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10. Editing Your Podcast with the Listener in Mind. Stop Over Editing and Focus on Flow and Vibe.

Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio

Release Date: 03/05/2020

Summer Break and the Future of Clean Cut Audio show art Summer Break and the Future of Clean Cut Audio

Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio

I wanted the opportunity to let you all know that I'm taking a break from the podcast for a while! I plan on coming back in a few months with a greater sense of purpose, focus, and a stronger grasp of how I can best educate those who are looking to make their podcasts sounds better!   If you're looking to stay connected and updated, you can keep up with what's going on in the Discord server or on Patreon!   Thank you all so much, and I'll still be seeing you most weeks over on the YouTube channel.   Links:     My Signal Chain Hardware: Audio...

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28. Explaining and Listening to the 4 Topologies of Compressors (VCA, FET, Opto, and Vari-Mu) show art 28. Explaining and Listening to the 4 Topologies of Compressors (VCA, FET, Opto, and Vari-Mu)

Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio

It's very important to know that every compressor is different and it will make your audio sound differently depending on how it processes the gain reduction. There is a time and place for every different style of compressor, and in this episode we listen to 4 different styles of compression at 3 different amounts of compression applied to my voice.         Links:   Compressors sampled in this episode: VCA: FET: Optical: Vari-Mu:     My Signal Chain   Hardware: Audio Interface: Microphone: ...

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27. Compression for Color, Tone, and Depth show art 27. Compression for Color, Tone, and Depth

Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio

Compression is a topic I've covered extensively (but also not nearly enough) on my YouTube channel. Even with all the hours of teaching I've done on the topic, I've barely touched on the other incredible effects and benefits of learning proper compression techniques.   While a perfectly dialed in compressor will certainly help level out your dynamic range and save your listeners ears from being blown out by sudden changes in loudness, it will also impart a beautiful tone and character to your voice that can otherwise sound bland and lifeless. Not even mentioning the sonic...

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26. What My Dog Taught Me About Love, Audio, and Community show art 26. What My Dog Taught Me About Love, Audio, and Community

Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio

Death has a crazy way of putting a lot of things into perspective. With the recent passing on my dog and best friend Levi, I've been thinking a lot about what audio and podcasting REALLY means to me. It got me thinking of the Alexander Supertramp quote "Happiness is only real when shared". We as podcasters tend to hole ourselves in a spare bedroom, walk in closet, or any location that is completely separated from the sounds and sights of the rest of the world. It can get lonely, and that loneliness and isolation can really get in the way of progress.   This week I'm revising the...

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25. How to Become an Amazing Podcast Engineer (without a degree in audio production) show art 25. How to Become an Amazing Podcast Engineer (without a degree in audio production)

Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio

Something I've been seeing recently in Facebook groups and forums is people claiming they can't be great at audio because they don't have a degree or formal education in audio engineering. If that's you, let me offer some personal insight. I'm one of those chumps who spent 4 years and a TON of money on a degree in audio engineering, and I've lived to regret it. The REAL learning happened after college when I was working with some very experienced and prolific audio engineers who, guess what, never had ANY formal education in audio engineering.   The thing that really took my...

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24. Noise Reduction in the Recording and in Post Production show art 24. Noise Reduction in the Recording and in Post Production

Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio

Many folks think noise reduction is something that can only be done in post production, but I'm here to tell you that's a bald-faced lie. The best noise reduction is accomplished WHILE recording your podcast! "The best offense is a great defense" type of vibes. There are SO many things we can do to make sure that noise (see also: unwanted sound) is never captured in the first place!   In this episode you'll learn a little bit about soundproofing and why it's unattainable for more people, microphone techniques that will almost eliminate noise (with listening examples of course!), some...

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23. Ear Training and Critical Listening Exercises to Better Hear and Mix Podcast Audio show art 23. Ear Training and Critical Listening Exercises to Better Hear and Mix Podcast Audio

Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio

When new podcasters or audio engineers are reaching out to their peers for help with their production, it's not uncommon to hear the super frustrating and unhelpful response of "just trust your ears". Unfortunately when you're so new to audio, that means nothing. It's a lazy cop out that relieves the person being asked for help from actually teaching anything. It would be like a new fighter pilot asking his superior how to fly a supersonic jet and getting the response "just trust your gut". Sure the stakes are much lower in audio production, but there still needs to be some foundational...

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22. Local Recordings: The Only Way to Capture Great Podcast Audio show art 22. Local Recordings: The Only Way to Capture Great Podcast Audio

Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio

I vow to never stop talking about local recordings until every podcast on Earth at least KNOWS it's an option. Whether or not they choose to sound good is up to them.   A local recording eliminates all the fail points and fidelity degrading processes by writing all your 0's and 1's directly to your computer without any consideration of WiFi strength, bandwidth availability, or whatever noises your cohost is making on the other end. If you're using a platform like Zoom or Skype to record your podcast, keep doing what you're doing, just consider adding a local recording via your DAW of...

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22. Local Recordings: The Only Way to Capture Great Podcast Audio show art 22. Local Recordings: The Only Way to Capture Great Podcast Audio

Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio

I vow to never stop talking about local recordings until every podcast on Earth at least KNOWS it's an option. Whether or not they choose to sound good is up to them.   A local recording eliminates all the fail points and fidelity degrading processes by writing all your 0's and 1's directly to your computer without any consideration of WiFi strength, bandwidth availability, or whatever noises your cohost is making on the other end. If you're using a platform like Zoom or Skype to record your podcast, keep doing what you're doing, just consider adding a local recording via your DAW of...

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21. Mixing Your Podcast on Headphones or Studio Monitors: The Pros and Cons of Each show art 21. Mixing Your Podcast on Headphones or Studio Monitors: The Pros and Cons of Each

Clean Cut Audio | The Science of Sound and the Art of Great Podcast Audio

When it comes to mixing audio, you'd be hard pressed to find a more lively debate than the one between headphones and studio monitors. There are a LOT of pros and cons to each, and in this episode we explore many of the arguments for each side along with some brief lessons on HRTF (head related transfer function) and the psychoacoustics of how we localize audio in a 3D world.           Links:     Gear Suggestions:   My Signal Chain   Hardware: Audio Interface: Microphone: Headphones: ...

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More Episodes

"With great power comes great responsibility". We all know the phrase, but when it comes to editing a podcast, we don't keep it in mind. The ability to edit audio on such a microscopic level is an INSANELY POWERFUL ability, and we need to use this power for good and do it responsibly.

 

JOIN THE FUN ON PATREON!

 

I think what people struggle with the most when it comes to editing a podcast is WHY they're editing a podcast. I have one very simple philosophy: We should be editing our podcasts with the listener in mind. Many people edit their show as if merely uttering the word "um" is a jailable offense. Our job with podcast editing is NOT to simply obliterate every "um" we come in contact with, but rather to provide the listener with the most pleasant, accurate, and distraction free podcast possible. True, the word "um" can be distracting, especially when used excessively, but in the removal of the word, many don't focus enough on preserving the pace and tone of the phrase. If we merely hack and slash the "um" out of existence, there's a strong potential for 2 words to be cut too close together, causing an audible and jarring edit, and the listener will notice. Potentially even more so than if you just left the crutch word in.
 
Typically we're ridding our episodes of more than just a few ums (or let's face it 1,500 in some cases), but no matter what we're doing in post, we need to make sure what we are left with is an engaging and natural sounding discussion. We shouldn't be creating edits at the risk of losing a natural flow, and we shouldn't be editing for a rapid fire, no breaths, no time to think conversation between 2 people who want to appear smarter than they sound. In the episode I tell a story of the time I left an 8 second silence in a clients podcast because that silence told a story! It's the same with a 3.5 minute song or a 90 minute movie. If it stays at one pace the entire time, the audience will disengage because animals are wired to notice a change more than a constant. Allow your podcasts to breathe, allow your guests to breath, create impact by focusing on pace and vibe, and never make an edit at the expense of a natural flow.
 
 
Hit me up on Twitter and let me know all about your editing philosophies!
 
 
My Signal Chain
 
Hardware:
Audio Interface: Apogee Ensemble
Microphone: Shure SM7b
Studio Monitors: Yamaha HS7
 
Software:
IzoTope RX6 De-Mouth Click
IzoTope RX6 Voice De-Noise
FabFilter ProQ3
Waves LA2A
Waves Vocal Rider
Waves L2 Limiter
Waves WLM Meter
Waves Durrough Meter
 
 
*most of these links are affiliate links*
 
Closing Song:
Take It Easy by Joakim Karud
 
 
 
For more info, or to ask any questions, check out my website and reach out to [email protected]