Episode 23: NAB 2018
Colorist Podcast
On this special episode of the Colorist Podcast, we discuss the details of NAB 2018 from a colorist’s perspective. Joining me is my long time friend and Coloristos podcast partner, Jason Myres.
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Episode 22: Dado Valentic
Colorist Podcast
On this episode of the colorist podcast, I talk with Color Scientist and Trainer, Dado Valentic.
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Episode 21: Shane Mario Ruggieri, CSI
Colorist Podcast
In San Francisco during the 2000’s, Shane came up through the ranks, working in all aspects of production and post production. From the beginning of Final Cut Pro, and later Apple Color, he cut his teeth on the early stages of color grading on the Mac. He’s colored for features, commercial, corporate, and entertainment industries. His clients have included Apple, Sony, Netflix, Green Day, Carrie Underwood, and Universal Studios.
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Episode 20: Ian Vertovec
Colorist Podcast
On this episode of the colorist podcast, I talk with Ian Vertovec, Co-Founder, and Senior Colorist at Light Iron.
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Episode 19: 2017 Year in Review
Colorist Podcast
In this episode, we reflect back on the interviews from 2017. I interviewed colorists that worked on films from Lord of the Rings to Saving Private Ryan, TV shows NCIS Los Angeles and Planet Earth II, and commercials for Coca-Cola and Levi’s. We delved into many different topics, like collaborating with DP’s, working in foreign countries, and emerging technologies like HDR.
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Episode 18: Patrick Woodard
Colorist Podcast
On this episode of the Colorist Podcast, I talk with Patrick Woodard, Lead Colorist at Digital Film Tree.
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Episode 17: Bob Festa
Colorist Podcast
Senior Colorist Bob Festa joins me on this episode of the Colorist Podcast. Bob Festa has colored some of the most iconic music videos and national commercials. Companies like Coca-Cola, Levi’s, American Express, McDonalds, and IBM come back to his suite again and again. In a career that spans over 30 years, he has completed over 20,000 spots. He continues to color today, working on the shows “The Runaways” and “The Last Ship.”
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Episode 016: Alexis Van Hurkman, Part 2
Colorist Podcast
On this episode of the Colorist Podcast, I continue the conversation with Director, Writer, and Colorist, Alexis Van Hurkman.
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Episode 015: Alexis Van Hurkman
Colorist Podcast
Director, writer, and colorist, Alexis Van Hurkman joins me on this episode of the Colorist Podcast.
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Episode 014: Juan Ignacio Cabrera, CSI
Colorist Podcast
This episode is sponsored by Colorist Society International and Mixinglight.com. On this episode of the Colorist Podcast, I talk with Juan Ignacio Cabrera, CSI. Juan has worked on the films Star Wars: The Force Awakens, Star Trek: Into Darkness, and Transformers: Age of Extinction. He’s been credited as a stereographer, colorist, compositor, and visual effects supervisor. Juan got his start in the visual effects industry in Spain, starting his own business at 17 years old. He later moved to the US and was hired at Bad Robot and Paramount Pictures. Currently, he runs his own boutique...
info_outlineThis episode is sponsored by Colorist Society International and Mixinglight.com.
Veteran colorist and ICA instructor Warren Eagles joins me on this episode of the Colorist Podcast.
Warren has been coloring for over 26 years. He’s graded a broad spectrum of projects from commercials, drama, and features. He’s best known for his work on Lock, Stock, and 2 Smoking Barrels, and recently has colored two indie features: Blue World Order and Project Eden: Vol 1.
I first came in contact with Warren 10 years ago when he created an FXPHD class for the da Vinci 2K plus. He drew back the curtain to the expensive color grading rooms that were almost impossible to gain access to. Fast forward to today, and Warren is still empowering his students with the knowledge to color through his own endeavor, the International Colorist Academy. Partnering with Kevin Shaw, they created a worldwide training program for colorists, by colorists.
On this podcast, we talk about:
- His start in telecine and how it formed his grading style
- How daVinci systems have changed over the years
- Features that are still lacking from color grading systems
- Doing visual effects work as part of the color grade
- How color grading panels speed up his work
- Impressions of the new Blackmagic Mini and Micro Resolve Panels
- The differences in workflow with commercial, television and feature work
- Keeping your clients happy and the session flowing
- Making and keeping solid connections with DPs
- Why the Colorist Society International is an important part of our community
- His perspective on the reduced price of grading systems and its effect on the post production industry
International Colorist Academy
This episode is sponsored by:
Colorist Society International
For more information on how you can become a member, visit, www.coloristsociety.com.
and by:
Mixinglight.com
Use the coupon code josh10 for 15% off your first quarterly term or josh40 for 15% your first annual term.