loader from loading.io

DZ-94: Talismans (Part 2)

Draft Zero: a screenwriting podcast

Release Date: 11/30/2022

DZ-109: Talking DIRECTLY to your audience show art DZ-109: Talking DIRECTLY to your audience

Draft Zero: a screenwriting podcast

What are the different ways a filmmaker can ask something of the audience? Chas and Stu are joined by recurring guest Mel in this prelude episode to upcoming episodes on Voice Over and Breaking the Fourth Wall. In this episode, we attempt to taxonomise the different ways filmmakers can ask something directly of their audience. To this end, we identify 4 levers that can be pulled: Diagetic to non-diagetic (in story world to outside story world) Who is talking? From story-teller to a character Whom are they talking to? Themselves or directly to the audience? From when in time is the...

info_outline
DZ-108: The Emotional Event with Judith Weston show art DZ-108: The Emotional Event with Judith Weston

Draft Zero: a screenwriting podcast

How and why should every scene have an emotional event? For the first episode of our tenth anniversary year, we are joined by Judith Weston to talk about Emotional Events.  What is an emotional event? Well, it’s a way of thinking about scenes through relationships rather than plot. Instead of asking how a scene moves the plot forward, ask how the scene alters the relationship between characters. While emotional events are ostensibly a tool for directors to interpret scenes, we believe that the emotional event starts with the writer(s). But it is an idea better illustrated through...

info_outline
DZ-107: Establishing Tone Through Character show art DZ-107: Establishing Tone Through Character

Draft Zero: a screenwriting podcast

How can we use dramatisation to create tone? In this episode, Chas and Stu continue their deep dive into how to write tone by examining films with “light” (we use the phrase loosely) tones: LADY BIRD, EMILY THE CRIMINAL, THE BALLAD OF BUSTER SCRUGGS, and SPONTANEOUS. We also talk a surprising amount about DUNE and CRAZY STUPID LOVE. We focus on the relationship between character & tone and how the writers of these films use dramatisation to create their unique tones. We talk minimalism vs maximalism, dialogue, character actions & reactions, emotional dynamic range, and rules of the...

info_outline
DZ-106: How do you know if you have enough story? show art DZ-106: How do you know if you have enough story?

Draft Zero: a screenwriting podcast

How do you know if you have enough narrative fuel to write a script? In this episode, Chas, Stu and Mel attempt to answer a listener question:  “In your own pre-writing process, how do you know you have enough for a feature? And do you have a specific pre-writing method you're going to?” Thus we launch into a discussion on our writing processes and the varying usefulness of tools such as log lines, turning points, beat sheets, synopsis, treatments, and scene breakdowns. We also tackle the challenges encountered while developing an idea to first draft, such as balancing the pace of the...

info_outline
DZ-105: Establishing Tone Through Big Print show art DZ-105: Establishing Tone Through Big Print

Draft Zero: a screenwriting podcast

How can we teach the reader to find the humour in our darkness? Chas and Stu finally start their long-mooted exploration of tone with a series that examines films and shows with unusual tones and dives into how the writers establish those tones in the first 5 pages. How does your script want your reader to experience violence in your story? Humour? Sex? Prejudice? To answer these questions, this episode look at how films with “darker” or “sadder” tones teach the reader what they can laugh at, namely: THE NICE GUYS, THE BANSHEES OF INISHIRIN and the pilot for YELLOWJACKETS. Together...

info_outline
DZ-104: Characters Alone - Dramatizing the Internal show art DZ-104: Characters Alone - Dramatizing the Internal

Draft Zero: a screenwriting podcast

How can scenes where characters are alone increase our connection with them? In this episode, we explore the audience's connection with characters through the lens of characters being alone. Chas and Stu breakdown scenes (and their scripts) from AFTERSUN, SENSE AND SENSIBILITY and THE EQUALIZER to discuss the significance of solitude in giving the audience insight into a character’s interiority. We talk how big print can reflect character; how finding moments for vulnerability allows characters to drop their masks; and how staging can help these moments occur organically. Thanks to Chris...

info_outline
DZ-103: Game of the Scene 2 - Triangle of Sadness, The Favourite show art DZ-103: Game of the Scene 2 - Triangle of Sadness, The Favourite

Draft Zero: a screenwriting podcast

How can games elevate dramatic scenes? In part two of this two parter, Stu and Chas go further into the game (of the scene) and look at how games force characters *other* than the protagonist to interact. We deep dive into the wonderful social satires of TRIANGLE OF SADNESS and THE FAVOURITE. We discuss how games reveal character through competency and decisions, how resources and skills impact the tactics that characters employ, and the difference between referees, rule lawyers, rule makers and rule breakers. Thanks to Chris Walker for editing this episode. As always: SPOILERS ABOUND and all...

info_outline
DZ-102: Game of the Scene - Bluey, John Wick 4 show art DZ-102: Game of the Scene - Bluey, John Wick 4

Draft Zero: a screenwriting podcast

How can ‘games’ help us write better scenes? Stu and Chas turn their attention to a topic that has long eluded them: the game of the scene. We look at how considering the game that characters are playing — its rules, arenas, players, referees, and win conditions — can help you write more dynamic scenes. This will be a two-parter, and for this half, we talk BLUEY, “The Quiet Game” (from Season 2) and “Phones” (from Season 3), and JOHN WICK 4. We also touch on GAME NIGHT and LIFE OF BRIAN. Thanks to Chris Walker for editing this episode. As always: SPOILERS ABOUND and all...

info_outline
DZ-101 Creating Immediacy & Anchoring Action on the Page show art DZ-101 Creating Immediacy & Anchoring Action on the Page

Draft Zero: a screenwriting podcast

What can we learn by analysing how ‘oners’ are written on the page? Chas, Stu and Mel reunite to talk about writing the *feel* of camerawork in screenplays. We use “oners” — a long-playing continuous take — as a lens to talk about how some writers have “directed” from the page. We talk immediacy, camera positions, handovers, and anchoring action and more. We breakdown the famous Copacabana shot from GOODFELLAS, the awe-inspiring chase sequence from THE ADVENTURES OF TINTIN, and the heart pounding ‘Zed attack’ from CHILDREN OF MEN. We also briefly discuss THE BOURNE...

info_outline
DZ-100: Scenes through Swords show art DZ-100: Scenes through Swords

Draft Zero: a screenwriting podcast

What scene work tools can be learned from martial arts? In this slightly unusual episode of Draft Zero (but also incredibly on brand), Stu and philosopher swordsperson Damon Young discuss how the lessons they have learned from martial arts can be applied to scenes. In particular, they discuss how approaching an opponent in a sword fight can be analogous to how characters approach conflict, such as: the distance between the characters, who chooses to engage first, how to feint, how to lure an attack by leaving yourself vulnerable, etc.  They reference classic conflicts such as Clarice...

info_outline
 
More Episodes

How can you use physical objects to track character change… wordlessly?

In part two of our two-part series on TALISMANS, we break down the beats used to turn objects (in a broad sense) into talismans; how talismans can track character journeys and transitions; and how they can be used to create powerful moments without words.

While Part 1 looked a range of talismans in a bunch of different movies, in this episode we deep dive into just three examples. We look at how Thor’s crisis of masculinity is articulated through his relationship with Mjolnir and Stormbreaker in THOR: LOVE AND THUNDER; how the yearning love in PORTRAIT OF A LADY ON FIRE is communicated through paintings and music; and how the impact of an emotional affair is charted through key locations in INTHE THE MOOD FOR LOVE.

As always: SPOILERS ABOUND

Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3.

Thanks to Chris Walker for editing this episode.


CHAPTERS

  • 00:00:00 - Intro
  • 00:01:15 - Talismans (Part 1) Followup
  • 00:08:37 - Forging a Talisman (The Beats)
  • 00:23:22 - Thor: Love and Thunder
  • 00:59:52 - Portrait of a Lady on Fire
  • 01:32:39 - In the Mood for Love
  • 01:59:39 - Key Learnings & Wrap Up
  • 02:06:10 - Thanks to our Patreons

LINKS

RELATED EPISODES


This episode brought to you by (drum roll):

ScriptUp: https://www.scriptupstudio.com – use promo code DZ10 to get 10% off

And how can we forget our awesome Patreons? Especially Casimir, Eduardo, Jennifer, Garrett, Bjorn, Randy, Jesse, Sandra, Theis, Alex and Khrob. You rule!

Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis and @chasffisher on twitter. And you can find @draft_zero on Instagram and Twitter.

BUY DRAFT ZERO MERCH via TeePublic