Everything You Ever Wanted to Know About Audio in Premiere Pro CC
No Stupid Questions with Colin Smith
In this episode, Colin will dig deep into all aspects of working with audio in Premiere Pro including the best way to import audio and choose the right track format. You’ll also learn to setup sequences that take advantage of the powerful features in Premiere Pro like Adaptive audio tracks. So if your workflow is all Premiere Pro, or if you’re coming from Final Cut Pro, and if you need multichannel QuickTime or OMF compatibility, then Colin has you covered.
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Preparing Dailies Using Prelude and Media Encoder
No Stupid Questions with Colin Smith
If you’re preparing and transcoding files from native formats for viewing dailies, the new "Effects Tab" in Adobe Media Encoder can increase productivity by applying LUTs and Looks and Overlays. Combine this with ingesting and adding metadata in Prelude and acceleration with an NVIDIA GPU and you’ll be amazed at how fast this all happens.
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Seamless Stabilization On A Single Clip
No Stupid Questions with Colin Smith
Sometimes you want to stabilize only part of a video clip and this tutorial will show you how to “steal” the auto scale properties from the Warp Stabilizer and apply it to another part of a clip to create two clips that blend seamlessly. This will work in both Premiere Pro or After Effects.
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What Is The Reference Monitor For in Premiere Pro?
No Stupid Questions with Colin Smith
The Reference Monitor in Premiere Pro is perfect for comparing frames from different parts of a sequence. It’s also perfect to show any of the built-in scopes for precision color correction. Find out how you can begin using this powerful tool to be more productive and get accurate color.
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Easy And Powerful Media Organizing and Sorting in Premiere Pro
No Stupid Questions with Colin Smith
If you’ve ever wanted to quickly see what clips you haven’t used in a sequence, then this tutorial will help to uncover powerful organization tools that you can use right in the Project panel.
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How to Bend a Question to an Answer
No Stupid Questions with Colin Smith
In this episode Colin shows you how to use the tools in Audition to change the pitch of dialog to make a question sound like a statement.
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How to use Keyframes and the Built-In Tracker in SpeedGrade
No Stupid Questions with Colin Smith
In this episode Colin shows you how you can add, edit and move keyframes and use the planar tracker in SpeedGrade to color grade specific parts of your video.
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How to Record a Voice over Narration in Premiere Pro
No Stupid Questions with Colin Smith
In this episode Colin will show you how to record directly onto the timeline from any connected microphone.
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After Effects Advanced 3D Camera Tracker for Hard to Track Clips
No Stupid Questions with Colin Smith
The new 3D Camera Tracker can give you some amazing results in analyzing 2D footage and creating a true 3D camera to work with. But there are times when the tracker gets “fooled”. In this episode, Colin uses real-world footage that includes a camera pan, moving subject and an escalator and shows what to do when the tracker gets confused by all that motion.
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Moving Your Video Business to Windows
No Stupid Questions with Colin Smith
In another user requested video, Colin answer the question that many Mac users are wondering - how hard is it to move to Windows? Colin explores just how easy it is to move your FinalCut Pro 7 projects into Premiere Pro CS6 on Windows. He also invites Terry Brown from HP to join him to see exactly what all the excitement is over HP hardware and why RED Digital Cinema has chosen a Windows platform for massive performance gains.
info_outlineTime Remapping, or “Speed Ramps” in some programs, is a visually dynamic editing technique that we can’t seem to get enough of these days. Premiere Pro has a unique and powerful way to control not only the speed changes, but also the transition from one speed to another. See how easy it is to create and edit time changes directly in the timeline and how to copy and paste this same keyframes right into After Effects. As an added bonus we’ve included Timewarp in After Effects which allows you to create new intermediate frames with the ultra smooth Pixel Motion effect. For more Adobe tutorials, visit Adobe TV, http://tv.adobe.com