“After Okwui Enwezor”: Ebony L. Haynes, T. Lax, K.O. Nnamdie
e-flux podcast
This conversation between curators Ebony L. Haynes, Thomas (T.) Jean Lax, and K.O. Nnamdie was initiated alongside an essay series in e-flux journal titled “After Okwui Enwezor,” edited by Serubiri Moses. The episode begins with three short audio excerpts from [1] [2] [3] Exhibitions covered include: Postwar: Art Between the Pacific and the Atlantic, 1945–1965 (2016) and the 56th Venice Biennale: All the World's Futures (2015). Additionally, the idea of rigorous curating, and the horizon is explored in discussion of recent exhibitions...
info_outline
African Film Institute: Feza Kayungu Ramazani on Lumumba and Centre d’art Waza
e-flux podcast
This episode was recorded live at e-flux on September 19, 2024. The event, hosted by the African Film Institute, featured a screening of Lumumba (2000, 115 minutes) by Haitian director Raoul Peck, followed by a conversation between Feza Kayungu Ramazani of Centre D’art Waza and anthropologist Natacha Nsabimana. Feza Kayungu Ramazani is an artist and researcher based in Lubumbashi. She is a member of the Power to the Commons project and Another Roadmap of Arts Education Africa Cluster (ARAC), which is a network of researchers...
info_outline
Samia Halaby: Kinetic Painting
e-flux podcast
A conversation between artist Samia Halaby and Sanna Almajedi, recorded live following a at e-flux on September 10, 2024. In the performance, Halaby used a computer program that she coded in the early ’90s to generate abstract shapes. These were manipulated in real-time alongside sonic improvisation by musician Amir ElSaffar. Samia Halaby is a trailblazer in contemporary abstract art internationally. In her distinctive painting style, Halaby draws inspiration from nature and historical movements such as early Islamic architecture and the Soviet avant-garde. Displaced from...
info_outline
Shana Moulton: In Search of Meaning
e-flux podcast
This conversation between Shana Moulton and e-flux Film curator Lukas Brašiškis was recorded following a screening on Thursday, April 4, 2024. Weaving feminist undertones with surrealist imagery and sound, Shana Moulton’s work explores the nuances of the contemporary psyche. Her Whispering Pines series, in particular, delves into the intricacies of self-help culture, the quest for spiritual meaning, and the often comedic absurdity of personal wellness rituals. In her performances, videos, and installations, Moulton, through the experiences of her alter ego,...
info_outline
African Film Institute: Ahmed El Maanouni, Omar Berrada
e-flux podcast
This conversation was recorded at e-flux before a of Ahmed El Maanouni’s , curated by Omar Berrada. The evening was co-presented with ArteEast. Al Hal [Trances] (1981, 88 minutes) is a classic of Moroccan cinema and a compelling introduction to it. While presenting itself as a music documentary on the iconic band Nass El Ghiwane, it is also a film about friendship and collaboration, archival memory, the anti-colonial imagination, and working-class life in Casablanca. Ahmed El Maanouni is a writer, director, cinematographer, and producer born in Casablanca in 1944. Among his essential works...
info_outline
African Film Institute: Sosena Solomon, Mpho Matsipa, Natacha Nsabimana
e-flux podcast
A conversation between filmmaker Sosena Solomon, designer and urban scholar/theorist Mpho Matsipa, and anthropologist Natacha Nsabimana. This episode was recorded at e-flux Screening Room before a of Merkato, curated by Natacha Nsabimana. Sosena Solomon’s Merkato is a documentary tracing the lives of four people as they navigate the demands of life and work in one of the biggest markets in Africa in Addis Ababa, Ethiopia. Filmed on location in Merkato, before a radical architectural transformation, Solomon’s documentary invites us to ask expansive questions about space,...
info_outline
Cosmos Cinema conversation: Alice Wang
e-flux podcast
Ben Eastham talks to artist Alice Wang. This episode is part of a series produced in conjunction with the 14th Shanghai Biennale at the Power Station of Art (November 2023–March 2024), curated by Anton Vidokle, Zairong Xiang, Hallie Ayres, Lukas Brasiskis, and Ben Eastham. ’s sculptural forms shine a light on the uncanny forces that shape the physical world. Using material such as fossils, meteorites, moss, and heat—ranging from leftover radiation from the Big Bang to the wax secreted by bees—her work aims to reconfigure our understanding of reality. Intro sound: excerpt...
info_outline
Cosmos Cinema conversation: Nolan Oswald Dennis
e-flux podcast
Hallie Ayres talks to artist Nolan Oswald Dennis. This episode is part of a series produced in conjunction with the 14th Shanghai Biennale at the Power Station of Art (November 2023–March 2024), curated by Anton Vidokle, Zairong Xiang, Hallie Ayres, Lukas Brasiskis, and Ben Eastham. In his para-disciplinary artistic practice, explores “a Black consciousness of space”—the material and metaphysical conditions of decolonization—questioning spacetime histories through system-specific interventions, sculptures, and drawings. Black Liberation Zodiac: Khunuseti focuses on a group of stars...
info_outline
Cosmos Cinema conversation: Thotti
e-flux podcast
Hallie Ayres talks to artist . This episode is part of a series produced in conjunction with the 14th Shanghai Biennale at the Power Station of Art (November 2023–March 2024), curated by Anton Vidokle, Zairong Xiang, Hallie Ayres, Lukas Brasiskis, and Ben Eastham. Thotti works at the frontier between trance and nothingness, the image and its oblivion, motion and remembrance, cinema and its expansion. As he puts it: “South Atlantic dissolved in the world’s skies.” Read more about his installation for the Shanghai Biennale, (Mo) Crossing to the End and the Beginning Again, via the...
info_outline
Cosmos Cinema conversation: Lucile Desamory
e-flux podcast
Ben Eastham talks to artist Lucile Desamory. This episode is part of a series produced in conjunction with the 14th Shanghai Biennale at the Power Station of Art (November 2023–March 2024), curated by Anton Vidokle, Zairong Xiang, Hallie Ayres, Lukas Brasiskis, and Ben Eastham. works at the frontiers of perception and cognition, with a special interest in what the Berlin-based artist refers to as the “too-much, the falsified, and spurned narratives.” The breadth of her pursuit is reflected in the diversity of her approach, which uses film, painting, embroidery, photography, and her...
info_outlineAn excerpt from Raven Chacon’s performance Solos, followed by a conversation with Xenia Benivolski, recorded live at e-flux on April 27. Solos, is a series of short, improvised works performed in quick succession. Using a variety of acoustic and electronic instruments, Chacon’s experimental compositions range from sparse, minimalistic soundscapes to complex, multi-layered works that incorporate voices, noises, and found sounds.
Raven Chacon is a Pulitzer Prize–winning composer, performer, and installation artist from Fort Defiance, Navajo Nation. Since 2004, he has mentored more than three hundred Native high school composers in writing new string quartets for the Native American Composer Apprentice Project (NACAP). As a solo artist, collaborator, and a member of Postcommodity from 2009 to 2018, Chacon has exhibited, performed, or had works performed at the Los Angeles County Museum of Ar, The Renaissance Society, San Francisco Electronic Music Festival, REDCAT, Vancouver Art Gallery, Haus der Kulturen der Welt, SITE Santa Fe, Ende Tymes Festival, New York, the Whitney Biennial, documenta 14, Carnegie International, and Carnegie Museum of Art. Chacon is the recipient of a United States Artists Fellowship, a Creative Capital Award, Native Arts and Cultures Foundation Artist Fellowship, the American Academy’s Berlin Prize, the Bemis Center’s Ree Kaneko Award, and the Pew Center for Arts & Heritage’s Fellowship-in-Residence.
Xenia Benivolski writes and lectures about visual art, sound, and music. She is the curator of the project You Can’t Trust Music which is an online e-flux exhibition.