Episode 012: Adam Inglis
Release Date: 05/15/2017
On this special episode of the Colorist Podcast, we discuss the details of NAB 2018 from a colorist’s perspective. Joining me is my long time friend and Coloristos podcast partner, Jason Myres.info_outline Episode 22: Dado Valentic
On this episode of the colorist podcast, I talk with Color Scientist and Trainer, Dado Valentic.info_outline Episode 21: Shane Mario Ruggieri, CSI
In San Francisco during the 2000’s, Shane came up through the ranks, working in all aspects of production and post production. From the beginning of Final Cut Pro, and later Apple Color, he cut his teeth on the early stages of color grading on the Mac. He’s colored for features, commercial, corporate, and entertainment industries. His clients have included Apple, Sony, Netflix, Green Day, Carrie Underwood, and Universal Studios.info_outline Episode 20: Ian Vertovec
On this episode of the colorist podcast, I talk with Ian Vertovec, Co-Founder, and Senior Colorist at Light Iron.info_outline Episode 19: 2017 Year in Review
In this episode, we reflect back on the interviews from 2017. I interviewed colorists that worked on films from Lord of the Rings to Saving Private Ryan, TV shows NCIS Los Angeles and Planet Earth II, and commercials for Coca-Cola and Levi’s. We delved into many different topics, like collaborating with DP’s, working in foreign countries, and emerging technologies like HDR.info_outline Episode 18: Patrick Woodard
On this episode of the Colorist Podcast, I talk with Patrick Woodard, Lead Colorist at Digital Film Tree.info_outline Episode 17: Bob Festa
Senior Colorist Bob Festa joins me on this episode of the Colorist Podcast. Bob Festa has colored some of the most iconic music videos and national commercials. Companies like Coca-Cola, Levi’s, American Express, McDonalds, and IBM come back to his suite again and again. In a career that spans over 30 years, he has completed over 20,000 spots. He continues to color today, working on the shows “The Runaways” and “The Last Ship.”info_outline Episode 016: Alexis Van Hurkman, Part 2
On this episode of the Colorist Podcast, I continue the conversation with Director, Writer, and Colorist, Alexis Van Hurkman.info_outline Episode 015: Alexis Van Hurkman
Director, writer, and colorist, Alexis Van Hurkman joins me on this episode of the Colorist Podcast.info_outline Episode 014: Juan Ignacio Cabrera, CSI
This episode is sponsored by Colorist Society International and Mixinglight.com. On this episode of the Colorist Podcast, I talk with Juan Ignacio Cabrera, CSI. Juan has worked on the films Star Wars: The Force Awakens, Star Trek: Into Darkness, and Transformers: Age of Extinction. He’s been credited as a stereographer, colorist, compositor, and visual effects supervisor. Juan got his start in the visual effects industry in Spain, starting his own business at 17 years old. He later moved to the US and was hired at Bad Robot and Paramount Pictures. Currently, he runs his own boutique...info_outline
This episode is sponsored by Colorist Society International and Mixinglight.com.
On this episode of the Colorist Podcast, I talk with Adam Inglis, colorist for feature films Sherlock Holmes, Alien Vs Predator, and Mr. Turner.
Adam was one of the first users of Baselight, when it was previously known as “Film Grader.” It was used internally at CFC in London when finishing the claymation feature Chicken Run.
Currently, his work can be seen on the BBC Documentary series Planet Earth II. Shot with several different cameras in only natural light, the show puts the viewer in amazing landscapes with vibrant colored animals.
On this episode, we talk about:
- His editorial background and getting his start at the Computer Film Company (CFC)
- Comparing working at a facility, starting your own shop, and working freelance
- The challenges of working on nature documentaries
- The advantages of ACES and color managed workflows
- Comparing grading systems strengths and weaknesses
- Getting booked as a freelance colorist
- Grading television versus grading films
- Avoiding over grading shots
- Grading without a panel and when it’s best to use one
- The lowered price of grading systems and its impact on the industry
- The role of Directors and DP in the grading process
This episode is sponsored by:
Colorist Society International
For more information on how you can become a member, visit, www.coloristsociety.com.
Use the coupon code “josh15” for 15% off the first term of any Premium Color library subscription.