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THE COUNT OF MONTE CRISTO (CHAP 28) THE PRISON REGISTER

1001 Stories For The Road

Release Date: 05/04/2025

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1001 Stories For The Road

Enjoying dinner with the Count, Franz and he get into a deep doscussion about revenge and death. Franz indicates that they still have business to attent do that evening but the count bids them to stay saying that he will provide all they need for the festivities tomorrow.Itnow looks like Franz has a suspicion about the countbut he is not sure what to do.

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1001 Stories For The Road

Franz and Albert finalloy get their chance to meet the mysterious Coiunt of Monte Cristo, who offers them a ride to see the beginning of the big celebration, which kicks off with a beheading. Stop by our website at Support us at patreon ! Visit  

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1001 Stories For The Road

Franz and Albert take in an opera, and while Albert is busy checking out the ladies with his early version of binoclars Franz spies a beautiful Greek Lady in the box across the way accompanied by two men, one, a black man, and two, a shadowwy figure in a cloak.   Enjoy our website at over 2,500 stories to enjoy!  

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1001 Stories For The Road

Franz and Albert arrive in Rome for the big celebration and the innkeeper at first advises them to avoid the coliseum, which is the top tourist site, at night. Albert scoffs at the advice and the innkeeper Pastrini tells a long story about how the top outlaw got his rank. Franz is surprised to hear the outlaw knows Sinbad the Sailor. Albert ignores the story and the warnings.

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1001 Stories For The Road

Franz and Albert Montcerf take a sightseeing trip to Rome and decide to risk being attacked by brigands by taking a risky path outside the city...

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1001 Stories For The Road

  Publication The Count of Monte Cristo was originally published in the Journal des Débats in eighteen parts. Serialization ran from 28 August 1844 to 15 January 1846. The first edition in book form was published in Paris by Pétion in 18 volumes with the first two issued in 1844 and the remaining sixteen in 1845.[11] Most of the Belgian pirated editions, the first Paris edition and many others up to the Lécrivain et Toubon illustrated edition of 1860 feature a misspelling of the title with "Christo" used instead of "Cristo". The first edition to feature the correct spelling was the...

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1001 Stories For The Road

A young, adventurous Baron named Franz DiPinay ventures onto the island of Monte Cristo when the boat he had hired to take him elsewhere comes ashore after spotting a campfire on the beach. Franz becomes the first to be entangled in the intricate web of revenge that Dantes has planned- 

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1001 Stories For The Road

Reception and legacy The original work was published in serial form in the Journal des Débats in 1844. Carlos Javier Villafane Mercado described the effect in Europe: The effect of the serials, which held vast audiences enthralled ... is unlike any experience of reading we are likely to have known ourselves, maybe something like that of a particularly gripping television series. Day after day, at breakfast or at work or on the street, people talked of little else.   . The Montecristo Cuban cigar brand is allegedly named after the fondness of cigar rollers for listening to the novel...

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1001 Stories For The Road

Background to elements of the plot A short novel titled Georges by Dumas was published in 1843, before The Count of Monte Cristo was written. This novel is of particular interest to scholars because Dumas reused many of the ideas and plot devices in The Count of Monte Cristo.[5] Dumas wrote that the germ of the idea of revenge as one theme in his novel The Count of Monte Cristo came from an anecdote (Le Diamant et la Vengeance[6]) published in a memoir of incidents in France in 1838, written by an archivist of the Paris police.[7][8] The archivist was Jacques Peuchet, and the multi-volume book...

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1001 Stories For The Road

An Englishman from a firm to which Morell owes money stops by for a long talk with Morrell...who is awaiting news of his ship.

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Background to elements of the plot
A short novel titled Georges by Dumas was published in 1843, before The Count of Monte Cristo was written. This novel is of particular interest to scholars because Dumas reused many of the ideas and plot devices in The Count of Monte Cristo.[5]

Dumas wrote that the germ of the idea of revenge as one theme in his novel The Count of Monte Cristo came from an anecdote (Le Diamant et la Vengeance[6]) published in a memoir of incidents in France in 1838, written by an archivist of the Paris police.[7][8] The archivist was Jacques Peuchet, and the multi-volume book was called Memoirs from the Archives of the Paris Police in English.[9] Dumas included this essay in one of the editions of his novel published in 1846.[10]

Peuchet related the tale of a shoemaker, Pierre Picaud, living in Nîmes in 1807, who was engaged to marry a rich woman when three jealous friends falsely accused him of being a spy on behalf of England in a period of wars between France and England. Picaud was placed under a form of house arrest in the Fenestrelle Fort, where he served as a servant to a rich Italian cleric. When the cleric died, he left his fortune to Picaud, whom he had begun to treat as a son. Picaud then spent years plotting his revenge on the three men who were responsible for his misfortune. He stabbed the first with a dagger on which the words "Number One" were printed, and then he poisoned the second. The third man's son he lured into crime and his daughter into prostitution, finally stabbing the man himself. This third man, named Loupian, had married Picaud's fiancée while Picaud was under arrest.[6]

In another of the true stories reported by Ashton-Wolfe, Peuchet describes a poisoning in a family.[10] This story is also mentioned in the Pléiade edition of this novel,[8] and it probably served as a model for the chapter of the murders inside the Villefort family. The introduction to the Pléiade edition mentions other sources from real life: a man named Abbé Faria existed, was imprisoned but did not die in prison; he died in 1819 and left no large legacy to anyone.[8] As for Dantès, his fate is quite different from his model in Peuchet's book, since that model is murdered by the "Caderousse" of the plot.