty to share about inspiration and motivation, whether for their daily practice, during repetitive performance periods, amidst injuries and other challenges, and beyond. Alexa shares that it's all about the music—she's a "classical music girly"—and that she likes to bunhead out as she's learning a new role; for Gilbert, new audience members, quiet instances of beauty in his...
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Associate Artistic Director and host Wendy Whelan is back for another enlightening New Combinations conversation. This week, she's joined by choreographer Jamar Roberts, whose newest work for the company will premiere during the Fall Fashion Gala on October 8, timing he describes as "full-circle," considering his own forays into fashion design. His collaboration with designer Iris van Herpen has been uniquely fruitful, as well as his selection of music by Arca, with both informing this ballet that speaks to the times—"but dance," he adds, referring to the joy and beauty the work also...
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In the second part of this deep dive Hear the Dance discussion of Jerome Robbins' The Goldberg Variations, host Silas Farley is joined by former NYCB Dancers and current Repertory Directors Christine Redpath and Jean-Pierre Frohlich. Redpath, an original cast member of Goldberg, digs into Robbins' approach to the creation of this remarkably multi-faceted ballet, while Frohlich remembers the adjustments the choreographer made through the ensuing performances. Both talk about coaching Goldberg on today's company members and the ways in which the work has influenced the dancemakers of today....
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In a special two-part Hear the Dance Episode, host Silas Farley leads us on a wide-ranging discussion of Jerome Robbins' 1971 ballet The Goldberg Variations. In this first part, Farley is joined by former NYCB Dancer Bruce Wells, an original cast member, and current Principal Dancer Emilie Gerrity, one of the ballet's present-day interpreters. Wells shares the challenges Robbins faced after an injury forced him to choreograph from a wheelchair, as well as highlights from the year-long creative process. Gerrity describes the "class" section of this monumental ballet as "simple but beautiful,"...
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Hear the Dance host Silas Farley returns for a deep-dive discussion with former Principal Dancer Merrill Ashley and Repertory Director Glenn Keenan on George Balanchine's Ballade, a ballet returning to the NYCB stage after a hiatus of more than 20 years. Keenan shares that when she was a student at the School of American Ballet, Ashley's "humongous care and attention" as a teacher helped shape her approach to her current role, and that watching Ashley in the studio today has been both helpful and inspiring. Ashley recalls the surprise of learning that Balanchine had chosen to make this first...
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A brand-new season of City Ballet The Podcast launches today with a fresh New Combinations conversation between Associate Artistic Director Wendy Whelan and Resident Choreographer Justin Peck. Commissioned by Miami City Ballet a decade ago, Peck is in the midst of rehearsing his Heatscape for its NYCB stage debut, with the help of original dancers and coaches Michael Sean Breeden, Patricia Delgado, and Jeannette Delgado. He shares what drew him to Bohuslav Martinů's Piano Concerto No. 1, a piece that both references earlier works and prefigures musical changes to come—an interesting...
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As we shift gears to prepare for the upcoming season, Artistic Director Jonathan Stafford and Associate Artistic Director Wendy Whelan take a moment to reflect on our just-concluded 76th year, from two strikingly unique and unforgettable world premieres—from Resident Choreographer Justin Peck and Artist in Residence Alexei Ratmansky—to the return of cherished repertory works, the invaluable presence of coaches Suzanne Farrell and Merrill Ashley in the rehearsal studios, and much, much more. They celebrate the freedom and boldness the company displayed in notable debuts, well-earned...
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Join us around the Rosin Box for our annual listener-contributed "Ask the Dancers" episode. Our intrepid hosts Claire and Aarón and special guest Corps de Ballet Member Lars Nelson answer your questions about rehearsal wear, dancing with Artist in Residence Alexei Ratmansky, remembering steps, and more—including, "Explain dogs at New York City Ballet." (39:06) Edited by Emilie Silvestri Music: "Je ne t’aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records
info_outlineThis week, hosts Claire Kretzschmar and Soloist Aarón Sanz take the podcast from The Rosin Box to the barre for a conversation about company class, joined by Corps de Ballet Member Christina Clark and former NYCB dancer and current class teacher Amanda Edge. They talk all things real estate, fashion, and Destiny's Child vs. Ludwig Minkus, highlighting the importance of this daily ritual for building a sense of community as well as personal growth. (53:40)
Edited by Emilie Silvestri
Music:
"Je ne t’aime plus" by Pink Martini
Courtesy of Pink Martini & Heinz Records