The Writers' Room
Somehow we've made to the end of Series 8 (basically) and with it, a pair of Steven Moffat episodes that bring together the Twelve/Clara/Danny story. "Dark Water" and "Death in Heaven" might lowkey be Moffat's best finale episodes...from a certain point of view.
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This month (a little late), Kyle and Erik look at the first two Doctor Who scripts by Jamie Mathieson, "Mummy on the Orient Express" and "Flatline." Conveniently, they happen to have been sequential episodes 8 and 9 from Series 8. Without giving too much away, these might be the best non-Moffat scripts of the season and the best the Clara and Twelfth Doctor relationship gets. So there's that.
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This month, Kyle and Erik have to face their personal Waterloo with a pair of episodes from the middle of Series 8 that form the middle of the Doctor-Clara-Danny triangle, and which consequently are not fun to watch. Those are "The Caretaker," written by Gareth Roberts and Steven Moffat, and "Kill the Moon," written by Peter Harness. Would you rather a good episode or an interesting episode? Why not neither!
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This month, Erik and Kyle are looking at the Capaldi era's first true heavy hitter, Series 8, episode 4, "Listen," as written by Steven Moffat. Twelve years after the episode first aired, how do the strange tone, sparse plotting, and complex character implications hold up? Is Rupert/Danny/Orson(?) Pink sitting well with us this go-round? And what DOES scare everyone in the universe?
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Happy New Year, dear listeners! To kick off our 14th year (!!!) talking about Doctor Who on a podcast, we're discussing two episodes co-written by Steven Moffat. The first, "Into the Dalek" with Phil Ford and the second, "Time Heist" along with Stephen Thompson. What even are these episodes? What works and doesn't about them? And we get our introduction of Danny Pink. Oh Danny Boy.
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Folks! It may be the end of 2025, but it's a brand new era, a brand new season, and a brand new Doctor for Erik and Kyle. Having bid a fond farewell to the Eleventh Doctor, this month they discuss the first adventure of the Twelfth. That is, of course, Deep Breath, written by showrunner Steven Moffat. How well does this 11-year-old episode hold up, and what can we already learn about what will be the most divisive season of the Moffat era? WOOHOO!
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Amazingly, folks, it's time to bid farewell to Matt Smith and the Eleventh Doctor. While Erik and Kyle have already spoken about each of his stories at length, this month they're going to discuss the era as a whole. What did Steven Moffat do right and what did he need to revamp for his second Doctor? And what was the very worst Matt Smith story? Next month, we take a Deep Breath...
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Time (ha) has come to bid the Eleventh Doctor farewell. It's also time to talk about the biggest comedown in Doctor Who history. How did Steven Moffat follow up the glory of "The Day of the Doctor?" Well with the decidedly messy "The Time of the Doctor." Erik and Kyle talk about the last episode for Matt Smith and what it positions for the Peter Capaldi years to come.
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It's finally here! The episode Erik and Kyle have been waiting for since they began Doctor Who's modern series. It's the 50th anniversary special, "The Day of the Doctor," quite simply the best Doctor Who episode of all time. Spoilers, big fans.
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As we head toward wrapping up the Matt Smith years, it has come time to talk about two incongruous episodes. First, "A Town Called Mercy" by Toby Whithouse and then "The Name of the Doctor" by Steven Moffat. Not a lot connect these two aside from both being in Series 7 but we needed 'em checked off the list. One is a mealy mouthed pastiche of Italian westerns and the other is a pastiche of episodes that have plots that make sense. Sooooooooo.... Anyway, next month it's The Day of the Doctor, yaaaaaay! Support us on Patreon for bonus episodes!
info_outlineThe year that was 2024 has wound down and instead of wallowing in misery, Kyle and Erik are talking about some Doctor Who Christmas episodes! Specifically the first two penned by showrunner Steven Moffat. Those are, of course, "A Christmas Carol" from 2010 and "The Doctor, the Widow and the Wardrobe" from 2011. It's very much a story of greatness and lameness in equal measure. One is one of Moffat's best ever scripts, and one...isn't.
Also! We're launching a Discord in 2025! Listen to the episode to find out how you can join the community.