Art is Always Political (2024) - Louise Adler, Brook Garru Andrew, Violette Ayad, Gil Beckwith, Simon Longstaff & Emile Sherman
Release Date: 11/06/2024
Roxane Gay (2024) - How to Have Dangerous Ideas
Festival of Dangerous Ideas
Drawing from her experience as an author and cultural critic who consistently challenges predictable opinions, Roxane Gay urges us to embrace the danger and discomfort of dissent. But in an age of polarised opinion warfare, this comes at a personal and professional cost. Courage is an essential ingredient in this strategy, but it can only take you so far. When the tide of viral criticism, is both toxic and overwhelming, it can seem rational either to give up on nuance or withdraw. What does it take to stand your ground and fight for complex and difficult ideas? Roxane Gay’s...
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The Anatomy of Evil (2024) - Stan Grant & Simon Longstaff
Festival of Dangerous Ideas
Humanity has demonstrated, time and again, a horrific tendency to destroy its own kind – often to eliminate difference and impose uniformity of identity. At its worst, this tendency has led to the destruction of whole peoples – the crime against humanity of genocide. However, in our politically charged climate, the term genocide carries a massive moral weight, and we must be cautious about where to apply it. If we’re too restrictive, it will make us blind to evil in the world. But if we’re too loose, it will desensitise us to its significance. Philosophers Stan...
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John N. Friedman (2024) - The Fading Dream
Festival of Dangerous Ideas
Economist John N. Friedman has made a career researching the causes of inequality and its long-term consequences for children in the US. His findings are grim. Social mobility is in sharp decline. Where you live and go to school increasingly determines your success and future. Friedman explores how policy can harness schools, neighbourhoods, universities, and social capital to reverse this trend, and revive a fading “American Dream” of progress and social mobility. And what this could mean in a country like Australia. John N. Friedman is the Briger Family...
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Todd Fernando (2024) - The Next Frontier
Festival of Dangerous Ideas
The concept of success and excellence is fraught with tension between communities within Australia. For non-Indigenous Australians, excellence is almost exclusively an economic concept, founded on stolen and inherited resources and privilege. While for Indigenous people, aspiring to this definition of excellence can involve assimilation and the abandonment of culture and values. With the equality gap widening, the stakes for Indigenous Australians to succeed is higher than ever. Wiradjuri man and academic, Todd Fernando argues we need to forge new...
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Saree Makdisi (2024) - Tolerance is a Wasteland
Festival of Dangerous Ideas
For some, the image of Israel, as a shining example of liberal democratic ideals has been broken by the Netanyahu Government’s actions in Gaza since 7 October, 2023. Yet, for others, the positive image projected by Israel has always been a convenient myth, allowing dominant powers within the international community to turn a blind eye to decades of Palestinian suffering. Academic Saree Makdisi argues that we are living in a culture of denial. He says much of the West is complicit through the act of self-deception. Makdisi offers a possible...
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David Baddiel (2024) - The God Desire
Festival of Dangerous Ideas
Is God a story we’ve just told ourselves to satisfy our own desires? Comedian and author David Baddiel knows God doesn’t exist, but wishes he did. As Baddiel wrestles with his understanding of God and spirituality as a Jewish atheist, his bold thesis uncovers how religion services the deepest needs of humanity. This session is in conversation with Simon Longstaff and is the inaugural John Caldon Provocation, an annual event at FODI to honour the legacy of businessman John Caldon and his special brand of curiosity. David Baddiel is an accomplished comedian,...
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Coleman Hughes & Josh Szeps (2024) - A Colourblind Society
Festival of Dangerous Ideas
Are we too focused on race? Have recent anti-racist movements like Black Lives Matter abandoned the ‘colourblind’ spirit of the original civil rights movement? In this live FODI edition of Uncomfortable Conversations with Josh Szeps, writer and podcaster Coleman Hughes articulates his vision for a future where individuals are judged by ‘the content of their character’, not the colour of their skin. He argues for a society that embraces a colourblind ethos, aiming to dismantle divisive narratives and foster a more inclusive...
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Jen Gunter (2024) - Lifting the Curse
Festival of Dangerous Ideas
Being open about the female body has always been taboo, risky and dangerous. So, by smashing ancient menstrual taboos, and demolishing dangerous pseudoscience, the Internet’s OB-GYN Jen Gunter has long been on a mission to destigmatise the myths and misogyny surrounding women’s health. Gunter urges women to seize control, reminding them that it shouldn’t be an act of feminism to know how their body works. Jen Gunter is an internationally bestselling author, obstetrician, and gynecologist with more than three decades of experience as a vulvar and vaginal diseases expert. Her...
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The Pitchforks are Coming (2024) - Myra Hamilton, Carl Rhodes & Jordan van den Berg
Festival of Dangerous Ideas
Ordinary citizens are starting to realise that their dwindling share of our common wealth is no accident, but the inevitable result of the current system. As life becomes more precarious, has the time come when the ‘discontented majority’ will flex their muscles and seize, by whatever means, a fairer share of the economic and social pie? Or will the world’s wealthiest 1% step back from the precipice by realising that inequality is as much of a problem for them as it is for everyone else? Myra Hamilton is an Associate Professor in Work and Organisational Studies at...
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Speaking Bluntly (2024) - Antoinette Lattouf, Andy Mills & Josh Szeps
Festival of Dangerous Ideas
Journalists play a vital role in a democracy, holding power to account. The traditional model of journalism sees journalists as disinterested seekers of the truth, striving for ‘objectivity’ and suppressing their own opinions. But as newsrooms and editorial pages previously staffed only by white male journalists have evolved, and as the internet has driven the rise of opinion journalism, we are faced with two important questions: Does it matter who journalists are? And does it matter what they think? At a time when media business models are in crisis, how should we think...
info_outlineThe culture wars are seeping out of the real world and infiltrating our pages and stages.
Art has always traversed unfamiliar and even dangerous territory. But with recent calls to boycott cultural institutions, donors pulling funding, and the cancellation of works and talent, are some discussions too fraught to engage with?
Louise Adler is the Director of Adelaide Writers’ Week. She has spent over 30 years in the culture business and continues to be committed to the dissemination of dangerous ideas.
Brook Garru Andrew is an artist, curator and writer who is driven by the collisions of intertwined narratives emerging from the mess of the “Colonial Wuba (hole)”. His practice is grounded in his perspective as a Wiradjuri and Celtic person from Australia.
Violette Ayad was born on Whadjuk Noongar Boodja to Palestinian and Lebanese parents. She is now based on Gadigal land where she works as an actor, writer, director, and voice artist.
Gil Beckwith has a significant career in the Arts and Not For Profit industry in senior finance and administration management roles. Her working career spans over 40 years and includes working for Sydney Theatre Company, Melbourne Festival, the Victorian AIDS Council, and most recently CEO of Sydney Gay and Lesbian Mardi Gras.
Emile Sherman is an Academy Award and Emmy Award-winning film and television producer who co-founded See-Saw Films in 2008. Based in Sydney and London, See-Saw Films has worked with many of the world’s leading filmmakers and actors.
Chaired by philosopher and Executive Director of The Ethics Centre, Simon Longstaff.