Flavortone
Alec and Nick revisit an unreleased podcast from the archive, recorded one year ago, discussing the concept and experience of Turning Up. The episode reprises the idea of the Dionysian in terms of consumption of music, ideas, substances and social activity as these mingle within the interior life and institutional forms of attending, listening, partying, producing and performing. The conversation asks questions about the utility of lit music events, fleeting public sounds, the script of turning up, uncoordinated and novel excitements, and the Apollonian state of Turning Down. Topics...
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Alec and Nick return to podcasting to discuss their special respective connections to classical music. The conversation employs a back-to-basics overview of the form: what is classical music? What is NOT classical music? What was and is it? Taking a zoomed-out approach, the episode spans the culture, mechanics, operations, and evolution of classical music: arriving at an assessment of the “audacity of its form” in relationship to the dysfunction and cosmopolitanism of contemporary society. Johann Sebastian Bach, Igor Stravinsky, Richard Strauss, Maurice Ravel, Erik Satie, John Cage, Morton...
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After witnessing a TikTok “beef” between the “Mozart of Gen Z” Jacob Collier and Rick Rubin, Alec and Nick take up “des arts de boeuf” as a space to discuss the implicitly disagreeable nature of musical aesthetics. The conversation uses these two maestro’s different perspectives to inquire into the role of the audience and its relationship to creativity, musical genius and virtuosity, and the underlying political assumptions evident in their arguments. More, the two discuss the act of a “beef” or disagreement as an illuminating tension that highlights core hypocrisies,...
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In a novel departure from their “special relationship” to classical and experimental music, Alec and Nick take up the topic of Interpretive Dance as a discursive foil to their ongoing inquiries into music. The duo give bewildered accounts of the aesthetic experience of interpretive and experimental dance performances—and ask basic questions: are music and dance the same thing? Sibling rivals? Two towers? Or, why does interpretive dance often evoke laughter, humiliation, or come across as potentially overstated and ridiculous? How would would you choose to express yourself through dance?...
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Listen up daddios: in this episode, Alec & Nick take out the bindle-sticks and jugs of wine for a gone reflection on the lingering cultural legacies of bohemianism in the 21st century. Jumping into the Beat generation and mid-20th-century music as a starting point, the discussion focuses on how avant-gardes and countercultures oscillate into and back out of mainstream cultural resonance; and, how the social aesthetics of online media consumption have transformed the dynamic interplay of commerce and liberatory expression. Topics include relational aesthetics, adolescent literary tastes,...
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In this special edition, Alec and Nick open the Flavortone vault to present The Great Bar Italia Debate — a lost episode from the summer of 2023, presented here in timely coincidence with the London group’s recent Crack profile. The debate poses questions about musical style, local vs. global cultural and community dynamics and politics of taste along the well-established axis of London and NYC’s cultural exchange. Taking up discussion of “the band” as a conceptual and presentational format, rather than as a presumptive participatory vehicle, the episode examines the...
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After a long and unanticipated hiatus from podcasting, Alec and Nick return to take a long hard look in the mirror … only to inquire why exactly they possess the impulse to use music as an aesthetic, philosophical, social, cultural, and political measure of the world. The conversation uses the metaphor of the library to chart an interrogation into where music culture, discourse, and practice is at at the dawn of 2024. The episode questions contemporary music culture’s relationship to the history of 20th century experimental music, the legacy of John Cage and Sylvere Lotringer’s view of...
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Alec and Nick reconvene to discuss concepts of “tradition” and “futurity” as they relate to music. Picking up on our ceaseless cultural pull toward both the past and future, the conversation focuses on how contemporary’s music’s impulse to represent history and postulate a future for itself has developed its own kind of suspended, tense aesthetic condition. The conversation touches on Benedict Anderson’s “Imagined Communities,” Bang on Can’s Longform Festival, Accelerationism vs. “trad” culture, neorationalist philosophy, ethical and/or relativist music appreciation,...
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In this episode Alec & Nick revisit the periodic Musician’s Friend series with a Drum Edition. Considering “drum” as an instrumental category that encompasses much of contemporary musical sound, aesthetics and cultural orientation, the episode navigates various histories and practices across a spectrum of percussive sound, recording and musical philosophy and inquires into the meanings of percussion in the 21st century. Topics include global historical reckonings with resonance, Sarah Hennies’ composition and notion of queer percussion, James Tenney’s “klang” concept,...
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Alec and Nick bust out the evil eye amulets to discuss varieties of “cursed music” and what constitutes music feeling or being “cursed.” Following a line of thought from the archetypal Faustian bargain, malediction, ritual and sacrifice, the sacred and profane, and other concepts of curses, the discussion explores music’s relationship to shit talking, punk ideology, Althusser’s interpellation, Torn Hawk’s performance of “Trustfall” at Emily Harvey Foundation,” experiences with live ambient and drone music, Jack Callahan and Jeff Witscher’s new “Music Songs,” Cornelius...
info_outlineAlec & Nick delve into the lore and mechanics of the video game Elden Ring, drawing a layered comparison between “The Tarnished” and our plight as musicians, cultural participants, and social media users. The discussion takes Nick’s recently pseudo-viral tweet proclaiming that “a truly new insane and unforeseen music can and has yet to be made” as a point of departure to discuss anti-communication, Jeff Witscher & Jack Callahan’s recent performance of “Futility 2022” at Union Pool, Morton Subotnick, Godrick The Grafted, decadence, and the dismembered dynamics of media.