Libsyn Directory

DZ-67: Writing “Passive” Protagonists & Melodrama

Release Date: 04/30/2020

Draft Zero: a screenwriting podcast

How do the antagonistic forces in your story escalate distinctly from the protagonists’ journey? We often struggle to develop the middle stages of a story. Could this be because we focus on our protagonists’ journeys and plot structure more than on how the antagonistic powers are awakened, wronged, discovered, gathering strength and revealing themselves? In this episode, Chas and Stu are joined by professional screenwriter and playwright Kim Ho to explore how a generative story cycle (from tabletop role-playing game MOTHERSHIP) can be used to develop stories, not just write them...

DZ-120: Subtext is overrated

Draft Zero: a screenwriting podcast

Or, how focusing on good drama will result in good subtext. We often hear how subtext is important for good screenwriting. We’re here to tell you it isn’t. Good subtext is a result of good drama, and your focus should be on creating that good drama. But how? In this episode, Chas Fisher and Stu Willis are joined by screenwriter+teacher, Tom Vaughn (Winchester) to delve into the world of subtext. We kick off the discussion by talking through Tom’s article “Why Subtext is Overrated” and break down his core idea that subtext is a byproduct of character goals, tactics and...

DZ-119: Final Character Choices & Great Endings

Draft Zero: a screenwriting podcast

How does your protagonist’s final choice resolve the plot, character arc and theme? In this episode, Stu and Chas focus solely on the final choices made by protagonists and how that reflects their character journey and successfully, or not, dramatises the internal. We compare and contrast different uses of narrative POV in respect to these final choices, in particular whether and when the audience is made aware of the options available to the character, the act of making the choice, and the consequences of the choice. We breakdown examples from DUNGEONS & DRAGONS: HONOR AMONG THIEVES,...

DZ-118: Adolescence and tension through questions

Draft Zero: a screenwriting podcast

How do dramatic questions create tension? In this episode, Stu and Chas delve into the cultural phenomenon of ADOLESCENCE. We try to find the craft tools that have made the show so compelling and such a catalyst for conversation. In particular, we breakdown how the show’s emphasis on questions creates tension: not just tension through plot, but tension through character, and ultimately tension through theme. We analsyse the show episode-by-episode, and discuss how the overall structure skilfully shifts from a plot-heavy police procedural towards a thematic-heavy melodrama...

DZ-117: Tonal shifts

Draft Zero: a screenwriting podcast

How can we teach our audience new storytelling rules in the middle of our story? Following on from our episodes on establishing tone through action lines and through character, this is what we have been building up to: how to pull off a tonal switch… that does not throw the audience out of the film. And, in particular, how to pull that off on the page when writers don’t have framing, lighting, music, editing, etc. at our disposal? With that goal in mind, Mel and Chas dissect specific moments on the pages of SHAUN OF THE DEAD, SORRY TO BOTHER YOU and SWISS ARMY MAN. While there are definite...

DZ-116: Writing physical comedy

Draft Zero: a screenwriting podcast

How do you make extended technical scenes funny on the page? Mel joins Chas to tackle physical comedy. We limited our homework selection to extended scenes (as opposed to moments and sight gags) in live action projects and - with the help of our Patreons - selected early sequences from BRINGING UP BABY, the pilot for HAPPY ENDINGS and that wonderful food poisoning scene in BRIDESMAIDS. We discover how these incredible writers take their time (on the page) to set up geography, framing and running gags. We also get tips on judicious use ALL CAPS, ellipses and M-dashes to recreate visual gags…...

DZ-115: A Christmas Special - Rewatching & Rituals

Draft Zero: a screenwriting podcast

What magic do Christmas movies use to make them so rewatchable? In this “backmatter” episode of Draft Zero, Stu, Chas, and Mel Killingsworth embark on a festive exploration of what makes holiday films so engaging and so re-watchable that they can become part of our rituals. To that end, we breakdown the charm of of Christmas films like KISS KISS BANG BANG, RIDERS OF JUSTICE, and IT’S A WONDERFUL LIFE. We discuss what defines a holiday movie, the power of nostalgia, the importance of ensembles to a sense of family, and how voiceover, snappy dialogue and intricate plots can make...

DZ-114: Climaxes in Challengers

Draft Zero: a screenwriting podcast

How does ending your story on the climax affect audience experience? While Stu is on show, Mel and Chas sit down to analyse the meaning behind the ending of 2024’s CHALLENGERS, especially when - upon reading the script - the most impactful moment of the ending on screen (for Chas in particular) is not written on the page. Following on from episodes on filmmakers talking directly to the audience as well as previous exploration into choices and decisions (and hopefully serving as a prelude to our episode on Hero’s Choice), Mel and Chas explore the choices the characters make in that final...

DZ-113: Tools for filmmakers to talk to the audience

Draft Zero: a screenwriting podcast

What tools help ensure that you as the filmmaker are not misunderstood? In our final (ha!) episode looking at Talking Directly to the Audience, we turn away from character-and-text based craft tools to look at other ways that filmmakers - whether they be directors, writers, editors, or anyone else - can make the audience feel their 'hand' more. To that end, Mel, Stu and Chas dive into ADAPTATION, STORIES WE TELL and THE FORTY-YEAR-OLD VERSION. We discuss structure (in particular how to structure more “meta” stories), the influence of TikTok and YouTube in portraying character...

DZ-112: Breaking the 4th wall

Draft Zero: a screenwriting podcast

DZ-112: Breaking the 4th wall How is the effect of breaking the 4th wall different to VoiceOver? As part of our series on how filmmakers can directly communicate to the audience, we finally examine the most blatant tool of them all: when character look directly down the barrel of the camera… and thus look directly at us, the viewer. Chas, Stu and Mel take the craft tools/levers they identified in previous episodes and use them to examine HIGH FIDELITY, ABBOTT ELEMENTARY and - of course - FLEABAG. By examining how “in-world” the camera is, who is talking, and whom the character is talking...

More Episodes

How do I tell a powerful story where the protagonist cannot drive the plot?

Stu and Chas are joined by Stephen Cleary following his exploration into Melodrama, and together they try to reclaim the word from its pejorative meaning.

By examining powerful Melodramas - like THE HANDMAID’S TALE, LADIES IN BLACK and STRANGER THINGS… with many a tangent on MARRIAGE STORY, PETE’S DRAGON, MILDRED PIERCE, GAME OF THRONES, LOST, THE JOKER, THE KILLING, THE WITCHER, war movies and survival films - the three hosts try to unpick what makes Melodrama an alternate story paradigm to the Hero’s Journey.

They delve into how Melodramas centre on characters that don’t have agency; where the plot happens to characters (as opposed to being driven by them); how Melodramas don’t end so much as close; and how all of the above delves into character questions more deeply than the Hero’s Journey. And to wrap it all up, the kind of techniques you use on the page to write effective melodramas.

CW: There is a lot of discussion in this episode about melodrama being associated with “women’s stories” vs the “hero’s journey” - which is biased towards a ‘masculine’ mode of storytelling - and we fully acknowledge in the show and here that we are three cismen talking about these things.

This episode was edited by Christopher Walker. Audio excerpts used for educational purposes only.

RUNNING ORDER:

00:01:14 - Intro: Melodrama & Passive Protagonists

00:01:31 - What is Melodrama?

00:37:46 - The Handmaid's Tale

Watch: https://www.themoviedb.org/tv/69478-the-handmaid-s-tale

00:56:08 - Horror and Melodrama

01:00:23 - Marriage Story

Watch: https://www.themoviedb.org/movie/492188-marriage-story

01:14:58 - The Handmaid's Tale & Narrative Techniques

01:30:06 - Game of Thrones and Endings

Watch: https://www.themoviedb.org/tv/1399-game-of-thrones

01:33:07 - Melodrama & Endings

01:38:37 - Ladies in Black

Watch: https://www.themoviedb.org/movie/483411-ladies-in-black

02:13:12 - Stranger Things

Watch: https://www.themoviedb.org/movie/182026-stranger-things

02:31:34 - The Killing

Watch: https://www.themoviedb.org/tv/32368-forbrydelsen

02:38:07 - The Witcher

Watch: https://www.themoviedb.org/tv/71912-the-witcher

2:43:53 - Wrap Up: Passive & Still Characters

Read: The Handmaid’s Tale - 101 Offred

DZ RELATED EPISODES

DZ-52: Antagonists! (Part 4) – vs Systems - http://draft-zero.com/2018/dz-52/
DZ-63: Tools for Better Dialogue (Part 2) – Hook and Eye - http://draft-zero.com/2019/dz-63/
DZ-60: Unfilmables and Unscriptables (Part 1) – Engaging imagination: http://draft-zero.com/2019/dz-60/
DZ-61: Unfilmables and Unscriptables (Part 2) – Moments of Awe: http://draft-zero.com/2019/dz-61/

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