June Squibb
Back To One
June Squibb has only been acting for about seven decades, so forgive her if she hasn’t figured this whole acting thing out yet. Luckily she isn’t stopping or even slowing down. In fact, at 96 years old, she is more busy than ever before. Since her Oscar nomination for a supporting role in Alexander Payne’s “Nebraska,” Squibb has been in high demand. Her first leading role in a film, “Thelma,” led to another, “Eleanor The Great,” directed by Scarlett Johansson. And now she’s about to take the stage in the exciting new Broadway production of “Marjorie Prime.” On this...
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Tom Bateman
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Tom Bateman has delivered wonderful performances in “Thirteen Lives,” “Death on the Nile,” “Murder on the Orient Express,” and Peacock’s dark comedic thriller series “Based on a True Story,” alongside Kaley Cuoco and Chris Messina, to name a few. For his latest, “Hedda,” he got to work opposite Tessa Thompson and Nina Hoss. On this episode, he explains what made that production special, starting with the 2 weeks of rehearsal that director Nia DeCosta insisted on. He takes us through his beginnings in the theater, how Shakespeare is the gift that keeps on giving, gives...
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Corey Fogelmanis
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Corey Fogelmanis’ first big break came as the fan-favorite Farkle on the Disney Channel series "Girl Meets World.” He later appeared alongside Octavia Spencer in the psychological thriller “Ma,” and in Netflix's hit series "My Life with the Walter Boys.” Now his first lead performance as Ben, a teen who comes out as non-binary, in the refreshingly modern coming-of-age movie “I Wish You All the Best,” has already garnered glowing early reviews. On this episode, he talks about the “very aligned process” of working with director Tommy Dorfman, how music helps him prepare,...
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Nina Hoss
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Nina Hoss is one of our most respected stage, film, and television actors working internationally. She is known for her collaborations with director Christian Petzold in films such as “Barbara" and “Phoenix,” as well as “Tar” opposite Cate Blanchett, the celebrated series “Homeland,” and her latest “Hedda,” opposite Tessa Thompson. On this episode, she talks about what drew her to Nia DaCosta’s bold new reimagining of the Ibsen’s classic. She gives us a peek into her process, talks about the “journey of filmmaking” she and Petzold embarked on together, environment as...
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Cooper Raiff Returns
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Cooper Raiff returns to the podcast (first time was ) to discuss his latest project, the eight-episode, independently-made, decades-spanning series “Hal & Harper.” He picks up right where we left off in the first interview, 5 years ago, taking us through the process of getting “Cha Cha Real Smooth” made, and how that green light helped him avoid compromising “Hal & Harper.” He explains why no matter what success you’ve had (like winning top prizes at the biggest festivals for his previous two films) the industry makes you start over and prove each new project’s worth....
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Crispin Glover Part 2
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This is the second part of my interview with Crispin Glover where we dive deep into his latest film “No! You’re Wrong or Spooky Action At A Distance,” which he spent the better part of the last 18 years making, completely independently. He touches on many of the technical aspects of the film, such as shooting ratio, color correction, music scores, film vs. digital, why he’s bad at sound mixing, what “spooky action at a distance” actually means, and much much more. Go to to find out where you can catch him on tour.
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Crispin Glover
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Crispin Glover is best known for playing George McFly in “Back To The Future,” but for the past three decades he’s been very thoughtful, patient, and selective about his acting roles and even more thoughtful and patient as a true independent filmmaker, self-financing and self-distributing three films — “What is it?”, “It is Fine! Everything is Fine,” and his latest, “No! You’re Wrong Or: Spooky Action at a Distance.” On this episode, which is the first part of a two-part conversation, he talks about a characteristic in certain directors that usually spells trouble for him...
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Catherine LeFrere
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Catherine LeFrere plays Isabella Blow in the inventive off-Broadway production “House of McQueen" at The Mansion At Hudson Yards in New York City. The play depicts the life of the brilliant fashion designer Alexander McQueen, who was discovered by Blow. On this episode, LeFrere takes us on a deep dive into the creation of her version of Isabella. She talks about starting with the voice, why she doesn’t want to be off-book in first rehearsals, the importance of playing off the audience, and much more. “House of McQueen” has been extending into November. Back To One is the in-depth,...
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Special Episode: Josh Pais Returns to Discuss his book "Lose Your Mind"
Back To One
Josh Pais returns to the podcast (first time was ). Aside from being one of the most respected actors in the game, with over 150 credits in film and TV, Pais is the founder of “Committed Impulse,” a groundbreaking training born from his own acting process that has since become a “secret weapon” for thousands of top entrepreneurs, artists, doctors, lawyers, public speakers, and creators of all kinds. His work helps people break free from the tyranny of overthinking and drop into a state of embodied, spontaneous brilliance. And now—he has written a book! In “Lose Your Mind: The Path...
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Ruby Cruz
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Watching Ruby Cruz’s remarkable and seemingly effortless performance in her latest film, “The Threesome,” I got a hunch that she was engaging with the work on some kind of intuitive level where connection was paramount. I also sensed that this might not be easy to talk about. In one sense I was right, the gifted young actor, who’s credits include “Bottoms,” “Willow,” “Mare of Easttown” and “The Sex Lives of College Girls,” approaches the work in an elusive way, but, lucky for us, she still manages to speak about the intangible and slippery aspects with an eloquence that...
info_outlineYou know him as Murray in “Stranger Things,” or Martin in “Fleabag,” or loved him in “Lemon” (the wonderful indie film he also co-wrote), or his countless guest star roles on Comedy Central, Adult Swim, “The Office,” “Curb” (the list goes on), but lately Brett Gelman has been venturing into more serious projects like “McVeigh” and “Lady in the Lake.” On this episode, he talks about the conscious choice to just “do great roles” that often takes him away from comedy. He talks about his relationship to the craft which started in acting school, explains how bombing on stage doing improv was great training for acting, describes why a method approach continues to serve him, makes a plea for us to stop being afraid to “enter into the ugly,” and much more.
Currently you can catch him, and his co-host (and wife) Ari Dayan, on their podcast “Neurotica,” which gives listeners an unfiltered view into their marriage! Listen wherever you get your podcasts!
Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.
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