Ruby Cruz
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Watching Ruby Cruz’s remarkable and seemingly effortless performance in her latest film, “The Threesome,” I got a hunch that she was engaging with the work on some kind of intuitive level where connection was paramount. I also sensed that this might not be easy to talk about. In one sense I was right, the gifted young actor, who’s credits include “Bottoms,” “Willow,” “Mare of Easttown” and “The Sex Lives of College Girls,” approaches the work in an elusive way, but, lucky for us, she still manages to speak about the intangible and slippery aspects with an eloquence that...
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Tim Blake Nelson
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Tim Blake Nelson is a celebrated actor, writer, and director. His nearly 100 screen credits include “The Thin Red Line,” “Lincoln,” “The Ballad of Buster Scruggs,” “Watchmen,” and “O Brother, Where Art Thou?” For his latest, the independent film “Bang Bang,” he plays an aging boxer whose glory days are long past. On this episode, he details how his process has changed by comparing the patience he has now to his approach for “O Brother, Where Art Thou?” where “fear inspired hubris” fueled him. He explains why it’s the actor’s job to retranslate poor...
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John Carroll Lynch
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John Carroll Lynch has delivered so many performances, on so many sets, for both the big and small screen, that it is almost ridiculous. Just a few highlights of his hundreds of credits include: “The Drew Carey Show,” “Fargo,” “Zodiac,” “Big Sky,” “American Horror Story,” “The Trial of The Chicago 7”, and his latest, “Sorry Baby”. On this episode, he gives us a deep dive into his approach to the work, and how it has evolved over the years. He explains the benefits of highlighting the text based on lexical categories, how directing his first feature “Lucky” (with...
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Sunita Mani
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You know the multitalented Sunita Mani from “Glow,” “Spirited,” “Mr. Robot,” or “Save Yourselves!” And now, just this year, she has roles in so many projects (like “The Wild,” “Death of a Unicorn,” “A Nice Indian Boy,” “Government Cheese,” “His and Hers,” “The Roses”) that one wonders how she has to time to do it all. On this episode, she takes us back to where it all started, improv comedy, and explains how being willing to fall down and get back up has served her work. She details the “emptying out” process that she needs to do before a new role,...
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Mary Neely
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Mary Neely first came to the world’s attention during the pandemic with her viral videos, earning praise from Lin-Manuel Miranda and Andrew Lloyd Webber, as well as being named "Best Theater of 2020" by The New York Times and The Washington Post. Since then, she has been delivering great work on both sides of the camera, such as the tv pilot “Stars Diner” which premiered at SXSW this year, “Valley Girl,” “Lyle Lyle Crocodile,” and Netflix's “Happiness For Beginners.” Now, she and Kareem Rahma (“Subway Takes”) co-wrote and co-star in the true New York low budget...
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Ivan Martin
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You can see Ivan Martin’s work in “Billions,” “The Sopranos,” “Suits,” “Ozark,” “Gaslit,” “What We Do In The Shadows,” and much more. Currently, he stars in the exceptional indie film “To Kill A Wolf,” writer/director Kelsey Taylor’s modern take on Little Red Riding Hood. On this episode, he talks about the circumstances that brought that role his way, the connection he has with the character that made him feel like he could bring him to life, and the environment on set that made it all possible. He explains the round-about way he got interested in acting when...
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Martin Harris
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Martin Harris has delivered stand-out work on “The Marvelous Mrs. Maisel,” “Young Sheldon,” “NCIS: Los Angeles,” “Stranger Things,” and now he plays the Boravian General in “Superman.” On this episode he describes the surprisingly efficient production that James Gunn presided over, and how it felt like “shooting a party video.” He surmises why directors keep giving him more scenes on-set, how reading a book between set-ups not only gets you focused but is also a conversation-starter, why he credits Kobe Bryant with helping him get to the next level with his career, and...
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Jason Patel
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Jason Patel is an emerging actor and artist. He plays the lead role of “Aysha” in “Unicorns,” opposite Ben Hardy. It’s his feature film debut. The film is co-directed by Sally El-Hosaini and James Krishna Floyd, who also wrote the screenplay. "Unicorns" also features Patel’s music, a true fusion of both art forms. On this episode, he talks about how he approaches everything in life with creativity and love, and why his life goal is to make people happy even when he’s not there. He describes the giant role music plays in his preparation, the importance of staying in the moment,...
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David Malinsky
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For the 350th episode of Back To One, I sat down with an actor who brings me great joy when he’s on the screen, the one and only David Malinsky. He wrote the blurb himself for this episode. It follows: Peter has only met David three times in person before. His filmography includes Onur Tukel’s “Abbey Singer/Songwriter,” “Black Magic for White Boys,” “Poundcake,” Theodore Collatos’ “Tormenting the Hen,” MG Cinecraft’s “A Moderate Folly” and more. Dave has also done standup comedy, cabaret singing, and YouTube Video Essays. But Dave thinks it’s vital to situate...
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Erik Jensen
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Erik Jensen is a multipyphenate who, along with his wife and creative partner Jessica Blank have been called “the foremost practitioners of documentary theater in the U.S.” Their genre-defining plays “The Exonerated,” “Aftermath,” “Coal Country,” and “The Line” were all critically acclaimed. As an actor, Jensen’s credits include “The Walking Dead,” “Mindhunter,” “Mr. Robot,” “The Americans,” not to mention his praised portrayal of legendary NY Yankee Thurman Munson in “The Bronx is Burning.” On this episode he details his approach toward playing that...
info_outlineMichael Angarano has been acting since he was an infant and has a long resume of memorable work in both comedic and dramatic roles—“Almost Famous,” “Will and Grace,” “This is Us,” “Gentlemen Broncos,” “Oppenheimer,” to name a few. His latest is a wonderful comedy with a lot of heart that he stars in, co-wrote and directed called “Sacramento.” On this episode he talks about the long road of getting that film made, how he needed to adjust once he saw Michael Cera’s approach to the role, and the interesting realization that he may not need to act and direct and write at the same time again. He tells a story about suddenly facing a strange form of stage fright, and the sensitive way Steven Soderbergh helped him get though it. He explains why he says he doesn’t have an acting process, has a particular aversion to relaxation exercises, and much more.
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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