DZ-42: One-Shot - Split, Character Worldview & Macro POV
Draft Zero: a screenwriting podcast
Release Date: 04/26/2017
DZ-121: Escalating antagonism
Draft Zero: a screenwriting podcast
How do the antagonistic forces in your story escalate distinctly from the protagonists’ journey? We often struggle to develop the middle stages of a story. Could this be because we focus on our protagonists’ journeys and plot structure more than on how the antagonistic powers are awakened, wronged, discovered, gathering strength and revealing themselves? In this episode, Chas and Stu are joined by professional screenwriter and playwright Kim Ho to explore how a generative story cycle (from tabletop role-playing game MOTHERSHIP) can be used to develop stories, not just write them...
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DZ-120: Subtext is overrated
Draft Zero: a screenwriting podcast
Or, how focusing on good drama will result in good subtext. We often hear how subtext is important for good screenwriting. We’re here to tell you it isn’t. Good subtext is a result of good drama, and your focus should be on creating that good drama. But how? In this episode, Chas Fisher and Stu Willis are joined by screenwriter+teacher, Tom Vaughn (Winchester) to delve into the world of subtext. We kick off the discussion by talking through Tom’s article “Why Subtext is Overrated” and break down his core idea that subtext is a byproduct of character goals, tactics and...
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DZ-119: Final Character Choices & Great Endings
Draft Zero: a screenwriting podcast
How does your protagonist’s final choice resolve the plot, character arc and theme? In this episode, Stu and Chas focus solely on the final choices made by protagonists and how that reflects their character journey and successfully, or not, dramatises the internal. We compare and contrast different uses of narrative POV in respect to these final choices, in particular whether and when the audience is made aware of the options available to the character, the act of making the choice, and the consequences of the choice. We breakdown examples from DUNGEONS & DRAGONS: HONOR AMONG THIEVES,...
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DZ-118: Adolescence and tension through questions
Draft Zero: a screenwriting podcast
How do dramatic questions create tension? In this episode, Stu and Chas delve into the cultural phenomenon of ADOLESCENCE. We try to find the craft tools that have made the show so compelling and such a catalyst for conversation. In particular, we breakdown how the show’s emphasis on questions creates tension: not just tension through plot, but tension through character, and ultimately tension through theme. We analsyse the show episode-by-episode, and discuss how the overall structure skilfully shifts from a plot-heavy police procedural towards a thematic-heavy melodrama...
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DZ-117: Tonal shifts
Draft Zero: a screenwriting podcast
How can we teach our audience new storytelling rules in the middle of our story? Following on from our episodes on establishing tone through action lines and through character, this is what we have been building up to: how to pull off a tonal switch… that does not throw the audience out of the film. And, in particular, how to pull that off on the page when writers don’t have framing, lighting, music, editing, etc. at our disposal? With that goal in mind, Mel and Chas dissect specific moments on the pages of SHAUN OF THE DEAD, SORRY TO BOTHER YOU and SWISS ARMY MAN. While there are definite...
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DZ-116: Writing physical comedy
Draft Zero: a screenwriting podcast
How do you make extended technical scenes funny on the page? Mel joins Chas to tackle physical comedy. We limited our homework selection to extended scenes (as opposed to moments and sight gags) in live action projects and - with the help of our Patreons - selected early sequences from BRINGING UP BABY, the pilot for HAPPY ENDINGS and that wonderful food poisoning scene in BRIDESMAIDS. We discover how these incredible writers take their time (on the page) to set up geography, framing and running gags. We also get tips on judicious use ALL CAPS, ellipses and M-dashes to recreate visual gags…...
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DZ-115: A Christmas Special - Rewatching & Rituals
Draft Zero: a screenwriting podcast
What magic do Christmas movies use to make them so rewatchable? In this “backmatter” episode of Draft Zero, Stu, Chas, and Mel Killingsworth embark on a festive exploration of what makes holiday films so engaging and so re-watchable that they can become part of our rituals. To that end, we breakdown the charm of of Christmas films like KISS KISS BANG BANG, RIDERS OF JUSTICE, and IT’S A WONDERFUL LIFE. We discuss what defines a holiday movie, the power of nostalgia, the importance of ensembles to a sense of family, and how voiceover, snappy dialogue and intricate plots can make...
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DZ-114: Climaxes in Challengers
Draft Zero: a screenwriting podcast
How does ending your story on the climax affect audience experience? While Stu is on show, Mel and Chas sit down to analyse the meaning behind the ending of 2024’s CHALLENGERS, especially when - upon reading the script - the most impactful moment of the ending on screen (for Chas in particular) is not written on the page. Following on from episodes on filmmakers talking directly to the audience as well as previous exploration into choices and decisions (and hopefully serving as a prelude to our episode on Hero’s Choice), Mel and Chas explore the choices the characters make in that final...
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DZ-113: Tools for filmmakers to talk to the audience
Draft Zero: a screenwriting podcast
What tools help ensure that you as the filmmaker are not misunderstood? In our final (ha!) episode looking at Talking Directly to the Audience, we turn away from character-and-text based craft tools to look at other ways that filmmakers - whether they be directors, writers, editors, or anyone else - can make the audience feel their 'hand' more. To that end, Mel, Stu and Chas dive into ADAPTATION, STORIES WE TELL and THE FORTY-YEAR-OLD VERSION. We discuss structure (in particular how to structure more “meta” stories), the influence of TikTok and YouTube in portraying character...
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DZ-112: Breaking the 4th wall
Draft Zero: a screenwriting podcast
DZ-112: Breaking the 4th wall How is the effect of breaking the 4th wall different to VoiceOver? As part of our series on how filmmakers can directly communicate to the audience, we finally examine the most blatant tool of them all: when character look directly down the barrel of the camera… and thus look directly at us, the viewer. Chas, Stu and Mel take the craft tools/levers they identified in previous episodes and use them to examine HIGH FIDELITY, ABBOTT ELEMENTARY and - of course - FLEABAG. By examining how “in-world” the camera is, who is talking, and whom the character is talking...
info_outlineWhat screenwriting lessons can be we learn from SPLIT?
In our first (and perhaps last) one-shot, we take a close look at the M. Night Shyamalan's SPLIT. Rather than having one topic with many examples, we use the one example to look at many topics. Well, okay, a few topics.
Firstly, we take the opportunity to revisit theme. SPLIT offers a very clear example of the worldview of the characters and the rules of the world working together to create a coherent theme.
Then we look at the SPLIT's use of macro point of view. Given the film's contained nature, it makes some interesting choices in the story structure in order to control what the audience knows vis-a-vis the characters. This assists in generating tension (in both conventional and unconventional ways) while also creating a dramatic journey for the protagonist and reinforcing the theme.
We also cover (in lesser detail) flashbacks, tactics, contained spaces, character individuation, and... being a M. Night Shamalyan film... TWISTS.
And if its not obvious... this episode is FULL OF SPOILERS.
Love it, hate it or indiffererent, please let us know what you think of this new format. We're not going to do it every episode, but it gives us the opportunity to look at some great films in more detail.
EPISODE LINKS
- SPLIT by M. Night
- IMDB: http://www.imdb.com/title/tt4972582/
- Find it on JustWatch
- The Guardian: From Split to Psycho: why cinema fails dissociative identity disorder
- WORLDVIEW [ @ 6m 36s]
- MACRO POV AND NARRATIVE [ @ 35m 35s ]
- FLASHBACKS [ @ 1hr 03m 26s ]
- TACTICS [ @ 1hr 12m 34s]
- CONTAINED SPACES [ @ 1hr 15m 35s ]
- CHARACTER INDIVIDUATION [ @ 1hr 19m 32s ]
- TWIST ENDINGS [ @ 1hr 33m 00s]
- EPISODE WRAP [ @ 1hr 50m 41s ]
Please send feedback to ask at draft-zero.com, via our web form or twitter @draft_zero We are @chasffisher and @stuwillis on twitter.
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