The Home Cultus with Briar
Radical Elphame
UPG is a term I find to be often misunderstood. Short for “unverified person gnosis,” this phrase is sometimes wielded as a criticism in the world of spirituality – pagan, polytheist, or otherwise. It’s the word “unverified” that stands out in this instance, that seems to be contextualizing someone's “personal gnosis” – about a spiritual path, or being, or myth – as dubious, or heterodox. When used disparagingly, UPG can feel like a corrective. In many ways it can feel like a tool within so-called “alternative spirituality” to reinforce the kind of strictures of the...
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Fröja's Apples with Sara Bonadea George
Radical Elphame
What can change a goddess into a nature spirit? What can change a nature spirit into a witch? A hasty answer might simply be "colonization." This was the evolution of Fröja in Sweden. I don’t think we can have an intellectually honest discourse about folklore without confronting the forces of colonization head-on. What has this ongoing process done to the gods, the spirits, and the myths of a people? However, stopping there might miss the point. I think we also need to ask: what is the agency of a Goddess during a religious conversion? Does she merely recede into the past, or does she...
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Animistic Astrology with Teagan West
Radical Elphame
There may be no clearer gateway drug to magic in 2026 than astrology. You don’t need psychic abilities, or a spirit court, or a wider mystical philosophy to dabble in astrology. Just a birthday. I’ve always been a proponent of practical magic – the kind that helps you get stuff – not as an end goal, but as a necessary step, for many, in re-enchanting their minds. Astrology can do something similar, though, with merely a natal chart reading. What do the planets have to do with who I am? It doesn’t really matter why astrology can tell you about yourself; the power is in simply...
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The Immense Hauntology of Things with Lee Morgan
Radical Elphame
I sometimes wonder why, of all the occult and magical currents we have on offer, Witchcraft manages to still have such a powerful pull on our contemporary culture. We find ourselves on the other side of a century of occult revivals and magical trends, and yet Witchcraft somehow stil retains a timeless appeal. More recent spiritual trends, such as the “New Age” movement, which you would expect to be a better gateway for contemporary Western people to explore spirituality, have aesthetically aged far worse than Witchcraft generally, and what once appeared modern and enlightened would now be...
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The Old Line with Aidan Wachter
Radical Elphame
When you look at the oldest and most intact spiritualities around the world, you will find that, at the center of their practice, is ancestral veneration. For many of us who were raised in less intact spiritualities and in cultures with a tendency to mold prevailing religions to the will of Empire, venerating our ancestors can feel complicated, to say the least. The same cultures that tend to mold religions to the will of Empire, also have a habit of tainting our ancestral line. It doesn’t take long tracing back the family trees of many of us to run into the stains and wounds of colonialism,...
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Raising the Dead with Corinne Boyer
Radical Elphame
Folk magic has a powerful pull. It can express complex metaphysical ideas that, for most of us practicing today, had once felt like the purview of the “New Age.” Magical ideas that once seemed fantastical, through the lens of folk magic, can suddenly feel earthy and vital. Techniques that once felt silly can begin to feel ancestral. The source texts go from channeled writings, to myths and folktales, and academic papers. There’s an artistry and intelligence grouped in with modern-day practitioners of folk magic that give the disenchanted “Western” mind permission to think...
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Hillbilly Woodwose with Nay Noordmans
Radical Elphame
They’re on bumper stickers, they’re on bags of jerky, they’re on bars of soap, and if you're not seeing an ancient alien on the History Channel, you’re almost certainly seeing someone searching for them in the woods. Big Foot, Sasquatch, Oh Mah, Sunk Ape – they go by many names, and are spotted throughout North America, and beyond. For some, they are a myth; for some, a monster; and for the rest, a mascot. The loudest amongst their fans will tell you they are a flesh and blood relic hominid, and describe their migration patterns, their use of infrasound to evade capture, and, of...
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Cursed Films with Sfinga & B. Key
Radical Elphame
What is it that draws occultists to horror films, when by in large, the history of horror cinema is essentially anti-occult propaganda? Despite what can seem like a counterintuitive interest on the part of practitioners, the fact remains that the horror genre is the last bastion of regular engagement with the spirit world left in contemporary media, and therefore a natural draw for people who see the spiritual as fundamental to everyday life. Another consideration is the cathartic embrace of the shadow on display in horror, and often staring death right in the face. Both things our culture in...
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The Black Book of Norah Fornario - an Audio Essay
Radical Elphame
I had to reschedule an interview for the first half of this month, but I didn't want to leave you hanging this week, so I recorded an essay I put out on our Substack recently for your listening pleasure. Nora Fornario has always been a deep fascination of mine, whom I find to be misunderstood and often explored in ways that ignore her most interesting aspects in favor of a more lurid true-crime bent. This essay is less focused on the infamous death of Nora Fornario, but rather a deep dive into what we can speculate about her own ideas and magical practice. The TL;DR is Witchcraft. ...
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28 Moons Later with J.M. Hamade
Radical Elphame
When we think about the Otherworld, we tend to do so from the perspective of this world. What is this hidden world that seems to operate so differently from our own? Who are the beings who dwell there, and what do they want with us? In J. M. Hamade’s fascinating book, Procession of the Night Theater, they explore the “night side” of astrology, offering a poetic vision of the Lunar Stations, not to be defined or calculated so much as dreamed with. It’s this study of the nocturnal side of things, the hidden side of things, that not only eloquently elucidates the ancient art of...
info_outlineWe are living in an era where the term “folk” has become the modifier of choice for many looking for a unique way to describe their own spirituality or magical practice. Folk Witchcraft, Folk Catholicism, Folk Magic. “Folk” seems to denote a certain level of idiosyncrasy, authenticity, or earthiness. It also eschews connotations with more popular or commercialized forms of these practices. Sometimes this use of the word “folk” can feel like the way we used “alternative” in the nineties, particularly to describe genres of music. By the mid-nineties “alternative” rock was far and away the most popular music genre, leading one to ask: what exactly was it an alternative to? Similarly in the world of spirituality, sometimes the modifier “folk” can seem vague. I believe it was Jesse Hathaway Diaz who I first heard pose the question in regards to folk spirituality: “Who are the folk?”
In Scott Richardson-Read’s new book Milldust and Dreaming Bread – Exploring Scottish Folk Belief and Folk Magic, the “folk” in question are vivid and unmistakable. While the pastoral stories and customs of the past weave throughout the book, Scott also taps into the deep impressions a land and a people have made upon each other, setting the stage for the folk of today. The impression one gets reading Milldust and Dreaming Bread, is that the “folk” Scott is referring to has less to do with homespun or antiquated practices, and more to do with the Scottish culture’s deep and living sense of reciprocity and right relation in the face of the oppressive influence of Empire. This Scottish folkway imbues the myths of the Country, and is at the root of its magical expression.
As someone first lit up magically by a form of Witchcraft often called folkloric, a large part of my practice has been forged by pulling on the threads of what can sometimes seem like a vague cosmology, back to where I can find its sense of place, rooted in a culture and landscape. Scott’s work throughout the years on his blog the Cailleachs Herbarium (and now in this book) has been my own personal roadmap to find out for myself who the “folk” in question are.
SHOW NOTES:
Buy Scott's Book: Mill Dust and Dreaming Bread
Scott's Blog: The Cailleachs Herbarium
Scottish Histories of Resistance: https://www.scottishhistoriesofresistance.co.uk/