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THE COUNT OF MONTE CRISTO (CHAPS 87-88) THE CHALLENGE and THE INSULT

1001 Stories For The Road

Release Date: 11/26/2025

A GENERAL HISTORY OF THE PYRATES (CHAP 2-3) CAPT MARTEL & CAPT BLACKBEARD show art A GENERAL HISTORY OF THE PYRATES (CHAP 2-3) CAPT MARTEL & CAPT BLACKBEARD

1001 Stories For The Road

The story of Capt.Martel, who was notable in 1716 and 1717 until his disappearance, and of Capt "Teach", also known as Blackbeard, who raided ships from 1716 until his demise at Ocracoke NC in the fall of 1718. There is much to learn anout Blackbeard outside of DeFoe's account so we are adding my research to next week's episode. Cjeck out all our shows at www.bestorf1001stories.com

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A GENERAL HISTORY OF THE PYRATES BY DANIEL DEFOE (CHAP 1) HENRY AVERY & CREW show art A GENERAL HISTORY OF THE PYRATES BY DANIEL DEFOE (CHAP 1) HENRY AVERY & CREW

1001 Stories For The Road

   This book is an excellent choice! Episode Overview Title: A General History of the Pyrates by Daniel Defoe (Chap 1) Henry Avery & Crew Duration: 43:02 Key Figures: Henry Avery (the "Arch-Pirate" who famously vanished with his loot) and Daniel Defoe (widely believed to be the true author behind the pseudonym "Capt. Charles Johnson"). Quick Historical Context The Author Mystery: While the book was originally attributed to Captain Charles Johnson in 1724, most modern scholars credit Daniel Defoe. Defoe’s background as a journalist and his fascination with criminals (seen in...

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THE COUNT OF MONTE CRISTO (CHAP,117)  THE FIFTH OF OCTOBER (FINAL CHAPTER) show art THE COUNT OF MONTE CRISTO (CHAP,117) THE FIFTH OF OCTOBER (FINAL CHAPTER)

1001 Stories For The Road

The Count of Monte Cristo was an enormous commercial and critical success, captivating readers with its intricate plot and universal themes. Following its publication, Alexandre Dumas earned a fortune but died poor due to an extravagant lifestyle, chronic overspending, and political upheaval.  Success of the Novel The novel, published in serial form from 1844 to 1846, was an immediate sensation and remains one of the most widely read French authors globally.  Popularity: The serialization format, coupled with Dumas' ability to create suspenseful, page-turning narratives, ensured...

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THE COUNT OF MONTE CRISTO (CHAPS 115-116)  LUIGI VAMPA'S BILL OF FARE  and THE PARDON show art THE COUNT OF MONTE CRISTO (CHAPS 115-116) LUIGI VAMPA'S BILL OF FARE and THE PARDON

1001 Stories For The Road

CHAP 115 SUMMARY Peppino, the jailor in the catacombs, announces to Danglars the next day that, if the banker would like to eat, he must pay 100,000 francs for a chicken, or 100,000 francs for a loaf of bread. Peppino says he knows that Danglars is carrying over 5 million francs worth of banknotes on his person, and so he asks that, for each individual item, Danglars pay out 100,000 francs so that he might survive. Danglars realizes this is how his ransom is to be meted out, and he does in fact pay 100,000 francs for a chicken, which he considers rather “thin” as he eats it angrily in the...

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THE COUNT OF MONTE CRISTO (CHAPS 113-114)   THE PAST and PEPPINO show art THE COUNT OF MONTE CRISTO (CHAPS 113-114) THE PAST and PEPPINO

1001 Stories For The Road

113 THE PAST SUMMARY the Count returns to Marseilles with Maximilien Morrel, witnessing Albert's departure for Africa before visiting Mercédès, who accepts her fate, and then revisiting his old prison cell at the Château d'If, where he receives Abbé Faria's manuscript and reflects on his past before telling Max to meet him on the Isle of Monte Cristo on October 5th for their final encounter, signaling the end of his vengeance and the start of a new path.  114 PEPPINOKey Events in Chapter 114: The Withdrawal: After fleeing Paris, Baron Danglars goes to the banking firm of Thomson and...

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THE COUNT OF MONTE CRISTO (CHAPS 111-112)   EXPIATION  and THE DEPARTURE show art THE COUNT OF MONTE CRISTO (CHAPS 111-112) EXPIATION and THE DEPARTURE

1001 Stories For The Road

In chapters 111 and 112 of The Count of Monte Cristo, titled "Expiation" and "The Departure," the story reaches a critical psychological turning point as the Count's quest for revenge results in unintended tragedy. Chapter 111: Expiation Following the public disgrace of his trial, Villefort rushes home. He has realized that he is no more virtuous than his wife and intends to forgive her so they can flee France together with their son, Edward. The Discovery: Upon arriving, Villefort finds that his wife has already followed his earlier command to commit suicide. Horrifically, she has also...

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THE COUNT OF MONTE CRISTO (CHAPS 109-110)   THE ASSIZES and THE INDICTMENT show art THE COUNT OF MONTE CRISTO (CHAPS 109-110) THE ASSIZES and THE INDICTMENT

1001 Stories For The Road

CHAP 109   THE ASSIZES   Chateau-Renaud, Debray, and Beauchamp are in court to see the beginning of the famous Benedetto Affair. They discuss the rumor that the murderer in the house of Villefort is young Edouard, who has become increasingly jealous of his stepsister and her grandparents. But others in the group dismiss this as nonsense and wait for the excitement of the case to begin, with Villefort drawing up evidence against the accused “Prince,” Cavalcanti. CHAP110  THE INDICTMENT Villefort is called as the crown prosecutor before the court, and the judges...

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THE COUNT OF MONTE CRISTO (CHAPS 107-108)  THE LIONS DEN  and THE JUDGE show art THE COUNT OF MONTE CRISTO (CHAPS 107-108) THE LIONS DEN and THE JUDGE

1001 Stories For The Road

The scene shifts to the prison, called the Lion’s Pit, where violent criminals are kept awaiting trial. This includes Andrea, who still insists to the other prisoners that he is of royal birth, although they make fun of him, harry him, and threaten him. Late one day, Bertuccio pays off the guards to visit his adoptive son, telling him he has information related to Benedetto’s real father. Bertuccio promises to return with this information in due course, and Andrea says he awaits it with great eagerness. This important interstitial chapter shows that Andrea is once again in prison, a place...

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THE COUNT OF MONTE CRISTO (CHAPS 105-106)  DIVIDING THE PROCEEDS and CEMETERY PERE-LA-CHAISE show art THE COUNT OF MONTE CRISTO (CHAPS 105-106) DIVIDING THE PROCEEDS and CEMETERY PERE-LA-CHAISE

1001 Stories For The Road

The Count heads to Pere Lachaise where the funeral is taking place, and finds Maximilien off to the side of the funeral ceremony itself, overcome with grief. The Count then follows Morrel back to the home of Julie and Emmanuel, and his fears are justified, for as he walks into Morrel’s room unannounced, he finds the young soldier drafting a suicide note. The Count begs Morrel not to do this, but Morrel insists that without Valentine, life is no longer worth living. The Count realizes the effect that his ruse with Valentine will have on Young Morrel. And though he wants to tell Morrel the...

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THE COUNT OF MONTE CRISTO (CHAPS 103-104)  MAXIMILIAN and DANGLERS SIGNATURE show art THE COUNT OF MONTE CRISTO (CHAPS 103-104) MAXIMILIAN and DANGLERS SIGNATURE

1001 Stories For The Road

CHAPTER 103  MAXIMILIAN Analysis Maximilien flies into a hysterical rage on hearing the news that his intended, Valentine, is dead. He does this in the presence of Villefort, the doctor, and Noirtier. When Villefort and the doctor ask who Morrel is, and why he has been admitted to the house in which the murder has taken place, Morrel asks Noirtier to confirm that he, Morrel, was engaged to Valentine before her death, and that he loved her dearly. Young Morrel is finally able to reveal to Villefort that he has been in love with Valentine all along, and that the two were to be married....

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CHAP 87  THE CHALLENGE

SummaryAnalysis
Infuriated, Morcerf says that he must go to the man who set all these things in motion. He asks Beauchamp if he knows who could have planted the story at the rival paper, and Beauchamp says that during his trip to Janina, he heard that an emissary of Danglars’ was there just two weeks previously. Albert is instantly convinced that Danglars is behind the attack on his father’s name, and he goes to Danglars’ house to confront him.
Albert finds himself angry at the man who once plotted, along with his own father Fernand, to put Dantes in prison. The Count, though not directly involved in any of this activity, has nevertheless made it so that the families of the plotters have turned against each other. Now, it seems, the Count’s desire to stay out of active roles in these machinations makes more sense: he wants the other characters to avenge themselves on each other, as if he’s entirely uninvolved.
 
In front of Andrea, who is standing in the main receiving room, Albert challenges Danglars to admit to his wrongdoing against Fernand. Danglars says that it was really nothing personal, that he was only checking up on the family of the man who wished to marry his only daughter—and that, at any rate, he was encouraged to take this investigative step by the Count. Albert immediately puts together the Count’s role in this (living with Haydee, and ensuring that Albert and Haydee could meet and talk) and vows to Beauchamp to confront the Count before returning to Danglars.
In an intriguing turn, Danglars indicates that his investigation into Albert’s family was not entirely of his own initiative, and that the Count really is involved in the machinations from which he’s tried so hard to absent himself. Albert feels betrayed by a friend to whom he was devoted, and thus his dueling impulse has moved from Beauchamp, then to Danglars, and finally to the man to whom he’s closest: the Count.
 

CHAP 88 THE INSULT

SummaryAnalysis
Albert goes to the Count’s home, but the Count is bathing and then napping before the opera. Albert quickly goes home to see his mother, who is devastated by Fernand’s social reversals. Albert tells Mercedes he has realized that the Count never eats in the home of his sworn enemies, thus explaining why he took no food at the Morcerfs’ July party, despite Mercedes’ urging. At this, Albert tells his mother he is off to meet the Count at the opera to challenge him to a duel.
Finally, Albert has put together the fact that the Count is not exactly his friend. Instead, the Count believes that he has a blood-feud with the Morcerf family, and Albert recognizes that what he thought was a friendship was, in fact, a sham. This raises an interesting moral question: is it fair or “just” for the Count to have misled Albert in order to exact revenge on Albert’s father?
 
 
At the opera, Albert and Beauchamp find the Count in his box. Albert challenges him to a duel, says that Beauchamp will be his second, and declares that they will meet the next morning before 10 am. The Count, sitting with Maximilien in the box, says that it is all a matter of “perfect indifference” to him, that he will win the duel regardless of the time or instrument. Beauchamp, shocked, conveys this information back to Albert, and Morrel asks the Count in private if he really believes that he is on the right side. The Count says that this is indeed the case, that they will absolutely win, and Morrel agrees to be his second. Morrel says he will also ask Emmanuel to join them the next morning at seven, before meeting Albert in the forest at eight.
The Count, as is characteristic of him, appears to have no concern whatsoever about his ability to win the duel. This faith in his abilities seems to be a more pronounced version of that same skill he demonstrated many years ago as the first mate on the Pharaon, and then again in prison, under the tutelage of the Abbe Faria. Although the Count feels it would not necessarily be a good thing to wound or kill Albert, he, like Albert, knows that a gentleman must participate in a duel if he is called to do so.