Colorist Podcast
On this special episode of the Colorist Podcast, we discuss the details of NAB 2018 from a colorist’s perspective. Joining me is my long time friend and Coloristos podcast partner, Jason Myres.
info_outline Episode 22: Dado ValenticColorist Podcast
On this episode of the colorist podcast, I talk with Color Scientist and Trainer, Dado Valentic.
info_outline Episode 21: Shane Mario Ruggieri, CSIColorist Podcast
In San Francisco during the 2000’s, Shane came up through the ranks, working in all aspects of production and post production. From the beginning of Final Cut Pro, and later Apple Color, he cut his teeth on the early stages of color grading on the Mac. He’s colored for features, commercial, corporate, and entertainment industries. His clients have included Apple, Sony, Netflix, Green Day, Carrie Underwood, and Universal Studios.
info_outline Episode 20: Ian VertovecColorist Podcast
On this episode of the colorist podcast, I talk with Ian Vertovec, Co-Founder, and Senior Colorist at Light Iron.
info_outline Episode 19: 2017 Year in ReviewColorist Podcast
In this episode, we reflect back on the interviews from 2017. I interviewed colorists that worked on films from Lord of the Rings to Saving Private Ryan, TV shows NCIS Los Angeles and Planet Earth II, and commercials for Coca-Cola and Levi’s. We delved into many different topics, like collaborating with DP’s, working in foreign countries, and emerging technologies like HDR.
info_outline Episode 18: Patrick WoodardColorist Podcast
On this episode of the Colorist Podcast, I talk with Patrick Woodard, Lead Colorist at Digital Film Tree.
info_outline Episode 17: Bob FestaColorist Podcast
Senior Colorist Bob Festa joins me on this episode of the Colorist Podcast. Bob Festa has colored some of the most iconic music videos and national commercials. Companies like Coca-Cola, Levi’s, American Express, McDonalds, and IBM come back to his suite again and again. In a career that spans over 30 years, he has completed over 20,000 spots. He continues to color today, working on the shows “The Runaways” and “The Last Ship.”
info_outline Episode 016: Alexis Van Hurkman, Part 2Colorist Podcast
On this episode of the Colorist Podcast, I continue the conversation with Director, Writer, and Colorist, Alexis Van Hurkman.
info_outline Episode 015: Alexis Van HurkmanColorist Podcast
Director, writer, and colorist, Alexis Van Hurkman joins me on this episode of the Colorist Podcast.
info_outline Episode 014: Juan Ignacio Cabrera, CSIColorist Podcast
This episode is sponsored by Colorist Society International and Mixinglight.com. On this episode of the Colorist Podcast, I talk with Juan Ignacio Cabrera, CSI. Juan has worked on the films Star Wars: The Force Awakens, Star Trek: Into Darkness, and Transformers: Age of Extinction. He’s been credited as a stereographer, colorist, compositor, and visual effects supervisor. Juan got his start in the visual effects industry in Spain, starting his own business at 17 years old. He later moved to the US and was hired at Bad Robot and Paramount Pictures. Currently, he runs his own boutique...
info_outlineIn this episode, I talk with Terence Curren, a Colorist and Online Editor in Los Angeles. He’s known for unscripted television shows like Project Runway, True Life, Ghost Hunters, and many others.
He got his start at the well known post facility, Matchframe Video, as employee number one. At Matchframe, he was one of the first editors in LA to work with Avid Media Composer, Symphony, and DS. And to this day, he still colors and finishes his shows on a Symphony.
In 2002, after 16 years at Matchframe, he moved on to starting his own company, Alphadogs. Many LA post production professionals are familiar with Alphadogs from their monthly meet ups called The Editor’s Lounge. It’s been a hub for people to learn about new technologies, directly ask vendors questions, and socialize with other pros. It’s been a great resource for over 13 years and I’ve personally learned a ton from attending them.
In this interview, we talk about:
- How his start in editing affects his approach to color
- Running his own business from a colorist’s perspective
- The commoditization of post production gear and how it changed the business
- How and why the monthly Editor’s lounge started
- Using an Avid in color workflows and why they can save time
- A history lesson on the Avid DS and why it was killed
- His thoughts on groups for colorists and how they can bring change
- Baselight as a plugin within Avid
- Using the keyboard and Wacom tablet instead of a panel
Alphadogs
Editor’s Lounge
IMDB
http://www.imdb.com/name/nm0192914/?ref_=fn_al_nm_1
https://twitter.com/terencecurren
This episode is sponsored by mixinglight.com. Use the coupon code josh10 for 15% off your first quarterly term or josh40 for 15% your first annual term.